Tag: fiction writing

  • How Do You Win NaNoWriMo?

    How Do You Win NaNoWriMo?

    In book-writing circles, November is National Novel Writing Month, otherwise known as NaNoWriMo. If you haven’t heard of this annual event, or you’re ready to join the challenge for the first time, this will be a great primer. Here is a brief overview of the rules, along with guidelines to help you win NaNoWriMo.

    How do you win NaNoWriMo?

    “Winning” NaNoWriMo is both simple and hard.

    If you can write 50,000 words between November 1 and November 30 then you win!

    However, actually getting to that word count will take some discipline and strategy. Most people break this big number into a smaller, daily word count of 1,667 to make it feel more achievable. For many, this number is still overwhelming, which is one reason NaNoWriMo is such an exciting challenge. Simple, but not easy.

    Winners receive digital banners and certificates to use on their website or social media and T-shirts are also available for purchase. Sponsors provide other winner goodies, including discounts to writing software and publishing services. The catch? In order to win, you need to register your project on the NaNoWriMo website and log your word count between November 1 and November 30.

    Digital badges and Scrivener discounts aside, the real prize is writing 50,000 words and having a first draft completed in 30 days.

    What are the NaNoWriMo rules?

    While the goal is writing 50,000 words in the month of November, how you get there is flexible. Here is a breakdown of the NaNoWriMo rules to help you stay on track.

    • On November 1, the challenge begins as the clock strikes midnight, local time
    • On November 30, the challenge ends at precisely 11:59:59 p.m. local time
    • For the official challenge, no, you cannot start early or end late. However, you can plan ahead, take notes, create character sketches, etc. before November 1
    • In order to win, your novel must reach minimum 50,000 new and/or rewritten words by the end of the challenge—but your novel doesn’t have to be complete

    That said, “rebelling” is allowed and encouraged, since this is a self-challenge. If your project isn’t a perfect fit and you still want to participate, then do it. For more information on the rules of NaNoWriMo, both official and unofficial, check out this article.

    Additional resources to help you prepare for NaNoWriMo from The Write Life

    These three articles and resources will help you go further with NaNoWriMo specifically. The first is a free tool to help you outline your book before you start writing. The second will help you prepare for NaNoWriMo more fully. The third will help you in your goal-setting so you can actually win the challenge!

    This next set of articles and resources will help you with your novel more holistically. The first will help you get ready to write your novel, but chances are you’re already past that if you’re prepping for NaNoWriMo. The second gives you prompts to get the juices flowing. The third will help you set up routines to write consistently. The fourth is for when you finish writing your rough draft and are ready to self-edit.

    Side note: A lot of people have asked us, “When did NaNoWriMo start? How long has it been a thing?”

    National Novel Writing Month began in 1999 as a challenge between writing friends and has since grown into a global marathon event attracting hundreds of thousands of participants each year. To date, there are nearly 800,000 active novelists and more than 350,000 completed novels as a result of this annual tradition.

    We look forward to seeing you there this November!

  • 17 of the Best Horror Authors to Inspire Your Writing

    17 of the Best Horror Authors to Inspire Your Writing

    There’s nothing quite like the feeling of reading an author whose writing is so good you can’t help but feel a little envious. The writers capable of making us fall in love with a genre as a reader are often the very same ones we look to for inspiration when we wish to try our hand at writing in that style. 

    From my perspective, one which I imagine many people reading this will share, Stephen King is the perfect example of an inspirational author who not only made me fall in love with reading the horror genre but made me want to write like him as well. Of course, the role Stephen King has played in my writing journey has been fulfilled by different authors for other writers.

    If you’re interested in writing horror fiction of your own, read on. We’ve rounded up a list of the best horror authors out there to inspire your work. Are you ready to discover your next favorite spooky scribe?

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    Stephen King

    Maybe his name meant being the king of horror was always his destiny, but it’s impossible to talk about scary authors without mentioning my personal favorite, Stephen King. Readers of different generations fall in love with King’s work, whether it happens to be his classic works of fiction such as The Shining, or more contemporary, fantasy, and sci-fi-influenced offerings such as Under The Dome

    Dean Koontz

    Along with King, Dean Koontz is one of the major names you’ll encounter should you check out the horror section in your local library or bookstore. Although he doesn’t label himself as a horror author, there’s no denying his skill at writing spine-chilling stories. If you’re new to Koontz and looking for some inspiration, check out The Eyes of Darkness for a creepy tale that many say predicted the Coronavirus pandemic. 

