Tag: marketing

  • What It Really Means to Market Your Writing

    What It Really Means to Market Your Writing

    There are a lot of misconceptions about what it means to market something.

    Not the least of these is that marketing somehow cheapens writing or other creative work. Many writers, artists and other creatives avoid marketing like the plague — as if it will infect all other aspects of their work.

    It’s understandable that so many writers think this way; a lot of the advertising that we see every day is far from appealing, and the industry has earned a bad reputation for brainwashing people, being sneaky, and generally causing trouble.

    But the truth is that all that stuff is NOT what marketing is really about!

    Without marketing — real marketing — no one would be able to make a living writing, share their story, or gain new fans and followers. (Click to tweet this idea.)

    Marketing is much, much more than running an ad or a television commercial, or selling yourself long and hard, and marketing isn’t sleazy! You can do it ethically, honorably and effectively, to tell people what they need to know for them to want to read your work.

    What marketing is NOT

    What is it that keeps so many writers from really getting out there and promoting themselves? Primarily, it stems from a huge misconception about what marketing is, and what it means to do it.

    The fear (and it’s an understandable one) is that when you “market” your work, you have to ruthlessly promote yourself, and sell out your ideals to make a buck.

    This couldn’t be further from the truth.

    Marketing isn’t sales or advertising; those can be elements of marketing, but they’re far from the whole story.

    After all, as an independent writer, you’re not going to promote your novel by taking out full-page ads filled with scantily clad women in the newspaper! You’re not going to have billboards on highways promising dire consequences for all who have not read your book.

    Nor will you rampage through bookstores holding people at knifepoint until they make it to the cash register with your work, or fool people into thinking that you’re something you’re not.

    Marketing isn’t about brainwashing or trickery; it’s about finding people who will be genuinely interested in what you do and what you have to say, and telling them what you’ve got for them.

    Now, people can misuse marketing, but that doesn’t mean you have to. Marketing is only sleazy or unethical when marketers are. It’s not the hammer’s fault when it’s used to harm another person–and it’s not marketing’s fault when advertisers lie.

    That same hammer, in the hands of a carpenter, can build wonderful things, just as marketing can help you build your audience, and readership.

    What marketing is, and how to do it right

    Okay, so now let’s take a look at how marketing can be used ethically and effectively to get your message to the people who need to hear it.

    Let’s start with this very important assumption: you can’t make anyone do something they don’t already want to do.

    Yes, it’s true, despite what some people think about marketing. Someone who hates yoghurt isn’t going to see an ad for it and immediately run out and buy a pint. It doesn’t work that way.

    Likewise, a blog post about science fiction isn’t going to induce a die-hard western fan to go out and pick up a mountain of Star Wars fan fiction. It’s just not going to happen.

    So what’s the point?

    The point is that there are people out there who are dying to read your work–there really are! But they don’t know who you are or that they should be looking for you. It’s your job to let them know that you exist, and that you have stuff that they’d love to read! Marketing is what you’ll use to make that connection.

    That doesn’t sound too bad, does it? Making connections with people who could be interested in what you do?

    Now, let’s get a little deeper into this whole marketing thing. It actually has three distinct and important stages: Alignment, Attraction and Engagement. Briefly, alignment is about making sure you’re trying to connect with the right people, attraction is about getting their attention, and engagement is about building a relationship with them.

    Now, these elements are necessary for all good marketing, but let’s look more closely at what they mean for you, as a writer.

    What ALIGNMENT means to a writer

    You’ve probably heard that you need to picture your ideal reader. This is absolutely true. No matter how brilliant a wordsmith you are, odds are that not everyone on the planet is going to be interested in your work. And if someone’s not interested, you don’t want to bother with them!

    A big mistake that a lot of authors make is failing to really identify their ideal reader at all. It can be challenging to admit that there are people who won’t find your writing appealing, but let’s be honest. A 20 year old surfer dude and a 65 year old grandma of two might love the same books (that’s the beauty of things!) but they probably won’t.

    You want to invest your precious time and money trying to make connections with people who are most likely going to be interested in your work.

     There is a specific type of person who is really going to “get” your writing–and you, as the author, have the best understanding of who that’s going to be. Spend time thinking about them, paint a mental picture of them, and imagine where they spend their time, what they do when they need something new to read, and who or what they consult for recommendations. That will be your way to them.

