Tag: short fiction

  • Where to Submit Short Stories: 30 Options for Writers

    Where to Submit Short Stories: 30 Options for Writers

    Good news! You can finally stop stressing about where and how to submit your short stories—we compiled a list for you. 

    Trying to find a sense of community comes with the territory of being a writer. Whether you’re looking for the right writing contests or residencies, it’s hard to know where to begin and how to find the right home for your personal work. 

    In this guide, you’ll find 30+ magazines and literary journals that publish short fiction (and nonfiction). Our list includes a mix of publications across various genres and styles, ranging from prestigious, highly competitive options to those specifically seeking new and emerging voices.

    Plus, international writers, a lot of these are open to you, too! 


    30 Outlets that Publish Short Stories

    While we’ll give you a brief idea of the flavor of each magazine and site, you’ll definitely want to spend some time reading your target publications before submitting to become familiar with the sort of pieces they prefer. 

    Many of these short story publishers accept original submissions that are simultaneously submitted elsewhere. Just make sure to withdraw your submitted submissions if you get your story published!

    Ready to get started? Here’s where to submit short stories.

    1. The New Yorker

    Might as well start with a bang, right? Adding publication in The New Yorker to your portfolio puts you in a whole new league, though it won’t be easy. Author David. B. Comfort calculated the odds of acceptance at 0.0000416 percent!

    It accepts both standard short fiction as well as humorous short fiction for the “Shouts & Murmurs” section. No word counts are mentioned, though a quick scan of the column shows most pieces are 600 to 1,000 words.

    Deadline: Open

    Payment: Huge bragging rights; pay for unsolicited submissions isn’t specified. As of this post’s publication, no rates specifically for short stories

    2. The Atlantic

    Another highly respected magazine, The Atlantic, publishes both big names and emerging writers in fiction and nonfiction. Submission guidelines advise, “A general familiarity with what we have published in the past is the best guide to what we’re looking for.”

    Deadline: Open. Fiction stories are submitted to fiction@theatlantic.com

    Payment: Unsolicited submissions are generally unpaid

    3. The Threepenny Review

    The 3P Review is quarterly arts magazine focuses on literature, arts and society, memoir and essay. Short stories should be no more than 4,000 words, while submissions to the “Table Talk” section (pithy, irreverent and humorous musings on culture, art, politics and life) should be 1,000 words or less.

    Deadline: January 1 to April 30

    Payment: $400 for short stories; $200 for Table Talk pieces

    4. One Story

    One Story is just what the name says: a literary magazine that publishes one great short story every three to four weeks, and nothing more.

    Its main criteria for a great short story? One “that leaves readers feeling satisfied and [is] strong enough to stand alone.” Stories can be any style or subject but should be between 3,000 and 8,000 words.

    Deadline: January 15 – May 31 | September 3 – November 14

    Payment: $500 plus 25 contributor copies

    5. AGNI

    Thought-provoking is the name of the game if you want to get published in AGNI. Its editors look for pieces that hold a mirror up to the world around us and engage in a larger, ongoing cultural conversation about nature, mankind, the society we live in and more.

    There are no word limits, but shorter is generally better; “The longer a piece is, the better it needs to be to justify taking up so much space in the magazine,” note the submission guidelines.

    Deadline: Open September 1 to December 15; February 15 to May 31

    Payment: $10 per printed page (up to a max of $150) plus a year’s subscription, two contributor’s copies and four gift copies

    6. Kindle Vella

    Rather than seeking a magazine or journals editorial approval, you can publish directly to Kindle Vella’s short story program. Here, your work will go directly to market and its success will be determined by the general public, not by an editorial team. You also don’t have to wait months on a response as to whether your short story will be published. You can upload and be published on Kindle Vella in under 48 hours.

    For a full review of Kindle Vella, read this article.