    Edgar Allen Poe

    As you’ll see, this list of horror authors is a mixture of contemporary favorites and all-time legends, and Edgar Allen Poe very much falls into the latter category. Considered by many the father of horror fiction, Poe’s ability to conjure up terrifying scenarios is almost unparalleled. Tributes as diverse as The Simpsons and the Insane Clown Posse have been paid to Poe’s mastery of horror fiction. Don’t miss out. If you’re new to Poe, pick up an anthology and dive right in to see how he can inspire your tales of terror.

    Anne Rice 

    Some authors are almost synonymous with an entire genre. For Anne Rice, that’s the case with vampire fiction. Before Twilight caught the attention of a younger generation of readers, Anne Rice was the only real show in town for epic stories of vampire horror and romance. Her books have been adapted into major Hollywood films as well as beloved roleplaying games. If you want to make your contribution to the vampire fiction genre, be sure to study the work of its true master, Anne Rice. 

    R.L Stine

    It would be a huge oversight to ignore the contributions of authors writing horror for a younger audience. After all, our schooldays are often the time of our lives we fall in love with horror fiction for life. For many of us, R.L Stine is the reason we love horror to this day. His prolific output and endless imagination mean many newcomers are still discovering the spooky brilliance of his Goosebumps books for the first time today. 

    Ray Bradbury

    Although Ray Bradbury is perhaps usually categorized as a writer of sci-fi or speculative fiction, there’s no denying his ability to conjure up a chilling tale. Something Wicked This Way Comes and the concept of the Dark Carnival lives on in the minds of horror lovers far after the final page has finished. If you want to learn how to generate terror and unease from the most mundane of regular situations, you could do a lot worse than looking at Bradbury. 

    Clive Barker

    Clive Barker is another true heavyweight of the horror world. While a lot of people will know him for the adaptions of his work, such as Candyman and Hellraiser, you’d be amiss to overlook the source material. Barker not only got respect and admiration from the top horror authors of the era, but he’s also a true creative powerhouse, also producing visual art that sends chills up the spine. Check out Barker’s books for inspiration on how to create immersive, conceptual works of horror. 

    William Peter Blatty

    Although William Petter Blatty’s books don’t always fall under the horror genre, the ones which do are so significant they can’t be overlooked. The Exorcist is, of course, the most prominent of these. The horror genre as a whole has been immeasurably influenced by The Exorcist. It’s hard to imagine the current crop of possession movies would ever have taken place without Blatty’s work. If you’re a fan of that style of supernatural horror, take the time to check out sequels such as Legion which are lesser known. 

    Bram Stoker

    We promised we’d pay tribute to the classics in this article, so you just know we had to give Bram Stoker his due recognition. Without Stoker’s Dracula, there would never have been Anne Rice or any of the more contemporary works of vampire fiction. Although Stoker wrote far more than just gothic and supernatural fiction, it’s impossible to write well in those genres without a solid appreciation of Dracula and other eerie tales like The Mystery of the Sea

    Peter Straub

    At the time of writing, Peter Straub recently passed away. However, there’s no doubt that his work will outlast him for generations to come. While many know Straub for his collaborations with Stephen King, his solo output is more than worthy of recognition. Straub’s strength was crafting works of chilling supernatural fiction, reflected by his large haul of Bram Stoker awards. Newcomers to Straub could check out one of his classic novels like Mr. X or start with a short story collection such as 5 Stories

    Shirley Jackson

    Shirley Jackson not only impacted the world of horror fiction during the time she was active but has continued to influence today’s authors as well as the media landscape in general through adaptations of her work. Her mystery fiction was just as well-received as her horror, and the influence of one on the other can be seen in the chilling atmosphere of surprise present in her work. Check out The Haunting of Hill House or We Have Always Lived in The Castle for classic fiction from Jackson. 

    Jonathan Maberry

    Fans of contemporary horror shows on Netflix might be familiar with V Wars, but perhaps less show with the man behind the source material, Jonathan Maberry. If you want to learn how to create rich series of books full of worldbuilding and detail, you could do a lot worse than checking out Maberry. He’s also capable of crafting superb standalone stories, such as Ghostwalkers

    Mylo Carbia 

    As promised, we want to celebrate contemporary powerhouses of the horror genre as well as their classic forefathers. When it comes to major names that might still be under the radar for a lot of readers, there are few better than Mylo Carbia. Carbia was originally a screenwriter and her fiction reflects that ability to create gripping storylines that loom vividly in the mind of the reader. Check out Violets are Red for a fantastic blurring of the horror and thriller genres. 