    If you need some help getting started, check out this post about finding your ONE person–just replace the word “customer” with “reader”, and you’re good to go.

    What ATTRACTION means to a writer

    This part of the marketing process is actually the least important of the three, but it’s the one that most people associate with the word “marketing.” This is probably because it includes all of the things that people do in order to get themselves noticed.

    Attraction is about getting out there and making yourself known: writing blog posts for popular blogs, sharing information on social media, taking out ads with Google or in print spaces (which I don’t usually recommend for writers, by the way), joining communities, or whatever. There are lots of ways you can get someone’s attention, and as long as it’s the right person, that is usually enough to start a relationship.

    Now here’s the thing: this is only difficult if you can’t identify your target reader. If you can, then you’ll find that this part isn’t very hard. So if you’re struggling with getting attention, go back to the part about alignment.

    Remember that you’re not trying to trick or fool anyone into buying your book. You’re alerting interested readers to the fact that you’ve got something amazing to share! This is information they want and will be happy to receive.

    What ENGAGEMENT means to a writer

    Engagement is what you do to help move a reader from knowing that you exist to buying and reading your work. Sometimes that’s as simple as, “Here is my book!” and they buy it, but sometimes it takes a little more, and that’s okay.

    After getting someone’s attention, you need to get them to do something about it. Knowing about you isn’t the end goal; you want them to be reading you!

    Invite people to join your mailing list so that you can offer them samples of your writing, talk to them about ideas, and keep them updated on your new projects. If your alignment is good, this will be appealing to a reader.

    Remember that for every action you ask them to take, whether it’s downloading a copy of your ebook or writing a review for you on Amazon, you want to thank and reward them for their support with more value, interest and content.

    It’s a cycle where you ask for something, provide something of greater value, and then ask again. Over time, a stranger you met through an advertisement or blog post becomes a loyal fan who tells all of their friends when you’ve got something new ready, and who buys anything you produce.

    Okay, so where to begin?

    Does all of this sound a little overwhelming?

    Don’t worry–that’s okay. Marketing is a big topic, and you’re a writer first and foremost.

    Some easy first steps are:

    1. Consider carefully who your ideal reader is. If possible, look at your current readers and try to figure out what they’ve got in common. Do they tend to be mothers? Self-employed? Living in cities? That’s a great place to start fleshing out your reader profile.

    1. Get involved in the communities on and offline where your readers hang out! If they’re on forums, join the forums! If they comment on blogs, comment on them too! If they go to the library, put up notices!

    1. Plan out your relationship-building process. Once someone knows who you are, what do you need them to do? Do you want them to buy your book immediately? Do you want to build a longer-term relationship? What, other than your book, can you offer them to make a relationship with you sound appealing?

    For a more detailed description of the stages of alignment, attraction, and engagement, check out my free Naked Marketing Manifesto.

    Remember: you’re not doing anyone any favors by sitting around twiddling your thumbs and hoping that people will find and enjoy your work. Writing is not enough; you need to let people know you have something wonderful to share.

    There’s no shame in giving someone all the information they need to make a decision. The only shame lies in never giving someone a chance to do so.

    What have you done so far to market your work? Have you had any successes? If you haven’t done any promotion of your work — why not?

  • Tips for Pitching a Literary Agent at a Writers’ Conference

    Tips for Pitching a Literary Agent at a Writers’ Conference

    GIVEAWAY: Chuck is giving away a copy of his latest writing book, Create Your Writer Platform, to a random commenter. Comment within one week to enter! (Must live in US or Canada to win.) Good luck! (UPDATE: Maria won!)

    Pitching literary agents and book editors is one of the best parts of attending a writers’ conference. This is a great opportunity to speak with professionals face-to-face about your book, so it’s important to have your pitch rehearsed and ready.

    However, there are some tricky issues around the in-person pitching process. Here are some Conference Pitching FAQs to prepare you for your next opportunity.

    Should I bring materials with me to a pitch?

    Ideally, no. You shouldn’t bring any sample pages because the agent will almost never want or take such materials.

    The exception is if it’s a visual aid. For example, if you’re an author-illustrator or an author-photographer and want to bring a piece of your art, go ahead and show it off during the pitch.

    How long should my pitch be?

    For a novel, under 90 seconds. For nonfiction, under 120 seconds. (Nonfiction pitches and queries trend longer because there is so much discussion of the writer platform.)

