This Writer Reads 365 Short Stories a Year. Here’s Why

This Writer Reads 365 Short Stories a Year. Here’s Why

It is hard to deny the power of a short story. A good one can command your attention, present unique characters in unpredictable situations and deftly tie up all the loose ends by the end.

Unlike a novel, a short story doesn’t give an author sixty thousand words to shoehorn in every possible idea or to resolve complex situations. Short stories have to contain tight plots and believable (but not clichéd) characters, and they have to convey everything concisely.

This is no easy feat, which is why reading and understanding short stories offers an author so much value — and why I now read one every day.

Why writers need to read short stories

About a year ago, already an avid novel reader, I resolved to read more short stories. My rationale was simply that I hadn’t read enough of them, and should be more familiar with the form.

After reading more than 50 of them, I realized I intuitively understood far more about the craft of writing fiction than I ever had before. It wasn’t an instantaneous progression, but as I worked on my own short stories and novels, as I fleshed out characters, as I reworked plots, my writing became more fluid and I felt like I had a sudden wealth of stories to draw on.

I’ve been reading and writing regularly since I was seven years old, so why would I suddenly understand more after a few weeks of a new habit?

Because short stories offer a condensed version of everything a novel does.

Short stories aren’t missing any important elements of fiction; they still contain a complete story arc and developed characters, they still reach a climax and include a denouement. While they may be notably shorter in length, short stories include all the same elements as novels, crafted extremely well to preserve space.

This is why I was suddenly improving so rapidly. A regular short story reader can quickly become familiar with hundreds of plots, hundreds if not thousands of characters, new settings, styles and other elements of the story. While reading a novel might show you a particular author’s interpretation, plot structure and character development, a collection of short stories can easily provide 15 or 20 “case studies” in the same size book — so you can learn much more quickly.

But then there is the problem of actually reading them. How many short stories have you read? Is it more than novels? It should be. After all, they’re shorter. But most of us decline the opportunity and favor longer works instead.

There is comfort in reading novels because once you’re familiar with a character, you can enjoy a fairly long journey together until the end. In a short story, however, you only have each other for a handful of pages before it’s over. Appreciating each short story requires a little extra focus and dedication, and this makes it easy to say, “another time maybe. Today, a novel.”

How to make more time to read

Everything is easier when you have a habit in place. If you take time off from work to write but don’t have any habits or schedules, you’ll eventually crawl back to your cubicle, forced to admit that you somehow spent the entire staycation browsing the Internet, binge watching Netflix and eating Nutella straight out of the container.

This is a normal human behavior (well, maybe not the Nutella part): Without an effective schedule, it is entirely too easy to push off the work you want to do and prevent yourself from being productive in the short term. It is a myth that reading or writing requires a lot of time.

Create a daily habit

First, set a goal. Having seen the benefits of reading short stories, I’ve resolved to read 365 a year — one short story, every single day.

The best way to solidify a daily habit is to decide to do it before anything else. The earlier in the day you enlist a new habit, the more likely you will do it because you don’t have any good excuses. If you plan to do it before you go to bed, you’ll tell yourself you’re tired, you’ll do it tomorrow night, you pushed it off too long. If you do it first thing in the morning, however, you wake up and there it is, your new habit.

I’m sure if I was really dedicated I would read my story before making coffee, but that’s too extreme for me. So I get up, make coffee, and start my day by drinking coffee and reading a short story. As it probably takes me 20 minutes every morning to drink my coffee anyway, it doesn’t even impact my morning schedule. If you’re a habitual morning rusher, then maybe get up 10 minutes earlier. You don’t need a lot of time.

The first day I tried this habit, I didn’t expect I would like it. Before even cracking my first anthology of short stories, I anticipated it would feel weird — usually, I’m a night reader — and mornings are meant for boring productive things like newspapers and shaving, not reading stories about pro bono detectives searching for missing husbands in stairwells. But I went ahead and read a story anyway.

It was awesome. I felt more awake after I finished it. I spent the day occasionally thinking back to it, processing themes and concepts, and — most importantly — even if I got jammed up at work, wrecked my car and got lost in the Amazon with nothing but a toothbrush and some duct tape, I had already read a short story. No matter what, I met my goal for the day.

Enjoy discovering new inspiration

It proved to be an easy habit to initiate and an even easier one to maintain. Set a deadline first thing in the morning, be aware of the big picture (365 stories a year) and stick with it.

If it seems like a simple suggestion, that’s because it is. This isn’t a groundbreaking system, just a way to familiarize yourself with almost 400 extra plot lines, tons of fascinating characters, and great examples of pacing, narration and sentence structure, all while drinking your morning coffee.

Do you read short stories for inspiration or to improve your craft as a writer? Have you noticed a difference in your work?