    Ramsey Campbell 

    You might have noticed by now that the UK tends to punch above its weight when producing incredible horror authors relative to its population size. For one of the best of recent years, check out Ramsey Campbell. Campbell is quite prolific, having produced well over 30 books. However, he’s somewhat lesser known due to only having a few adapted for the screen. Ancient Images is a great starting point for his work, or try The Wise Friend for something newer. 

    Ania Ahlborn 

    If you’re looking for proof that self-published horror authors can go toe to toe with traditionally published authors, look no further than Ania Ahlborn. Ahlborn self-published her earliest novels and became the bestselling horror author on Amazon in the process. She’s since been adapted for the screen and has gone on to achieve bestseller status countless times. Check out her career for a blueprint of how to achieve horror success as a self-published writer. 

    Mary Shelley 

    Although we’re coming to the end of our list of the best horror authors to inspire your work, we’d be amiss to finish without taking a look at Mary Shelley. Shelley will always be associated with Frankenstein, but her influence on what later became science fiction shouldn’t be overlooked. Although you probably wouldn’t write in the same style as Shelley these days, you’d be a fool not to look at her mastery of mood, character, and scary storytelling. 

    Robert Bloch

    Robert Bloch is a name that a lot of people may not be familiar with, even if they know some of his most famous works. The movie Psycho is inexorably tied in with Hitchcock, but it was Bloch who provided the source material that would later be adapted. Bloch was a master at crafting psychologically disturbing tales that lingered for a long time in the mind of the reader. Study his work for clues on how to craft your disturbing works of fiction. 

    Are you ready to write your own horror?

    Now that you have plenty of inspiration for crafting your own spooky story, it’s time to take action!

    By all means, choose a few authors or books to read as research, but set yourself a deadline for getting started with the process of creating something for yourself. You might start with an outline or jump into working on a full first draft.

    Whichever route you choose, we wish you every success in your horror genre. Who knows, maybe one day you’ll be the inspiration for the next generation of horror authors!

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  • NaNoWriMo Rules You Need to Know

    NaNoWriMo Rules You Need to Know

    As soon as the seasons start to shift from summer to fall, it seems like every writerly corner of the Internet becomes consumed with one question and one question only:

    Are you going to do NaNoWriMo this year?

    If you’re asking yourself that question, you’ve come to the right place. In this article, we’ll talk about what NaNoWriMo is, the NaNoWriMo rules (official and unofficial), and some tips I’ve personally compiled to help you make the most of your NaNoWriMo experience.

    What is NaNoWriMo?

    Let’s consult the 2009 vlogbrothers video titled “NaNoWriMo!!!” In it, John Green defines NaNoWriMo like this: “In case you don’t know what NaNoWriMo is, it’s National Novel Writing Month, an annual event in which people try to write a fifty-thousand word novel in a single month.”

    That sums it up nicely! NaNoWriMo takes place during the month of November, and its goal is to get its participants to write a novel of fifty-thousand words by the end of the month. Participants make accounts on the contest’s site and enter their daily word counts there. The site also uses daily word counts to project how long it will take the participant to finish their novel (even if they don’t win NaNoWriMo), how a participant’s word count compares to others in the area, and, of course, how close they are to completing their goal.

    Often, online communities sort of drop everything to focus on NaNoWriMo. It’s nearly inescapable, and it’s not hard to understand why. Writing is often an intensely solitary activity, and while some writers might have in-person writer friends, a lot don’t. Events like NaNoWriMo give writers a real sense of community as they work towards their common goal, and this is the real magic of NaNoWriMo.

    The First Three Rules for NaNoWriMo

    We’ve talked about how to formally enter NaNoWriMo (setting up an account on the site linked above), but what are the rules? Surely it can’t be as simple as ‘write fifty-thousand words in a month.’

    When NaNoWriMo was first founded, there was a set of rules governing how the contest would play out and what participation counted towards the end goal. Kelsey McKinney, writing for Vox, outlines these foundational rules, which were put in place by Chris Baty in 2000:

    1. The writing project must be new
    2. It must be written by a single person
    3. It has to be finished by midnight on November 30th

    This is all straightforward, and the rules for NaNo haven’t changed much in the years since. Now, if you look on the Wikipedia page for current rules, they’re mostly just an expansion on the existing criteria. The contest begins at the start of the month and ends at the end of the month, the goal is fifty-thousand words, et cetera.