    Deadline: Open

    Payment: Royalties on KDP reads

    7. Barrelhouse

    Published by an independent nonprofit literary organization, Barrelhouse’s biannual print journal and online issue seek to “bridge the gap between serious art and pop culture.” Its editors look for quality writing that’s also edgy and funny—as they say, they “want to be your weird Internet friend.”

    There’s no hard word count, but try to keep your submission under 8,000 words.

    Deadline: Currently open for book reviews only. Check the webpage to see all open categories and sign up for the email list to receive updates on submissions

    Payment: $50 to print and online contributors; print contributors also receive two contributor copies

    8. The Cincinnati Review

    The Cincinnati Review publishes work by writers of all genres and at all points of their careers. Its editors want “work that has energy,” that is “rich in language and plot structure” and “that’s not just ecstatic, but that makes its reader feel ecstatic, too.”

    Fiction and nonfiction submissions should be no more than 40 double-spaced pages.

    Deadline: The review accepts submissions during three time periods, September, December, and May. Submit earlier in the month because they will stop accepting submissions when their cap is reached.

    Payment: $25 per page for prose in journal

    9. The First Line

    This cool quarterly is all about jumpstarting that pesky writer’s block. Each issue of The First Line contains short fiction stories (300 to 5,000 words) that each begin with the same pre-assigned first line. 

    If you really want to get ambitious, you can also write a four-part story that uses each of that year’s first lines (which is due by the next year’s spring issue deadline). To find each issue’s assigned first line, check out the submission guidelines.

    Deadline: February 1 (spring); May 1 (summer); August 1 (fall); November 1 (winter)

    Payment: $25 to $50 (fiction); $25 (nonfiction) plus a contributor’s copy

    10. The Georgia Review

    Another one high on the prestige list, The Georgia Review features a wide variety of essays, fiction, book reviews, and more across a wide range of topics. You can read specific requirements for each in the submission guidelines, but the common theme among them all is quality, quality, quality.

    Bear in mind submitting requires a $3 processing fee if you’re not a subscriber.

    Deadline: Opens on August 15

    Payment: $50 per printed page; contributors also receive a one-year subscription to the quarterly and a 50% discount on additional copies of that issue

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      11. Boulevard Magazine

      Boulevard Magazine is always on the lookout for “less experienced or unpublished writers with exceptional promise.” It accepts prose pieces (fiction and nonfiction) up to 8,000 words (note: no science fiction, erotica, westerns, horror, romance or children’s stories).

      There is an online submission fee of $3. Free if submitting by post.

      Deadline: Open November 1 to May 1

      Payment: $100 to $300

      12. Story

      Story Magazine is, you guessed it, all about the story, whatever shape it takes. Each issue—printed tri-annually in February, June, and November—is “devoted to the complex and diverse world of narrative with a focus on fiction and nonfiction.” Luckily, you don’t have to stick to any formal guidelines in regards to style, content, or even length; they consider all “short” narrative length work, from flash fiction to novellas. There is a $3 submission fee.

      Deadline: Open

      Payment: Regular payment rate is $10 per page upon publication

      13. Vestal Review

      Prefer to keep your short stories extra short? Vestal Review publishes flash fiction of no more than 500 words. Its editors are open to all genres except for syrupy romance, hard science fiction and children’s stories, and they have a special fondness for humor. R-rated content is OK, but stay away from anything too racy, gory or obscene.

      There is a submission fee of $2 for each submission. 

      Deadline: Submission periods are February to May and August to November

      Payment: The author of an accepted print submission gets $25 and a print copy; $10 for accepted web submissions

      14. Flash Fiction Online

      Flash Fiction Online allows for slightly longer flash stories—between 500 and 1,000 words. Its editors like sci-fi and fantasy but are open to all genres (except for nonfiction and poetry!). As with Vestal, stay away from the heavier stuff like erotica and violence. What they’re looking for is developed, empathetic characters and discernible, resolved plots. Unlike many of the other publications, they will accept previously published work, which you’d submit in the reprint category.  

      Deadline: Open each month for submissions from the 1st to the 21st of the month.