Filed Under: Craft


  • Scott says:

    Thank you! I just started doing this and I really like it for the same reasons. Poe is a good source. I also like J.M. Barrie – My Brother Henry and Gilray’s Flower Pot. Michael Gelven, the philosopher, wrote a number of good books, but you could treat each chapter like a short story. Of course Rex Stout’s Nero Wolfe collection is a must. The short stories are very good. I’ve read the entire collection including novels beginning with Fer-de-Lance – this is a neat thing to do because the books are set in the time they were written, so you can see how we progressed from switchboard phones to almost modern day things, although the characters do not age. Dr. Francisco J. Gonzalez has written short papers on Plato, which make many of the dialogues come alive. The papers are short and some of the dialogues themselves are, too.

  • marian says:

    What about The New Yorker as a source for short story reading?

  • Chris Birrell says:

    Inspiring article, Peter. Great idea about reading at the start of the day rather than end. And so important to read loads of shorts if you’re trying to writer better short stories. Love Stephen King’s short story collections. Skeleton Crew is my favourite. And The Raft the best single story on it.

    • Wendy says:

      I’ll take “The reaper’s Image” as scariest story ever. Short, not sweet, and leaves you thinking after it.

  • Susonnah says:

    Do you know of any free online pubs where I can read a short story a day? Where do you pull short stories from?

  • Wendy says:

    I’ve got a daily email subscription, so, if it isn’t every single day, it averages out. It’s a bit frustrating, though, because I’ve submitted six stories to it (all rejected), and some of what they publish has me feeling like I’ve wasted my time or should be charging to read it (I get especially annoyed with stories that don’t fit the genre).

  • Gregory says:

    I stumbled upon this article while searching for info on other people’s reading habits! It’s been an interesting read. Like you, I have recently started reading one short story per day, in a bid to improve my own fiction writing. Ray Bradbury said that a writer should spend at least a year writing one short story a week before even attempting a novel. So, as well as reading each day, I’m also attempting to write one short story a week! It’s challenging but I know that by the end I’ll have loads of stories to choose from and, hopefully, my writing will have improved no end.

    Murakami is a great shout; I’ve read his novels but never his short stories.

  • It’s impossible to be able to write without reading. I ensure that whenever I’m not writing I’m reading, and whenever I am writing I am reading too. As I write flash fiction I tend to read a lot of flash fiction, but short stories and novels work well for me too.

    • Peter says:

      Yeah, I think that it is a good habit to have versatile reading habits. If you write novels, read short stories and flash anyway. If you write flash, read novels and short stories as well etc. All fiction, regardless of length, is going to have the same core qualities and you never know which will provide you the must instruction.

  • Pimion says:

    That’s a great idea! 1 short story per day) Actually I like short stories more than novels. So I’m definitely gonna make it.

  • Nancy says:

    I want to do this, too. Time to make a list! Thanks for the encouragement. 🙂

  • This is spectacular! I recently started doing this with personal essays. I had literally never read ONE, but I was trying my hand at writing one, which is insanity. So I bought a book of personal essays and now not only am I obsessed with them, but I’m working on a few more at the moment. And I agree that reading this stuff makes you a better writer. I feel like if I can write an essay I can write a book. As they say, it’s easier to write long than short 😉

    Question for you though — any short story collections you would recommend? I don’t even know where to start!

    • Peter says:

      I would read Blind Willow, Sleeping Woman because Haruki Murakami is just a lot of fun to read. He’s both an extremely competent writer and a playful one, so you can learn a lot and have fun with it. Otherwise, I read a lot of short story anthologies like The Best American Short Stories (2011 is especially good). I also have stacks of Glimmer Train that I’m not even through yet.

      As a side note, it sounds like your introduction into reading personal essays is a lot like my intro to short stories. I was working on writing them and thinking, man this is hard. Struggling at it helped me realize I needed to real a lot more stories to understand the mechanics.

  • Jack says:

    I have started reading more short stories, more for learning than entertainment, and because I have a wealth of what I believe are solid ideas.

    I’m curious as to where your short story sources are.

    Mine are anthologies, Alfred Hitchcock and Ellery Queen magazines.

    The idea of reading first thing in the morning is what I do also, although right now it’s novels . . . but reading gives me both ideas and inspiration and puts me in the mindset to write my own stories.

    • Peter says:

      Right now I’m reading a lot of The Best American Short Stories Anthologies. I like them because even the stories that I don’t really like have some merit I can recognize and gain value from. Also, at least the newer ones are available with Kindle Unlimited so that makes it convenient for me.

      However, thanks to drilling in this habit, if I see a short story collection by an author I like, I’m a lot more likely to pick it up and spend a month reading it.

  • Ami says:

    I love this idea! Going to start making room for this habit in my life. Thanks for sharing your experience!

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