    Do I have to follow these rules to participate?

    What if you’re working with another writer or with a group of writers on a novel, or what if you’re working on a novel that’s going to exceed fifty-thousand words (almost all of them do)? What if you’ve got a project you’ve started, and you want to use NaNoWriMo to really focus on it?

    That’s fine!

    As the Wikipedia page points out, NaNoWriMo is a “self-challenge,” which means it’s mostly set up for participants to push themselves toward the goal. There’s not someone from the NaNoWriMo organization standing over your shoulder and going “uh, that’s not a brand-new idea. You already had that file on your computer. Pack up your pens and go!”

    As long as you have put fifty-thousand words in, you’ve won the contest.

    Does this cheapen the deal? Not really. The biggest reward participants get for completing NaNo is the achievement itself: writing fifty-thousand words in a month. Sometimes NaNo will offer to print a copy of the participant’s draft or something like that, but usually, you get a certificate and a pat on the back. Most of the reward is in the work itself.

    So if you want to follow the rules, follow them! If not, cool! It’s your life.

    My (very unofficial) NaNoWriMo Rules: Tips for Having a Good Time

    The existing rules for NaNoWriMo are just fine, but as someone who’s been a participant every year for a while, here are a few tips to making the most of your NaNoWriMo experience.

    1. Don’t set out to write a novel

    I know, I know, this is kind of the whole point of NaNoWriMo, but hear me out.

    You’re almost definitely not going to write a great novel in a month. First drafts are rarely any good, and the first draft of something you manically typed over the course of a month is probably also not going to be very good.

    John Green points this out in “NaNoWriMo!!!,” saying “as a rule, no great book can be written in a month.”

    This isn’t to say you shouldn’t try to do your best or you shouldn’t try to write a book. It’s just to say that you should keep your expectations reasonable. What you’re going to end up with is fifty-thousand words—that’s all you can be sure of. It probably will not be a complete draft, since most novels are much more than fifty thousand words, and it will definitely be rough.

    I like to approach NaNoWriMo as a giant word sprint. For anyone who doesn’t know: a word sprint is where you set a timer for a short amount of time, usually five to twenty minutes, and write as much as you can without stopping until the timer goes off. The objective of a word sprint is just to get something on the page—you can work with something, but not with nothing.

    And as someone who has a really difficult time getting an imperfect something on the page (preferring the always-perfect-but-not-actually-real-and-therefore-unsellable-nothing), this makes NaNoWriMo a great opportunity for some actual trying. You’re going to have to revise your first draft no matter what you do.

    As John Green goes on to say in the video, “No great book can be written in a first draft no matter how long it takes you to write it…NaNoWriMo gives us discipline and it gives us permission to suck, which are the two things you most need if you’re going to be a novelist.”

    2. Use NaNoWriMo for stuck projects

    Speaking of getting an imperfect something on the page: I like to use NaNoWriMo strategically as a way to work on existing projects. This is in direct violation of the rules, but it works out nicely for me.

    Like I said before, NaNoWriMo is a self-challenge. There’s not a NaNoWriMo police and there’s not a NaNoWriMo judge coming to live with you for the next month to keep you in line. You can pretty much use this contest for whatever project you’ve got that needs to be worked on. I personally like to use it to get lots of words written—sometimes these words go towards one draft, but sometimes they go towards work, short stories, poems, or whatever I need to do that month.

    This might sound kind of antithetical to the spirit of the challenge. Couldn’t I do that any other month? Why use NaNoWriMo just to knock out my to-do list?

    Glad you asked!

    3. Get involved with the NaNoWriMo community

    Again, in my opinion, the biggest appeal to NaNoWriMo is in the community that comes up around it. People post their word count goals and share their works-in-progress (#wip) on Twitter, Instagram, Tumblr, probably also TikTok (somehow, I’m not on WriterTok, but I assume it exists since BookTok does), probably also everywhere else. It’s free to join and it invites writers to try and do an impossible task, which is something that just kind of appeals to most writers.

    NaNoWriMo also offers the ability to add friends on their website. This allows you to check on your friends’ progress, take a look at their projects, and generally connect with other people participating in the contest.