      Payment: $80 per story; two cents per word for reprints

      15. Black Warrior Review

      Black Warrior Review publishes a mix of work by up-and-coming writers and nationally known names. Fiction pieces of up to 7,000 words should be innovative, challenging, and unique; its editors value “absurdity, hybridity, the magical [and] the stark.”

      BWR also accepts flash fiction under 1,000 words and nonfiction pieces (up to 7,000 words) that complicate western traditions of truth-telling, and “foregrounds the history of emotions rather than the history of facts.” There is a $3 submission fee.

      Deadline: Submission periods are December 1 to March 1 and June 1 to September 1

      Payment: A one-year subscription to BWR and a nominal lump-sum fee (amount not disclosed in its guidelines)

      16. The Sun Magazine

      The Sun Magazine offers some of the biggest payments we’ve seen, and while its guidelines specifically mention personal writing and provocative political/cultural pieces, they also say editors are “open to just about anything.”

      Works should run no more than 7,000 words. Submit something the editors love, and you could get a nice payday.

      Deadline: Open

      Payment: $300 to $2,000

      17. Virginia Quarterly (VQR)

      A diverse publication that features both award-winning and emerging writers, VQR accepts short fiction (3,500 to 8,000 words) but is not a fan of genre work like romance, sci-fi and fantasy. It also takes nonfiction (3,500 to 9,000 words) like travel essays that examine the world around us.

      Deadline: Submissions read July 1 to July 31

      Payment: Generally $1,000 and above for short fiction and prose (approximately 25 cents per word) with higher rates for investigative reporting; $100 to $200 for content published online

      18. Ploughshares

      Ploughshares’ award-winning literary journal is published by Boston’s Emerson College. They accept fiction and nonfiction under 7,500 words and require a $3 service fee if you submit online (it’s free to submit by mail, though they prefer digital submissions). You can also submit your significantly longer work (7,500 to 20,000 words) to the Ploughshares Solos series!

      Deadline: June 1 to January 15 at noon Eastern Time

      Payment: $45 per printed page (for a minimum of $90 per title and a maximum of $450 per author); plus two contributor copies of the issue and a one-year subscription

      19. Carve Magazine

      Writers are in for a treat! Carve Magazine accepts poetry, short stories and nonfiction submissions, not exceeding 10,000 words. They accept literary fiction only and are not open to genre fiction (i.e. thriller, horror, romance, etc.). They also accept novel excerpts but only those that can stand alone in the story. There’s a $3 submission fee, but you can subscribe to the magazine to skirt past it.

      Deadline: Open all-year-round from anywhere in the world

      Payment: Pays $100 and offers feedback on 5 to 10% of declined submissions

      20. Daily Science Fiction

      Sci-fi and fantasy writers, this one’s for you. Daily Science Fiction is looking for character-driven fiction, and the shorter, the better. While their word count range is 100 to 1,500 words, they might consider flash series—AKA three or more flash tales built around a common theme. 

      Deadline: Open except for the period between December 24 to January 2

      Payment: Eight cents per word, with the possibility of additional pay for reprints in themed Daily Science Fiction anthologies

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      Convince more editors to say YES to your pitches!

        We’ll also send you our weekly newsletter, which offers helpful advice for freelancing and publishing. You can unsubscribe at any time.

        21. JMWW

        JMWW is a literary journal that publishes fiction stories with up to 300 words and flash fiction of no longer than 1.500 words, and it’s open to any genre as long as the story is well-crafted. To up your chances of catching the editors’ eyes, note that they like “strong characters whose motivations are not always known to us but can be explained within the confines of common sense,” as well as surprise endings (nothing gimmicky). 

        Deadline: Open

        Payment: No pay specified

        22. Smokelong Quarterly

        SmokeLong, a literary mag devoted to flash fiction, publishes flash narratives up to 1000 words—and that’s a firm word limit, so be sure to stick to it. The SLQ aesthetic remains “an ever-changing, ever-elusive set of principles,” but it most likely has to do with these kinds of things: language that surprises and excites, narratives that strive toward something other than a final punch line or twist, and more which you can see in the submission guidelines. Think you can handle that?

