Tag: rates

  • 6 Old-School Rules You Should Break as a Freelance Writer

    6 Old-School Rules You Should Break as a Freelance Writer

    As freelancing has become more common, a set of “rules” has emerged as the norm. Blog posts advise us to put on pants, be active on every social media channel and pick a specific niche.

    This is all good advice. But where do you draw the line between following the rules, versus being innovative and doing what works best for you?

    Sometimes breaking the rules can actually strengthen your freelance writing business. Not convinced? Here are six rules you can break as a freelance writer — with advice from freelancers who’ve successfully flaunted them.

    1. Always pitch editors via email

    Yes, most communication these days is done via email. But the tried-and-true method of cold calling an editor can still be a smart way to break the ice. If you want to make your pitch stand out, consider picking up the phone.

    “I’d just always thought if I [called editors], they’d view me as unprofessional (and kind of hate my guts for bugging them,” explained Deb Mitchell at The Renegade Writer. “I didn’t even get to leave voicemails with five editors before my phone rang.”

    The editor had been delighted to hear from her, and wound up assigning her a story on the spot.

    Before trying this strategy, read the publication’s submission guidelines. Some editors are clear that they prefer emailed pitches, especially if you don’t have a relationship with them.

    However, if you feel that cold calling an editor is the best route for you, go for it. You could also send an initial email, then follow up with a phone call.

    Don’t enjoy the phone? Consider other non-email strategies that play to your strengths. Writer Cinthia Ritchie successfully pitched a guest post to Carol Tice of Make a Living Writing on Twitter!

    2. Make your pitch professional

    Yes, you want to follow the instruction in the publication’s pitch guidelines, but you also want to make your email (or phone call) stand out by showing off a bit of your personality.

    How can you add personality to a pitch? Include a photo of yourself to your pitch, show your quirky side with personal anecdote, or tell a joke. If you can make the editor chuckle (or even laugh out loud), you’ll have a good shot at getting her to read the rest of your pitch.

    Asking about the editor and hiring manager’s “spirit animals” during an interview helped my friend Claire Murdough land a contract writing job at a startup in San Francisco. Her question broke the ice, and got everyone laughing and talking. Plus, Claire knew the startup’s atmosphere and that her quirky personality has helped her land gigs in the past.

    Even a bit of fun with grammar is a good idea. “When it comes to grammar, my stance is that rules are made to be broken — but you gotta know those rules backwards and forwards to have the authority to break them,” says copywriter Betsy Mikel.

    “I find that grammar rules can get in the way of being conversational. When I have to weigh being conversational versus following a nit-picky rule, conversational often [wins] out,” explains Betsy. “Most people would rather read something written by a friendly human than a stuffy academic. So it’s mostly about putting readers first over the editorial rules.”

    3. Pitch your idea and wait for approval before writing

    Most pitching processes start out with you researching the site’s content, coming up with a topic, and then pitching your idea to the editor. If it’s accepted, you write up the piece as soon as possible and send it over for the editor to review.

    But what if you flipped the script? Instead of waiting for an editor to say “yes” to your idea, try including the post itself in your pitch email (or at least a detailed summary) so he can see exactly what you’re talking about. This could help push your pitch over the edge from a “maybe” to a “yes,” according to freelance writer Steve Gillman.

    Additionally, you’ll be able to better organize your time. Rather than waiting until the editor approves your idea after a week or two, when your schedule may be busier, you’ll have already written the post. You can spend more time pitching ideas, and less time trying to fit in a last-minute (and possibly rushed) article.

    4. Submit a piece and relax

    As writers, we spend the majority of our time seeking out an assignment, pitching ideas, researching content, writing a draft and editing our post. So when we submit the final piece to an editor, we believe we’re finished.

    But we’re actually still a few steps from the finish line. Aside from any revisions the editor requests, you’ll need to respond to reader comments and questions on the published post. You should also send the editor a quick thank-you note showing your appreciation.