    When I look back on the years that I’ve done NaNoWriMo, I remember a little of the projects I worked on—the Pinterest boards, the character templates, PrepTober events, stuff like that.

    But mostly I remember the glow of my computer screen at one o’clock in the morning, my heavy eyelids and tired retinas, my hands steadily developing a cramp which would go on to haunt my mid-twenties with a passion (seriously, take care of your wrists, fellow typists). I remember telling my friends the moment I hit my word count goal and the moments my friends hit theirs.

    Like I said before, writing is often lonely. There aren’t a ton of opportunities to connect with other authors working on their own projects with a ferocity like people bring to NaNoWriMo. Take advantage of the community, and some of the friendships you find might last well past NaNoWriMo.

    Now, to my last unofficial rule…

    4. Use NaNoWriMo to develop some writerly discipline

    Before you get mad at me: I definitely am not saying that you should be writing fifty-thousand words every month. In fact, I would argue that you definitely shouldn’t be. Drafting is only one small part of the writing process, and not every day is going to be a drafting day. Fifty-thousand words is, respectfully, a crap-ton of words, and if you’re writing that many that often, they’re probably not great words (and I say this as a once-ghostwriter who used to crank out thirty-thousand words a week on the regular).

    That being said, writing does require a ton of work, mostly in revision. Being a capital N Novelist is going to involve writing when you do not feel like it and making writing a regular, structured part of your life. It might not be every day, but it’s going to have to be regular.

    So, use NaNoWriMo to develop habits that work for you. Take note of what time of day you prefer to write, or what sorts of drinks you like to sip while you work, or whether you like to write outdoors or inside.

    Does freewriting suit you best? What about typing? Maybe you love Microsoft Word, or maybe you’re really into Scrivener. Keep track of these kinds of things and make an effort to form some kind of schedule or regiment—this can be edited or changed as your needs fluctuate, but just as you can’t write a perfect first draft, you can’t become a disciplined author without at least a little effort.

    Bottom Line

    Use NaNoWriMo to ask yourself what it takes to get you to sit down and work on your novel regularly. Set monthly writing goals. Then, take these habits you built during NaNoWriMo into your future writing projects, and you’ll be well on your way to success.

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  • How to Prepare for NaNoWriMo: 7 Ways to Make Sure You Crush Your Goals

    How to Prepare for NaNoWriMo: 7 Ways to Make Sure You Crush Your Goals

    Every November, writers from around the world get together and work on cranking out an entire novel in a month. Originally founded in 1999 by Chris Baty, the goal of NaNoWriMo (National Novel Writing Month) is to write 50,000 words over the course of the month since that is roughly the length of an average novel. Over 400,000 (and growing) people buckle down every year to attempt the challenge.

    While it’s hard to write a fully polished novel in that amount of time, most of the focus is on simply sitting down and putting words to paper as fast as possible. For people with writer’s block, it can help them smash through the internal barriers that prevent them from getting their story on paper.

    A ton of writers also enjoy the camaraderie and the community that comes with joining NaNoWriMo, since everyone is in the same boat of working on hitting their word and page goals every day.

    Writing a novel is a serious undertaking, let alone trying to do it in a single month, so let’s break down everything you can do to prepare for what’s ahead. Here’s your guide on how to prepare for NaNoWriMo.

    1. Set your writing schedule

    If you want to hit your 50,000 word goal, that comes out to about 1,667 words per day. It can be hard to say how long that will take since everyone has a different writing pace, but the average is about 2 to 3 hours per day.

    Keeping all of this in mind, you need to take a hard look at your calendar and figure out how you can fit in the required time to get your writing done.

    Some people say it’s much easier to start with a higher goal, such as 2,000 words per day. That way, you’re ahead so when you have a bad day you don’t have to catch up with hundreds or thousands of words.

    You might be able to get up earlier or stay up later and fit in a whole chunk of uninterrupted writing time. However, if you have kids or other responsibilities on your plate, you might want to break your writing up throughout the day into 30-minute or hourly chunks.

    On top of that, you should schedule your writing sessions at your peak writing times. Some people have much more clarity when they first wake up or they love to burn the midnight oil and write while everyone else is sleeping.

    Planning your writing blocks during a time you know you’re always tired is just setting yourself up for a losing battle.

    2. Let the people around you know about NaNoWriMo

    No, this doesn’t mean you need to recruit people to join you (although you can), this simply means you should let people know that you’re going to be taking your writing seriously.