        Deadline: Open

        Payment: $50 per story upon publication in the quarterly issue

        23. The Master’s Review

        The Master’s Review’s New Voices category is open to any new or emerging author who has not published a work of fiction or narrative nonfiction of novel length—not including authors with short story collections. Submit your flash fiction of 1,000 words or your piece of fiction or narrative nonfiction of up to 7,000 words. Though, editors are honest: There are no submission fees, but they’re highly selective. 

        Deadline: Open

        Payment: A flat rate of $100 for flash-length stories; $200 for short fiction

        24. Ruminate Magazine

        Both emerging and established writers are encouraged to submit fiction or creative nonfiction stories that “engages the contemplative spirit of our journal and embraces curiosity and discovery rather than resolution.” Both genres are capped at a word count of 5,500 words. 

        Want another option? There’s no pay for this one (just contributor copies), but The Waking is Ruminate Magazine’s online publication space and they’re looking for short-form prose, fiction and nonfiction that is “holy, nutritious and crucial.” Keep your submissions to 1,000 words or less.

        Deadline: July 2, 2020; fiction reading periods are April 1 to June 30; January 15 to June 30 for nonfiction

        Payment: $20 per 400 words, plus contributor copies

        25. Asimov’s Science Fiction

        Have you ever wondered where George R. R. Martin’s Daenerys Targaryen first appeared on the printed page? Well, this is it! An established market for science fiction stories, Asimov’s Science Fiction magazine has won numerous Hugo and Nebula Awards, and the writers they’ve published have led successful careers

        They want you to submit your character-oriented, “serious, thoughtful, yet accessible fiction,” but there’s room for humor as well. While science fiction dominates what the magazine publishes, you’re welcome to submit borderline fantasy, slipstream and surreal fiction—steer clear of sword and sorcery, explicit sex or violence. While there’s no specific word count, ASF seldom buys stories shorter than 1,000 words or longer than 20,000 words. 

        Deadline: Open

        Payment: 8 to 10 cents per word for short stories up to 7,500 words; 8 cents per word for each word over 7,500

        Check out this helpful video from our friends at selfpublishing.com for writing a short story.

        26. Slice Magazine

        Got a fresh voice and a compelling story to share? This one’s for you. To bridge the gap between emerging and established authors, SLICE offers a space where both are published side-by-side. In each issue, a specific cultural theme becomes the catalyst for articles, interviews, stories and poetry from renowned writers and lesser-known voices alike. Short fiction and nonfiction submissions should be 5,000 words max.

        Deadline: Slice published their final issue in the fall of 2021 and are no longer looking for submissions

        Payment: $400 for stories and essays; $150 for flash fiction pieces; $100 for poems

        27. Cricket Media

        Cricket Media wants to publish your finest quality writing for children of all ages in one of its four literary magazines—you have options! Open to submissions from writers of every level of experience, CM’s mags are interested in a lot of things, no matter what genre: realistic contemporary fiction, historical fiction, science fiction and fantasy, folk tales, myths and legends, humor, and even westerns. Their advice? Focus on telling a good story that’s well-plotted, character-driven and has a satisfying conclusion.

        Most stories are 1200 to 1800 words in length; however, they occasionally serialize longer stories of up to 6,000 words. 

        Deadline: Varies; check the guidelines to learn the deadlines for each lit mag 

        Payment: Up to 25 cents per word 

        28. The Dark Sire

        Horror writers, you’re up! A fairly new literary journal, The Dark Sire is a quarterly online and print journal that “explores speculative fiction works for enthusiasts” of gothic, horror, fantasy and psychological realism in short fiction, poetry and art. ​Subjects of particular interest include: vampires, monsters, old castles, dragons, magic, mental illness, hell, disease and decay of society. No word count. 