    Finally, it’s important to share the piece within your network and on social media. Help spread the word by posting a blurb and link on Twitter, Facebook or Pinterest. Sharing the post with your followers helps demonstrate that you’re invested in the article, and it’s increasingly expected from freelancers, notes Carol Tice.

    5. Work for exposure

    At the beginning of their careers, most freelance writers work for free or very cheap to gain more traffic and exposure, and build their portfolios. That’s great, but make sure you have a timeline for parlaying those unpaid gigs into paying ones.

    “One rule I never follow is accepting that as a new freelance writer you will sometimes have to accept ‘exposure’ as a payment form,” explains freelance writer Kayla Sloan.

    “When I was first starting out, there were a lot of job opportunities that wanted to pay a very small wage and instead provide ‘exposure’ for me and my writing. I’m not saying exposure and getting your name out there is a bad thing, but you shouldn’t get in the habit of accepting exposure as a payment form or you’ll never grow your business and get where you want financially. After all, exposure doesn’t pay the bills!”

    If you do plan to work for free, make sure you have a detailed plan outlining what you’ll learn from it, how many clients you’ll work with and how long before you’ll start charging for your work.

    6. Create set rates for clients

    When it comes to getting paid, many editors want you to pitch them your rate before they will OK an article idea or long-term relationship. But this rule needs to be thrown out ASAP.

    I’ve learned this lesson the hard way, and it’s meant missing out on a large amount of income. When at all possible, ask about the editor’s budget before quoting your freelance rate. Every time I’ve done this, I’ve been quoted at least $100 more for the piece than I was intending to charge (and in some cases even $500 more).

    To weed out some lower-paying clients, you may want to consider listing starting rates on your website. “I currently put rates on my writer’s site. Since I started doing that, I’ve gotten [fewer] low-ball inquiries,” says blogger and writer Bree Brouwer.

    “I may remove them at some point in the future (since I’m doing freelance gigs on the side of my job now), but I was surprised to see the difference [caused by] adding rates to my site.”

    If you aren’t comfortable publishing your rates, be open to having a general idea of what you charge for certain packages. “I break the mold as a freelance writer by not having a set rate card,” says blogger Miranda Marquit.

    “Many freelancers have a set rate card for their articles, but I prefer to have a general idea of what I want to charge for certain types of writing, and quote a rate based on the client, their needs, and other factors. Then I can negotiate. I’m more likely to negotiate rates on a client basis rather than offer a standard rate card to everyone.”

    Which rules will you break?

    Stick to your guns when you’re quoting your rates, but know when to ask what the client’s budget is, too. Don’t be worried that clients won’t pay what you ask. You’ll be surprised at how many editors pay handsomely for high-quality work — and how many red-flag clients you can avoid by charging a little more.

    Some rules are meant to be broken! Find those that fit your personality and work style, and throw out the ones that don’t.

    Which rules do you break as a freelance writer?

  • Tracking Freelance Earnings: January Income Report

    Tracking Freelance Earnings: January Income Report

    Hi! If you’re new to this column: I’m tracking my freelance income every month and sharing it with all of you. 

    This is my third year of public income tracking, and my first year sharing my income with The Write Life.

    Let’s start with the numbers for January…

    Completed Pieces: 87

    Work Billed: $6,000.80

    Earnings Received: $2,522.40

    When I track my freelance earnings, I look at two key metrics:

    1. The number of pieces I write
    2. The value of those pieces

    As I wrote for Make a Living Writing last year, tracking these two numbers, week by week and month by month, was one of the key ways I built my freelance career. My goal each month is to increase the amount of money I earn while simultaneously decreasing the number of pieces I write.

    Tracking these numbers publicly has also helped me find ways to earn more. There’s nothing like knowing people are looking at your earnings to inspire you to hustle for more work — you don’t want that number to look small, after all! I can’t tell you how many weeks I’ve written “just one more piece” because I wanted to have a nice big number to report online.