    This can mean they shouldn’t interrupt you during certain hours or maybe you set up a babysitter for your kids. What you don’t want to happen is to take on this huge writing commitment and then get mad at everyone around you when they interrupt you but you never let them know about your new writing journey in the first place.

    Make sure all of the people in your life know what you’re doing and why you need certain quiet, focused hours.

    3. Account for off days

    No matter how motivated you are, there will be days when the words refuse to pour out of your fingers and no amount of coffee helps.

    On the days you feel good, sometimes it’s worth it to go the extra mile and crank out a few extra words here and there to get ahead and account for the off days. While it would be nice to imagine that we’re all robots and can crank out pages of work every single day without a problem. Instead, you should plan for a few bad days throughout the month and plan accordingly.

    4. Have your writing easily accessible

    One key to succeeding at NaNoWriMo is to have your writing easily accessible. Whether you carry a notebook around or have a writing app, you’ll want it nearby and easy to write in.

    That way, when you have things such as missed appointments, are stuck in a long train commute, or have some spare time while your kids nap, you can crank out a few hundred words.

    You’d be surprised at how many small pockets you can find in a day to put in a little writing here and there. It might not seem like much at first, but you would be surprised at how fast it can add up.

    Ideally, you want it to also be quickly accessible because you don’t want to spend half that time just trying to open your app or find the notebook you’re using. Ideas will also come to you throughout your days so you will need somewhere to quickly capture them on the go.

    5. Track your progress

    Whether you choose to use software with built-in word counters or you choose to make something like a NaNoWriMo bullet journal spread, it’s a good idea to know where you are in your overall progress. Seeing the word counter continuing to grow can help keep your motivation going, even on your bad days.

    6. Outline your story

    If you want to go the extra mile, having a thorough outline and your ideas all in one place can help you write faster when the month begins. Unless you have a free and open schedule all month, you’re going to be writing in focused chunks of time and need all of your ideas ready to go, even if they change as you write during the month.

    You don’t want to sit down and forget your storyline or what you wanted to happen next in your novel. Then, you’re wasting 20 or more minutes searching for that note somewhere in one of your notebooks and poof, there goes time that could have been used for writing.

    If you prefer visuals, some people put storyboards on a whiteboard or other physical sheet in front of them so they can see where they are in their plot. Janice Hardy, a fiction writer and teacher, has suggested using Preptober in this way:

    Week 1: Focus on the novel’s setup

    Beginnings introduce the characters, story problem, and story world or setting to readers, and they set the stage for the rest of the novel.

    A strong start will provide you with solid scene goals, giving you something to write about every day.

    Things to determine:

    • How the protagonist is introduced

    What traits do you want readers to know right away? How might you show those traits in action? What likable qualities does your protagonist have? How can you show those qualities in your opening scene or first chapter?

    • The problem the opening scene deals with

    An opening with an interesting problem to solve gives the story drive and the characters reasons to act. What problem might your protagonist face when the novel opens?

    Remember, the goal of an opening is to a.) hook readers and b.) lead the plot to the core conflict of the novel.

    • The inciting event

    If this event did not happen, there would be no novel. It either drives your opening, or is the bridge between your opening scene and the beginning of the middle (act two).

    Week 2: Focus on how problems get solved in the middle

    This middle is where the bulk of the novel unfolds as your characters work to resolve their problems and fail a lot. The number of attempts and failures will vary by the type of story, as thrillers have different expectations than romances.

    Things to consider:

    • How the setup transitions to the middle

    Everything in your beginning will lead to the middle, where the protagonist will make that all-important choice to accept responsibility for resolving the plot, and move into act two. The opening scene leads to the inciting event, which leads to this decision.

    • The major problem or event revealed in the middle

    Adding a big shake-up, problem, or reveal at the novel’s center can prevent the all-too-common boggy middle. The mid-point event creates the goal and problem the second half of the middle will have to resolve, and set up what will happen in the ending.

    • How the middle transitions to the ending

    The protagonist has failed, feels utterly lost and hopeless, and things are at their worst. What the protagonist does here will launch the ending and lead to the climax of the novel.

    Week 3: Focus on how the novel ends

    The ending is how the novel’s core conflict problem is resolved. It starts with the protagonist at her lowest point and drives her to the ultimate showdown with the antagonist.

