Tag: creative writing tips

  • A “Novel” Idea: How to Write a Book With a Partner

    A “Novel” Idea: How to Write a Book With a Partner

    When my college best friend asked me to co-write a romance novel, I thought she might be crazy. After all, we lived in different states, and I had never written romance.

    But, I was intrigued.

    I tend to put off writing by finding more pressing things to do, like staring into the fridge, wondering what I’m going to feed my toddler when he wakes from his nap.

    Co-writing seemed like a good way for me to stop procrastinating. I would have a writing partner to answer to on a daily basis. I was also a closet romance reader, something not even an MFA in creative writing had extinguished.

    So, off we went, embarking on this collaborating adventure. Four months later we completed our romance novel, in half the time it would have taken me to write the novel by myself.

    Co-writing a novel with your best friend is similar to writing one on your own, but with some key areas to think about during the process.

    1. Communication is key

    It’s important that you communicate with your writing partner.

    Even if you have a lot in common, as I did with my college best friend, being able to speak honestly and clearly is important when you encounter bumps along the way.

    Since we lived in different states, we set up a Google Doc and spreadsheet for the project. Using a Google Doc means that everything is automatically saved, sharing is easy and you and your writing partner can edit at the same time.

    Your writing will also go more smoothly if you schedule weekly phone calls to go over important thoughts and concerns.

    2. Share a similar vision

    Sharing a similar vision might not happen immediately. During the initial stage of planning, it’s important to clearly define your vision, to make sure both of you are on the same page. Yes, pun intended.

    One of my biggest concerns was that we wouldn’t have the same vision for our project. We were different writers. I liked darker Bell Jar kind of literature, and she dreamed of the resurgence of chick-lit.

    But remaining open to each other’s ideas helped shape the setting, characters and plot.

    3. Plan the novel

    Your writing will go more smoothly if you have a strong plan in place.

    Before we even began to write, we developed our characters, plot, and setting by communicating and using a Google Doc to keep us organized. We knew that we needed to have a clear idea of the entire story before we begin.

    This helped ensure that our vision remained the same and that we could work on different parts at once. Once your plan is in place, you don’t necessarily have to go in chronological order.

    how to write a book4. Create a writing schedule

    If you are sharing a Google Doc to write the novel, you might decide to write at different times.

    My partner wrote in the mornings, and I in the afternoons. Most of the time, I would start where she finished.

    It was always exciting to see what she had written. Sometimes I was surprised at the direction she had taken or how differently she envisioned a character. Some days I would open the document to spy on her writing.

    You might find, as I did, that seeing a writer in action is magical.

    5. Establish a timeline to complete the project

    It’s a good idea to discuss the timeline and how you plan to complete the project together so you can hit your word count and stay on track.

    We set start and finish dates for each stage of the project.

    At first, I wasn’t sure we’d be able to finish the novel in four months, but since we had a schedule and I had a writing partner to answer to, I kept to the timeline.

    6. Let go of control

    Like me, you might not be used to sharing creative control with another writer.

    There were times  I disagreed with a choice my partner made. And I sometimes shy away from confrontation.

    But I learned that not having to call the shots all the time left me with more energy to write. Another creative mind was taking the story to unexpected places.

    You and your writing partner may need to let go of your egos as you collaborate.

    7. Be open to criticism

    You and your partner are in this together — listen and trust each other.

    I’ve sat through my share of writing workshop critiques, so I know the difference between negative and constructive criticism, but I still have to remind myself to listen to feedback.

    One afternoon early in the project, my partner completely changed a chapter I had written the night before. Emails flew back and forth. I realized in the end that she was right to have made those changes.

    Sometimes it’s the paragraph or chapter you hold on to the strongest that needs to be deleted.

    As you share in the ups and downs of your collaborative project, you’ll find that the knowledge that you’re not alone is comforting. Also, collaborating is faster because you’re sharing the work.

    Co-writing a novel turned out to be a fun and exciting project that pushed me to stop procrastinating. I loved that the story went to unexpected places that wouldn’t have happened if I had been the only one writing.

    By the end, we had a completed novel that we were proud to have written.

    Have you co-written a novel? Or would you like to collaborate? Share in the comments below.

  • 5 Simple Hacks to Heighten Suspense in Your Novel

    5 Simple Hacks to Heighten Suspense in Your Novel

    Knowing how to write suspense is a useful technique no matter the genre of your book.

    Thrillers, horror, fantasy and even romance novels use the popular device to draw and hook readers to the page.