        Deadline: Open

        Payment: None, but they promote writers through author events, social media outreach and the (in development) TDS podcast

        29. The Common

        Based at Amherst College, The Common is an award-winning print and digital literary journal published biannually in the fall and spring. They seek fiction and nonfiction stories and dispatches (800-word notes, news and impressions from around the world) that “embody a strong sense of place: pieces in which the setting is crucial to character, narrative, mood and language.” Stick to a 10,000 word-count and you’re solid. There is a $3 submission fee.

        Deadline: Reading periods are March 1 to June 1 and September 1 to December 1; subscribers can submit for free year-round

        Payment: $100 for fiction and nonfiction submissions; $50 per dispatch

        30. The Antioch Review

        The Antioch Review is currently paused and not accepting submissions. Check back in the future.

        The Antioch Review rarely publishes more than three short stories per issue, but its editors are open to new as well as established writers. Authors published here often wind up in Best American anthologies and as the recipients of Pushcart prizes.

        To make the cut, editors say, “It is the story that counts, a story worthy of the serious attention of the intelligent reader, a story that is compelling, written with distinction.” Word count is flexible, but pieces tend to be under 5,000.

        Deadline: When operational, open except between June 1 to August 31. No electronic submissions

        Payment: $20 per printed page plus two contributor copies

        31. Literary Orphans

        Literary Orphans is currently paused and not accepting submissions. Check back in the future.

        Fiction comes first for this short fiction and art magazine. Editors want your fiction of any genre, but they have a need for micro-fiction, flash, and short stories that are 2,000 words or less (but 1,500 is their sweet spot!). Creative nonfiction is also accepted for the bi-monthly Literary Orphans issue on the main website; just keep your story to 5,000 words max. Plus, teens under 19, there’s a category for you, too. Submit a story of no more than 3,000 words to its “TEEN SPIRIT” section

        Because they receive a high volume of submissions, editors ask that you submit your *best* piece. But here’s where it gets interesting: If you can’t choose just one, send both! (As long as both stories combined don’t surpass 2,000 words.)

        Deadline: Currently no open calls for submission, but check back in the future!

        Payment: Not specified

        Short Story Submission Tips

        With hard work and patience you can see your short stories published!

        Here are a few tips to keep in mind when looking to submit short stories

        • Take time to read through the literary magazines before you submit. You will have a better idea of what they are looking and know which magazines fit best with your writing style
        • Read the submission details before you submit. Each publication has different specifications for submissions – make sure you fulfill their requirements
        • Be patient. Many of these publications have a small team and a lot of submissions. It is normal to wait several months before hearing whether an article will be published or not
        • Keep track of which articles you have submitted to which publications. Because can submit the same short story to multiple publications, you will need to withdraw that article if it gets published. You don’t want to accidentally publish the same piece in multiple places
        • Don’t give up! While you might receive multiple rejections before you get your first piece published, with hard work it will be worth the wait once you get your first piece in print!

        The original version of this story was written by Kelly Gurnett. We updated the post so it’s more useful for our readers.

        Photo via Nito/ Shutterstock 

      • This Writer Reads 365 Short Stories a Year. Here’s Why

        This Writer Reads 365 Short Stories a Year. Here’s Why

        It is hard to deny the power of a short story. A good one can command your attention, present unique characters in unpredictable situations and deftly tie up all the loose ends by the end.

        Unlike a novel, a short story doesn’t give an author sixty thousand words to shoehorn in every possible idea or to resolve complex situations. Short stories have to contain tight plots and believable (but not clichéd) characters, and they have to convey everything concisely.

        This is no easy feat, which is why reading and understanding short stories offers an author so much value — and why I now read one every day.

        Why writers need to read short stories

        About a year ago, already an avid novel reader, I resolved to read more short stories. My rationale was simply that I hadn’t read enough of them, and should be more familiar with the form.