    Things to determine:

    • How the protagonist plans to defeat the antagonist

    Although the plan may (and often does) fail, this is the goal that launches the ending and propels the protagonist to the climax. What are some of the steps that will take the protagonist from hopeless to victorious (or hopeless to defeated, if that’s how it ends)?

    • How the novel ends

    You might not know the details at this stage, but it helps to have at least a general idea of how the core conflict of the novel is resolved.

    • How the protagonist is changed by the experience

    In most novels, the protagonist grows and becomes a better person by the end of the novel. What changes for your protagonist? How is she better off? How is she worse off? What did she learn?

    Week 4: Focus on major turning points of the story

    Flesh out whatever you need to write your novel.

    If your story is character-driven, you might plan the character arc and focus more on the internal journey of your protagonist and discover the plot as you write.

    If you’re a plot-driven writer, you might prefer to map out the major plot points and figure out who your characters are by how they solve those plot problems.

    Whatever your process, look at the key turning points and elements you need to keep your story moving forward. I suggest aiming for three major points per act (beginning, middle and ending), but develop as many as you like to keep your plot on target.

    Final Days: Write a book proposal

    It might sound crazy, but I recommend writing a rough query pitch to make sure you have enough figured out to write your novel.

    The book proposal is a fantastic way to verify the necessary elements of your plot and characters, and find holes before you fall into them.

    7. Prepare your space and tools

    If you love to write in the same place so you can build the habit, setting up a dedicated space can help. Put your favorite plant on your desk, a good notebook nearby, and keep it clean so you’re ready to dive in and work.

    You want your space locked and loaded to dive in completely on November 1st so you can get right to writing without anything getting in your way.

    This might be the time you need to invest in some better tools to support your writing. If your keyboard is missing some keys or your pens always leak, you’ll want the best tools so writing is as easy as possible.

    Set up rewards for yourself

    Don’t forget to reward yourself along the way. Whether or not you hit your goal of 50,000 words, you should set benchmarks along the way to celebrate. Any words you can get on the page is a celebration, even if it’s not a full novel.

    As writers, it’s easy to overlook progress. When it comes to something like writing and publishing a novel, you have to understand how long it can take to make it happen. Novels are marathons, not sprints. That’s why it’s essential to celebrate every little benchmark.

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  • Pantser or Planner? What Your Writing Style Says About You

    Pantser or Planner? What Your Writing Style Says About You

    As you’re reading this post, I’m knee-deep into my first try at National Novel Writing Month.

    It’s a climate fiction story that started as a kernel of an idea this summer. I scribbled the first 10 pages or so, then left it to rot until November 1. (Not for lack of love, just for lack of time. You know how it goes.)

    Now, each day, I open my story document and…make it up as I go along.

    I’ll be the first to admit it: I’m a pantser.

    The idea of outlining a plot, crafting character profiles or weaving story maps bores me. So I fly by the seat of my pants and let the story take the controls.

    Does this sound like you? Or are you a planner?

    Let’s take a look at these two writing styles and how they can benefit your craft.

    Planners: small steps toward big ideas

    Planners are methodical writers from start to finish. Sometimes before there’s a lick of dialogue on the page, a planner knows the key plot points of the story.

    Take J.K. Rowling, for example. One image that floats around the web features a handwritten looseleaf page organizing plot points and characters for her epic Harry Potter series.

    Rowling’s idea for the boy wizard popped into her head during a train ride, and she immediately got to work scrawling the first few pages of what would later be her first book about Harry and company. As she considered how to mold and shape that first book, Rowling also plotted out major events throughout the series, including the ending.

    After all, with a magical world and host of characters, many of whom came of age over the course of the seven books, it behooved Rowling to have her outline as a guide. Otherwise, Harry and the rest of those wizard kids could have ended up printing t-shirts on the Jersey Shore instead of going to Hogwarts. You never know.

    Planning isn’t just for the type-As and overachievers among us. It’s for anyone who doesn’t want to sit down in front of a blank page without help. It’s for people with minds too busy or preoccupied to keep track of the nuances of an entire story.

    If you’re a planner, remember that your notes, outlines and resources are a guide, but not a turn-by-turn GPS unit. Deviating from your planned route — perhaps as a brief experiment to get your wheels turning on a tough day — could lead to some interesting discoveries for your characters.

    writing stylePantsers: It’s all under control

    Stephen King is my favorite pantser. He’s got the chops to prove it, with more than 50 books on the shelves — many of them major horror favorites.