    So, how do you master this secret writing method?  Use these five tips to add suspense to your story and keep your readers captivated.

    1. High stakes

    Whether your protagonist might die at the hand of the evil antagonist or your main character is at risk of losing the love of her life if she doesn’t betray someone else she loves, the stakes must be high.

    Suspense is achieved when the reader is nervous, worried and on edge. Something big must be at stake for your readers to care.

    Remember, this can’t be done unless you have likeable characters. Your character can be at the edge of losing it all, but if the reader doesn’t like your character they won’t care what he loses.

    Create sympathy, or better, empathy, between the reader and your main character. That way, they will care when the stakes are high.

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    2. Beat the clock

    A great way to employ suspense is through use of time.

    Have you ever been running late to work in the morning, willing the clock on the dashboard to slow down because this is the third time this week I’ll be late. If I catch this light, I might be okay. Why is everyone driving so slow this morning?! My boss cannot see me walking in late again. How have three more minutes already passed?

    Whew! I’m stressed just thinking about it.

    Give your protagonist a deadline before his/her world explodes, and make it a close call. However, be sure to kick up the stakes by making them late to save their loved one or something a bit more dramatic than being late to work.

    Your readers will be holding their breath, unable to put the book down until they know they’ve made it.

    suspense writing3. Murphy’s Law

    Whatever can happen, will.

    If you find yourself writing a scene that feels a little stale and you want to kick up the suspense, make something go wrong. Ask yourself how a situation could go from bad to awful, and then make it happen.

    Nothing drives up suspense like hurdles being thrown in front of your protagonist while he’s trying to get something important done.

    Use outside forces, other characters and internal struggles to further complicate the life of your main character. No one likes a protagonist with no struggles!

    Does your main character have an alcoholic father he left in his past? Have him show up plastered at his promotion celebration. Have your severely claustrophobic character get stuck in an elevator with her love interest.

    Give your characters emotional scars and then make them face and conquer them.

    4.Keep ‘em guessing

    Suspense comes from the unknown.

    Don’t you hate reading a story that you can already predict the ending of after the first chapter? We all do.

    Keep your readers guessing. Will the protagonist abandon his obligations to follow his newest lead? Will the antagonist ditch his carefully concocted plan to seize the perfect opportunity to capture his newest victim?

    Now, this is not your permission to go off the rails! Your twists and turns should be unpredictable, but not inconceivable. Don’t bring in a troublemaker character in the middle of the book that’s never been mentioned before, just for a scene that twists the book in a new direction. Your reader will feel mislead and confused.

    Make sure everything ties together!

    5.Don’t overdo it

    Too much suspense can annoy even the biggest of thrill seekers.

    If the tension and suspense never breaks, it will lose its effect.

    That, or your reader will be so overwhelmed by the nonstop suspense that they’ll pass out. You can’t finish a book when you’re unconscious. And you want them to finish your book. So, let your reader breathe between the suspense heavy scenes.

    Plus, without times of peace, your suspenseful moments won’t be impactful.

    It’s important to avoid making readers feel like you’re getting them all riled up for no reason. Like every scene, suspense needs to advance the plot. You’re better than a cheap scare! Don’t get so caught up in stressing your reader out that you forget to give some page time to subplots.

    You want to elicit an emotional response from your audience; it’s what makes your story memorable. Good suspense keeps your readers glued to the page, making them crave just one more page before bedtime.

    And what better way to do that than to have them biting their nails in anticipation, waiting to see what will happen?

    Do you have your own tricks for upping the suspense in your stories? I’d love to hear them!

  • Why Your Story Conflict Isn’t Working (And How to Fix It)

    Why Your Story Conflict Isn’t Working (And How to Fix It)

    Conflict is one of those aspects of writing that has caused more than its fair share of writer frustrations.

    Like many writers, I’ve spent countless hours creating conflict in my novels. I’ve thrown exciting obstacles in my protagonists paths, I’ve developed sinister antagonists to thwart my heroes, I’ve devised cruel ways to put my characters through mental anguish — and my beta readers still told me, “This book needs more conflict.”

    Because despite what we “know” about conflict as writers, the concept isn’t so cut and dry. It’s hard to create quality conflict in a story.

    How to create compelling conflict in a story

    It’s not just about the obstacles in the path, or the bad guy with the evil plan, or the mental anguish of the hero. It’s not the plot or the character arc, even though we often talk about it like it is.