    How I track my freelance income

    When I break down my earnings, any completed item counts as a “piece.” A 200-word copywriting job is a “piece,” as is a 3,000-word researched article. When you do your own tracking, you may want to subdivide your work into additional categories to reflect these differences, but I am less interested in tracking word count than I am in tracking what I call “piece value.”

    The value of a completed piece is the dollar figure I write on the invoice. So for January 2015, I will invoice for $6,000.80 worth of work. Some of these invoices are already written, and some will be written soon — it all depends on each client’s individual invoicing schedule.

    It’s interesting to look at additional metrics like average earnings per piece. This month, I earned $68.97 per piece on average, with my per-piece earnings ranging from $300 on the high end to $15.84 on the low end. The majority of my clients pay me $50 or more per piece.

    This is the first year I am also tracking actual monthly earnings received. I always tick off a box when a client pays an invoice, and follow up with clients whose invoices go unpaid, but I hadn’t been tracking how much money actually came into my bank account every month. Instead, I’d just check my bank account every week or so, think “yup, there’s money in it,” and get back to writing.

    When you take a look at these numbers, for example, you can see that although I completed more than $6,000 worth of work this month, only $2,522 hit my bank account. Why? Two reasons:

    1. My pay is delayed. In general, I get paid for December’s work in January, and so on. I was only able to complete $3,323.63 worth of work in December because it was a holiday month. Many of my clients took the end of December off, which was good because it meant I wasn’t trying to complete work in the middle of Christmas dinner, but it also meant that I didn’t earn as much as usual.
    2. A big invoice is outstanding. One of my invoices that was due in January did not get paid. It was an honest mistake by the client, and the client immediately took steps to start the payment process on the missed invoice, but it’s important to keep in mind that just because you are owed money doesn’t mean you will always get it on time!

    Thoughts on my January freelance earnings

    As you may remember from my first Tracking Freelance Earnings column, I set myself the goal of increasing my monthly income to an average of $5,000 every month:

    I’m earning around $4,500 a month now, and I’d like to push it to at least $5,000 a month by summer 2015. If I average $5,000 per month over 2015, I’ll earn $60,000 for the year, which would be incredible.

    This month, I was able to complete $6,000 worth of work. Why is this number so high? Because I went on vacation for the first week of February, and I spent the last half of January “working ahead” to cover the week I’d be gone.

    I’m expecting February earnings to be a little lower because I completed some of February’s scheduled work during the last two weeks of January. I’m not too worried, though: if I invoice $6,000 in January and $4,000 in February, it will still average out to $5,000 a month.

    Why am I not going to start trying to earn $6,000 every month, since I proved I could do it? Because I am exhausted. Completing three weeks’ worth of work in two weeks has left me baggy-eyed, sleep-deprived and ready for that vacation.

    I’d like to boost my earnings to $6,000 a month eventually, but I’d rather do it by getting higher-paying clients than by working until midnight every day.

    And about those higher-paying clients: In my last column, I wrote that I wanted to get “at least one more really solid client” to bring my monthly income to that desired $5,000 a month goal. I landed this client on January 22, just a couple of weeks after that public declaration.

    Like many of my best clients, I got this client through a referral: a current client publication recommended me to another publication, and an editor there contacted me about a regular blogging gig.

    What types of assignments I covered this month

    This month, all of my income came from blogging and writing articles. Right now, I write about three major topics:

    • Personal finance (with, I like to say, an emphasis on the personal)
    • Freelancing, including both this column and my Ask A Freelancer column
    • Pop culture

    More than half of my 87 pieces were written for The Billfold, and one of the pieces that got the most traction this month was an Are You Gifted And/Or Talented? quiz at SparkLife. I loved taking Teen Magazine quizzes when I was younger, and I’m delighted that now I get to be the person writing them.

    I didn’t do any copywriting work this month, and although I could have sought some out, I feel like I completed enough work as it is! I’m ending January satisfied with my income, happy with my new client, and very, very ready to take a nap.

    How do you handle “working ahead” before a vacation? Do you try to squeeze three weeks of work into two, or do you have another way of handling your workload?