    Remember that pitching is equivalent to simply reading your memorized query letter out loud in a conversational manner. A concise pitch is better than a sprawling, unfocused ramble.

    Can I bring notes with me to the pitch?

    Hopefully, you won’t have to. It’s impressive to speak about your book without notes.

    But if you really feel like you are going to pass out from nervousness if you don’t have something with you, then bring some notes. Just try to reference them as minimally as possible.

    If I pitch agents at a conference and four reps ask for the same manuscript, is it appropriate to send the same work to them all simultaneously? If so, should I tell each that I have also sent it to other agents?

    You can send it to each of them whenever you like, and yes, you can submit simultaneously.

    You do not have to tell them that you’re submitting to other agents. They will assume that. You only need to mention it’s a simultaneous submission if the agent or editor requests in their guidelines somewhere that you do so.

    I pitched two very different manuscripts (different genres) at the conference, and each generated interest. Unfortunately, there didn’t seem to be any agents that were interested in both. What do I do if an agent for each manuscript offers me a contract? Is it possible to be represented by multiple agents if the genres are different?

    It is indeed possible to be represented by multiple agents, but Agent #1 must first clear that decision.

    In other words, simply pitch your books, first and foremost. If an agent offers you representation for a project, be upfront about what you’re writing. They must be completely aware and supportive of you finding another agent for other books. Who knows — they may even offer to rep the second type of book even though that’s not typically their bag.

    Any other tips on how to pitch at an event?

    Let me throw out two tips no one discusses much.

    1. Be a conference volunteer and transport an agent or editor from the airport. That gives you some personal time to meet the publishing pro and discuss your work. Plus, the speaker will feel indebted to you for the ride, so they’ll remember you if you write to them later.

    2. Pitch by not pitching. Do you have any idea how many pitches an agent hears at a conference? I’d say 25 to 50. That is a lot of information that all blends together in their mind.

    Consider trying to get on an agent’s radar in another way. For example, if you sit next to them at dinner, try talking about something memorable or make them laugh. After all, if you write them afterward and say, “I pitched you at dinner,” they may not remember the discussion. But if you say, “I was the woman who agreed with you in that Back to the Future is the best movie of all time,” there is a good chance they will remember that fun conversation, and think of you warmly — and then read your pitch.

    If you’re pitching an agent or editor at an upcoming writers’ conference, good luck! I am a huge proponent of conferences, and think such events are great places for writers to get educated, meet agents, and find writing friends for life. I myself am a conference success story, having found my agent, Sorche Fairbank of Fairbank Literary, at a conference in 2007.

  • Without This, You’ll Never Succeed as a Writer

    Without This, You’ll Never Succeed as a Writer

    This column is excerpted from Create Your Writer Platform, from Writer’s Digest Books.

    I always tell people that my biggest challenge of my job in helping people find literary agents is correcting bad information on the Internet. This is no doubt my biggest challenge on a day-to-day basis in helping people get published.

    But if I had to pick a second frustration — one that drives me absolutely bonkers more often than I’d like to explain — it’s the fact that so many writers make themselves difficult to contact and hurt their writer platform. I cannot tell you how many times I’ve wanted to help someone or promote a book or interview an author only to find no email address anywhere online.

    Why you want to make yourself easy to find

    For example, at least a dozen times, I’ve found a great debut author online whose book I wanted to include in my recurring Writer’s Digest magazine column (“Breaking In”) only to find … no email. No Twitter. No contact information. Plenty of times no website at all. Other times I’ve wanted to interview up-and-coming writers for one reason or another, and I face the same problem. They don’t make themselves available, and I find someone else instead. (Makes you wonder … perhaps someone reading this column right now missed out on some easy promo because they kept their email hidden.)

    I have no idea why people make themselves difficult to contact. I think it comes from some sort of old-school fear that if their email is online, all hell will break loose and their identity will get stolen by someone in Chechnya or they’ll be deluged with spam and messages from hundreds of people asking to borrow money.

    Take it from me: this will not happen. I make myself very available through all channels and am in a position to help people, but the number of cold-contact emails I get each month is small and manageable.