    It’s a tapestry woven from multiple aspects of writing that work together to create a feeling that victory will not come easily to the characters, and it leaves readers dying to know what the protagonist is going to do about it.

    Over the years, I’ve pinpointed the three most common reasons writers stumble over creating conflict in a story.

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    1. Conflict isn’t a “one-size-fits-all” issue

    Conflict is the push and pull of the character as she experiences the story.

    It’s the combination of external challenges with internal struggles that rounds out the conflict and gives meaning to what the protagonist does. These two sides work in tandem to illustrate why the problem of the novel (the core conflict) is worth reading about.

    What works for one story might not work for another, and even within the same novel, you’ll have different aspects of conflict depending on the needs of the scene.

    Something might technically be a conflict (two sides in opposition), but it doesn’t make a good story conflict, because a strong story conflict has to also create a situation that drives a plot and leads readers through that story.

    For example, a shootout between outlaws holed up in a cabin, while the sheriff’s posse tries to apprehend them, has plenty of conflict, but two sides shooting at each other for hours isn’t a very interesting story.

    If the situation doesn’t do anything to create a strong story, it won’t feel like an actual conflict.

    This is tough, because what constitutes a “strong story” can vary by person. Readers have biases, likes and dislikes, and that contributes to how they regard story conflict depending on the genre they enjoy.

    And they’re all right, and all wrong, because different genres use conflict in different ways, and what readers look for varies. Different genres require different approaches when developing the conflict.

    2. It’s not always clear what people mean when they say “conflict”

    If two writers are coming at conflict from two directions, there will likely be misunderstandings about what they’re actually talking about.

    Getting feedback such as, “Your novel lacks conflict” isn’t helpful if the person giving that feedback is referring to a different type of conflict.

    For example: If Writer A thinks conflict is about the internal struggle of a character, she might think Writer B’s adventure novel that’s heavy on plot has no conflict — even though it does.

    In contrast, Writer B could read Writer A’s novel and think nothing ever happens because the conflict focuses on the internal and not the external.

    One conflict is external and requires external actions; the other is internal and requires more reflection and thought. Neither is plotted or written the same way, and trying to plot the internal conflict the same as the external conflict will lead to some troublesome scenes.

    You might look at such a comment, point directly to the core conflict of your novel and disregard the advice (and then pull your hair out when you keep getting rejected).

    Context is everything, and if you don’t understand which type of conflict someone is referring to, it can lead to a lot of frustration and confusion. You might think your novel has all the conflict it needs, so any “needs more conflict” feedback you get just flat out doesn’t make sense to you.

    story conflict

    3. Using the wrong conflict makes it harder to write a novel

    Use the wrong conflict and things don’t quite mesh in a novel.

    This is most often seen when trying to plot using the internal conflict of the character arc.

    For example, an internal conflict might work wonderfully to support the character arc, but internal conflicts don’t create plot — they just make it emotionally harder to overcome those external challenges. What the character physically does to resolve that internal conflict is the plot.

    Say you have a novel about a woman with a criminal past who gets out of prison and wants to go the straight and narrow and get her life back together. Many writers would say this book is about “A woman who gets her life back together after she’s released from prison.” And they’re right — but many of those same writers would have trouble creating a plot to support this story.

    The reason? There’s no conflict in that description of the book. It’s more the description of the character arc.

    “Getting her life back together” doesn’t show a plot, because nothing in this statement provides an external goal to pursue. There’s also no conflict — nothing is preventing her from getting her life back together. Without those details, the goal isn’t specific enough to know what external challenges she might face as she tries to get her life back together.

    Trying to plot with a character arc can create a lot of frustration for writers. The focus is on the internal struggle to change, not the external action, so the specific tasks (the goals) aren’t as defined as they need to be. It’s like trying to bake a cake without putting it into the oven. The external heat is what turns the ingredients into dessert.

    At its most basic, conflict (internal or external) is the challenge to overcome whatever is preventing the protagonist from doing what needs to be done — physically, emotionally or mentally — to resolve a problem and move forward.

    Once you understand how conflict works in your fiction, you’ll know what each scene needs and how to best develop the different layers and aspects of your story’s conflict.

  • 3 Ways to Create a Compelling Villain For Your Next Story

    3 Ways to Create a Compelling Villain For Your Next Story

    Whether you’re writing a novel, novella, short story or a work of flash fiction, sometimes you need an eye-watering source of evil to spice things up. Something that provokes feelings of disgust, fear, unrest or something that people love to loathe.