        After reading more than 50 of them, I realized I intuitively understood far more about the craft of writing fiction than I ever had before. It wasn’t an instantaneous progression, but as I worked on my own short stories and novels, as I fleshed out characters, as I reworked plots, my writing became more fluid and I felt like I had a sudden wealth of stories to draw on.

        I’ve been reading and writing regularly since I was seven years old, so why would I suddenly understand more after a few weeks of a new habit?

        Because short stories offer a condensed version of everything a novel does.

        Short stories aren’t missing any important elements of fiction; they still contain a complete story arc and developed characters, they still reach a climax and include a denouement. While they may be notably shorter in length, short stories include all the same elements as novels, crafted extremely well to preserve space.

        This is why I was suddenly improving so rapidly. A regular short story reader can quickly become familiar with hundreds of plots, hundreds if not thousands of characters, new settings, styles and other elements of the story. While reading a novel might show you a particular author’s interpretation, plot structure and character development, a collection of short stories can easily provide 15 or 20 “case studies” in the same size book — so you can learn much more quickly.

        But then there is the problem of actually reading them. How many short stories have you read? Is it more than novels? It should be. After all, they’re shorter. But most of us decline the opportunity and favor longer works instead.

        There is comfort in reading novels because once you’re familiar with a character, you can enjoy a fairly long journey together until the end. In a short story, however, you only have each other for a handful of pages before it’s over. Appreciating each short story requires a little extra focus and dedication, and this makes it easy to say, “another time maybe. Today, a novel.”

        How to make more time to read

        Everything is easier when you have a habit in place. If you take time off from work to write but don’t have any habits or schedules, you’ll eventually crawl back to your cubicle, forced to admit that you somehow spent the entire staycation browsing the Internet, binge watching Netflix and eating Nutella straight out of the container.

        This is a normal human behavior (well, maybe not the Nutella part): Without an effective schedule, it is entirely too easy to push off the work you want to do and prevent yourself from being productive in the short term. It is a myth that reading or writing requires a lot of time.

        Create a daily habit

        First, set a goal. Having seen the benefits of reading short stories, I’ve resolved to read 365 a year — one short story, every single day.

        The best way to solidify a daily habit is to decide to do it before anything else. The earlier in the day you enlist a new habit, the more likely you will do it because you don’t have any good excuses. If you plan to do it before you go to bed, you’ll tell yourself you’re tired, you’ll do it tomorrow night, you pushed it off too long. If you do it first thing in the morning, however, you wake up and there it is, your new habit.

        I’m sure if I was really dedicated I would read my story before making coffee, but that’s too extreme for me. So I get up, make coffee, and start my day by drinking coffee and reading a short story. As it probably takes me 20 minutes every morning to drink my coffee anyway, it doesn’t even impact my morning schedule. If you’re a habitual morning rusher, then maybe get up 10 minutes earlier. You don’t need a lot of time.

        The first day I tried this habit, I didn’t expect I would like it. Before even cracking my first anthology of short stories, I anticipated it would feel weird — usually, I’m a night reader — and mornings are meant for boring productive things like newspapers and shaving, not reading stories about pro bono detectives searching for missing husbands in stairwells. But I went ahead and read a story anyway.

        It was awesome. I felt more awake after I finished it. I spent the day occasionally thinking back to it, processing themes and concepts, and — most importantly — even if I got jammed up at work, wrecked my car and got lost in the Amazon with nothing but a toothbrush and some duct tape, I had already read a short story. No matter what, I met my goal for the day.

        Enjoy discovering new inspiration

        It proved to be an easy habit to initiate and an even easier one to maintain. Set a deadline first thing in the morning, be aware of the big picture (365 stories a year) and stick with it.

        If it seems like a simple suggestion, that’s because it is. This isn’t a groundbreaking system, just a way to familiarize yourself with almost 400 extra plot lines, tons of fascinating characters, and great examples of pacing, narration and sentence structure, all while drinking your morning coffee.

        Do you read short stories for inspiration or to improve your craft as a writer? Have you noticed a difference in your work?