    The point I’m trying to make is this: in this day and age, book publicity is very valuable and very hard to come by. The last thing writers want to do is make it more difficult for editors to publicize their books. In order to give yourself the best chance at success, here are my suggestions for all up-and-coming writers in terms of making yourself available and easy to contact:

    1. Create a website, even a simple free WordPress blog with just one page

    The important thing is just to have something come up when I Google your name or the name of your book. Heck, your website can be one landing page — that’s all I need. Just put some information about yourself and your book (so I know I’m contacting the correct person), and include some relevant contact info — especially an email address you check regularly. Twitter’s also fine, as long as you’re on it often and respond quickly. If you want to see an example of a simple site that I set up for free, check out my writing website on WordPress.

    2. On that note, try to check your email every day

    Note how I just said “check,” not necessarily “respond to every waiting email.”

    You just must make sure there are no pressing matters. Here’s the thing writers must, must understand: editors and literary agents have schedules and deadlines. We also procrastinate more often than we should. This means that, plenty of times, we are contacting people at the last minute and need an expeditious reply.

    3. If you want to protect yourself from spam, take simple steps

    An easy thing many people do when posting an email address online is adjust the formatting and write it out like this: literaryagent (at) fwmedia.com (dot) com. Spam be gone! If you’re an established author with a communicative fan base — perhaps you write for children — then include a note by your email saying that “While I do read every email promptly and personally, due to the sheer number of them, I cannot respond personally to all messages. Sorry.”

    4. Know that only listing your publicist’s contact info on your site is, in my opinion, not good enough

    I know I will catch some hell for this one. The good thing about publicists is they understand deadlines and are usually very quick to return emails and touch base. But publicists get sick, too. They get buried in work just like everyone else. They may be so busy that they can’t consider media requests from non-top-tier outlets. And plus, they don’t always work on weekends (but plenty of journalists do!). That’s why you should include your own information — just in case it’s an urgent matter. And I know the subject of publicists gets kind of tricky.

    Plenty of publishing house publicists don’t really want writers doing their own publicity without supervision from them. If that’s the case, just use your judgment. When my humor book, How to Survive a Garden Gnome Attack, came out in Fall 2010, we got publicity/review requests from media outlets big and small. If the media outlet was very sizeable (e.g., USA Today), or was requesting copyrighted book images to go with the story (e.g., The Huffington Post), then I knew it was something my publicist would have to approve. But everything else was fair game for me to do on my own. (She didn’t have time to get involved with everything anyway.)

    I solicited blog coverage. I responded to lots of interview requests. I answered people’s questions. And I did it all as fast as I could — because you never know when someone has a publicity window that’s closing fast. Just keep in mind that if it’s an emergency, your publicist will understand. I remember one time I was on a docked cruise ship in Miami an hour from when we left and would lose phone reception. That’s when I got an email from a Boston Herald reporter, who wanted to ask me interview questions about how book deals worked. (Guess where she found my contact info? Who knows! It was everywhere online, because I make myself easy to contact.)

    Since this was not just some random blogger calling, but rather a large metropolitan newspaper, protocol said I should send the request formally through my HR division. But the reporter’s deadline was hours away. So I called the Herald back immediately and did the interview. I was careful to pay attention for any “dangerous” questions that had answers that would get me in trouble. But these concerns never materialized, and my quote appeared in the paper. And when you’re quoted in the media, your title also appears: “Editor of Guide to Literary Agents.” My bosses at work couldn’t be mad that I answered some innocuous questions while getting our product out in a big media outlet. In fact, they were quite happy.

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    On a side note, I should mention that if you have a specific reason for keeping your info offline — such as safety concerns — that is something relevant and totally understandable. I’ve run into a few authors at writing conferences with crazy ex-boyfriends who have this issue.

    But if you’re keeping your info locked up for no reason, please realize your name and your reach is your author platform. You WANT people to contact you. You WANT other writers to reach out from the blue. I love it when a member of the media finds my info online and writes me. I don’t even mind it when a writer sends me an email with a random question. I’ve made long-term friends that way — friends who have bought my book and sung my praises to others.

    It’s called networking — and writer networking starts by simply making yourself available. (Like this idea? Click to tweet it).

    Other TWL Guest Posts by Chuck Sambuchino:

    1. What Does a Literary Agent Want to See When They Google You?

    2. Tips for Pitching a Literary Agent at a Writers’ Conference

    3. 8 Lucrative Tips for Writing and Selling Articles to Magazines and Websites