    Usually, this comes from the tale’s main antagonist or villain.

    In other words, a character who makes life unbearable for everyone or everything around them. A person, animal or force that is worse than Genghis Khan, Hans Gruber, Count Olaf and Lord Voldemort combined.

    Every reader loves to loathe a villain.

    If you’re sitting there, scratching your head looking for the inspiration you need to conjure up that skin curlingly disgraceful or spit-worthy character you need to make your story complete, follow these three simple steps.

    1.Think of the kind of evil that will suit your story

    We’ve established that you would like to create a real nasty piece of work.

    You know, the kind of character who would steal Christmas gifts from an orphanage, or snatch a blind old lady’s guide dog. But, what you don’t want to do is choose the wrong kind of evil for your story.

    To make sure you don’t choose the wrong evil traits for your character, sit down in a comfy seat with the outline of your plot or your draft so far and consider the kind of antagonist that will slip into your story seamlessly.

    Think about your setting, where the story will take the reader, the relationships between other key characters, the conflict and the resolution.

    If you’re going for a tale that includes all-out guts and gore, then perhaps a murderous, cannibalistic madman or woman will work wonders. But, if you’re taking your reader on a tightly-wound psychological journey, a vindictive, calculating intellectual will suit. Of course, the latter character could be capable of committing a murder, but portraying them as loud, brash and manic in the context of a psychological mystery might not do your story justice.

    Think about the core traits that will work for your character. Write them down, refine them, and you’ll be able to build a portfolio for your antagonist.

    2. Give your antagonist a name and a look, then, take a step back

    Now you’ve identified the sort of skin melting pure evil that will sprinkle a wonderfully sinister element to your work of fiction; it’s time to give it a name.

    Christen that character and the rest will follow.

    Much like when you’re trying to write an eye-catching headline for an article, giving your character a name will help you define them.

    Naming your character will also help them jump off the page in all their toe-curling, snarl-making glory.

    Essentially, you’ll give yourself an extra boost of evil inspiration (this calls for a Dr. Evil-style pinky-to-corner-of-mouth moment).

    Before you conjure up a title for your antagonist, sit back, close your eyes and harness those evil thoughts.

    Think about what you hate and what gets your goat. Consider a person from your past who embodied everything that’s wrong with the world. It could be the science teacher who told you you’d never amount to anything, or that ex who treated you like a piece of proverbial dirt. Also, use those feelings and those people to define the aesthetics of your character. Was that science teacher portly with breadstick fingers, or your ex spindly with intense goggle eyes?

    Use this to help name your character — organizing your thoughts on paper or screen as you go.

    Brainstorm a number of names, being as plain or as wacky as you like — you’ll know what feels right for your story — go for a cuppa, and come back to your workstation to settle on the name of your despicable creation.

    Now you’ll be able to link those core character traits to the name and help connect the dots that will bind your character’s being.

    At this point, you should stop what you’re doing and take a break. An essential part of the ideation process, stepping away from your project and resting your mind for an hour, a week, or even a day will help your ideas incubate.

    3. Create your character’s persona and go wild

    When marketers are trying to target potential customers, they use buyer personas to craft content that will strike a chord with them. Creating a character for your story is no exception.

    Now you’ve bestowed your antagonist with those core evil character traits and given them a name, it’s time to make them real — at your own peril, of course.

    To help give them an all-important human element that will appeal to your readers — and this applies even if your antagonist is an animal or a monster — you should create a full ‘evil character persona’.

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    You can craft evil character persona by looking at certain character traits, personal attributes and other information including age and background.

    To help you bring your antagonist to life, here are the headings you should use to fill in the gaps:

    • Age
    • Brief early life bio
    • Economic or social background
    • Likes and dislikes
    • Signature item of clothing
    • Main source of evil
    • Reason for being evil
    • Main weakness
    • Main strength
    • Current incentive for being evil
    • Most skin curling physical feature

    By working through this checklist methodically, you will be able to create a full background profile for your antagonist and have them jumping off the page in no time — just don’t look directly at them.

    By now, you’ll have a detailed three dimensional source of evil for your story. Not only will you feel more emotionally connected to your character, but it will be like they’re in the room with you (scary thought) — which will of course, have them jumping off the page throughout your story.

    An antagonist that will fit into your narrative like a glove and have your readers groaning in anger — literally.

    Did this help you come up with your most evil character yet? Let us know by leaving a comment.