      • Writing Short Stories? Don’t Make These 4 Submission Mistakes

        Writing Short Stories? Don’t Make These 4 Submission Mistakes

        When you finish a short story, you likely feel a rush of excitement and an urge to share it with the entire world — or, barring that, any short fiction magazine that will take you.

        But in the rush to submit, don’t forget to give your short stories the attention and preparation that will help them succeed. In my three years on the submissions team of Flash Fiction Online, I’ve seen countless submissions with heart-breakingly minor mistakes that kept stories from being considered for publication.

        Make sure your story stands out in the slush pile in a good way. If you’re going to spend the time crafting an intricate, exciting story, make sure to give it the best chance of success.

        Before submitting your next short story to a magazine or online publication, make sure you’re not making these crucial mistakes

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        1. Not following the guidelines

        Of all the writing advice not directly related to putting words on paper, “follow the guidelines” is probably the most common.

        And yet the number of stories FFO rejects each month for not following guidelines is distressingly high. Reasons include technical considerations like using non-standard fonts (Comic sans? Really?) or invalid file types (for example, FFO’s submissions software doesn’t accept .docx files).

        But we also see submissions whose writers have ignored basic requirements like word count and how to submit your work (for example, FFO doesn’t accept email submissions).

        Ignoring the guidelines set by the publication you’re pitching is the worst possible thing you can do for your story. It’s likely going to be rejected without even being read.

        If you want to give your story its fair chance at being selected and published, follow the submission guidelines.

        2. Not researching your market and genre

        Far too many stories in my slush queue play off the same modern-day fairytale or time traveller tropes that other stories have covered before — and done much better.

        Read lots of stories from your genre, especially if you’re writing in it for the first time. Expanding your reading list will help you identify common tropes to avoid — and even better, play with for a unique twist.

        Also, research the magazine you’d like to pitch. Most magazines and websites have their own list of favorite genres and pet peeves, and knowing these preferences will help you pitch the right stories to the appropriate publications, giving you the best chance of success. This information is usually listed in the submission guidelines — so again, read the guidelines.

        3. Not editing and proofreading thoroughly

        Submitting your short story is like going on a first date. You’ve only got one chance to make a good impression, so you’d better be at the top of your game.

        Only submit a story once it’s been spit-shined to perfection. FFO rarely gives writers the chance to revise a story once it’s submitted — and it’s extremely unlikely that a magazine will allow you to withdraw and re-submit the same story.

        To get your story in tip-top shape, do a thorough self-edit to iron out plot holes or character inconsistencies. Make multiple proofreading passes, or consider using an automatic editing tool to help squash typos and grammar errors.

        You might also want to consider running your story past a professional editor or a couple of beta readers for their feedback before submitting.

        4. Not proofreading your cover letter

        Imagine you’re going on a first date with a woman named Melissa. You greet each other, give her flowers, chat for a few moments, and then call her ”Sharon.” How do you think she’s going to respond?

        Yeah, that’s how editors react, too.

        It takes less than a minute to check if you’ve got the right name and publication on your cover letter. Yet FFO often receives submissions that were clearly not meant for us — or if they were, then we know we weren’t your first choice to publish this story.

        We get it — you’re shopping that story around. But we’d like to pretend that we’re just a little bit special to you. (Note that some publications refuse simultaneous submissions, so again — read the guidelines.)

        While you’re checking that you’ve addressed your cover letter to the correct editor and publication, give that letter’s body a thorough proofread as well.

        Where to submit short stories

        Got your story edited, proofread and ready to go? Here are a few markets for short story submissions:

        Want more? Check out this list of 44 places to submit your short story from Joe Bunting of The Write Practice.

        Is your short story ready to be published?

        Just remember that these tips are meant to help your story get into the slush pile. Once your story’s on an editor’s desk, it has to stand (or fall) on its own merits.

        And that, my friends, is an entirely different ball game.

        Do you write short stories? What’s your best tip for other short fiction writers?

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