    How did some of King’s most famous supernatural tales form? Organically, it turns out. One day at a time.

    “I distrust plot for two reasons,” King says in On Writing. “First, because our lives are largely plots even when you add in all our reasonable precautions and careful planning and second, because I believe plotting and the spontaneity of real creation aren’t compatible.” The stories make themselves, he argues.

    He goes on to explain that stories are like fossils. You find a piece of one and start to carefully unearth the rest of it. When you first discover the fossil, you don’t know what the final specimen will look like.

    You don’t know if your own kernel of an idea has potential for a full novel, or maybe just a blip of flash fiction. You have to play with it (carefully, because it’s a fossil, remember) until the full story shows itself to you.

    Pantsing is about trusting yourself. Trusting yourself to come to your writing desk regularly, to test ideas, to be willing to scrap entire chapters — or entire ideas — if they don’t work. By committing to your creativity, you give yourself room to play with the words until you’re satisfied.

    So, which kind of writer are you?

    This is not a debate about whether you like wizards or creepy clowns better. J.K. Rowling and Stephen King could both teach us lessons for days.

    But if you’re still figuring out your writing style (Hint: many published authors are still working on this), it can help to bring awareness to your planning methods vs. your …well, your planning avoidance.

    Author Heloise Jones recommends keeping an evidence journal, or a log of each time you sit down to write, in her book The Writer’s Block Myth. By keeping notes about each session, you can look back at the time you spent, what time of day you were productive, what you worked on, and how you felt about it.

    You can also keep notes about your current project. Pay attention to how your plot develops during a writing session. Did you mull over a piece of dialogue or a key event on your walk to work in the morning? Did you dig through your purse to find a scribbled note to guide your next writing session?

    Use the hints your life leaves you (yes, sometimes crumpled up in your purse) to determine whether you’re a pantser or a planner.

    Maybe you’ll find you’re a little bit of both. Either way, if you’re sitting down to write, you’re a winner in my book.

    This post contains affiliate links. That means if you purchase through our links, you’re supporting The Write Life — and we thank you for that!

  • Why Your Story Conflict Isn’t Working (And How to Fix It)

    Why Your Story Conflict Isn’t Working (And How to Fix It)

    Conflict is one of those aspects of writing that has caused more than its fair share of writer frustrations.

    Like many writers, I’ve spent countless hours creating conflict in my novels. I’ve thrown exciting obstacles in my protagonists paths, I’ve developed sinister antagonists to thwart my heroes, I’ve devised cruel ways to put my characters through mental anguish — and my beta readers still told me, “This book needs more conflict.”

    Because despite what we “know” about conflict as writers, the concept isn’t so cut and dry. It’s hard to create quality conflict in a story.

    How to create compelling conflict in a story

    It’s not just about the obstacles in the path, or the bad guy with the evil plan, or the mental anguish of the hero. It’s not the plot or the character arc, even though we often talk about it like it is.

    It’s a tapestry woven from multiple aspects of writing that work together to create a feeling that victory will not come easily to the characters, and it leaves readers dying to know what the protagonist is going to do about it.

    Over the years, I’ve pinpointed the three most common reasons writers stumble over creating conflict in a story.

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    1. Conflict isn’t a “one-size-fits-all” issue

    Conflict is the push and pull of the character as she experiences the story.

    It’s the combination of external challenges with internal struggles that rounds out the conflict and gives meaning to what the protagonist does. These two sides work in tandem to illustrate why the problem of the novel (the core conflict) is worth reading about.

    What works for one story might not work for another, and even within the same novel, you’ll have different aspects of conflict depending on the needs of the scene.

    Something might technically be a conflict (two sides in opposition), but it doesn’t make a good story conflict, because a strong story conflict has to also create a situation that drives a plot and leads readers through that story.

    For example, a shootout between outlaws holed up in a cabin, while the sheriff’s posse tries to apprehend them, has plenty of conflict, but two sides shooting at each other for hours isn’t a very interesting story.

    If the situation doesn’t do anything to create a strong story, it won’t feel like an actual conflict.

    This is tough, because what constitutes a “strong story” can vary by person. Readers have biases, likes and dislikes, and that contributes to how they regard story conflict depending on the genre they enjoy.

    And they’re all right, and all wrong, because different genres use conflict in different ways, and what readers look for varies. Different genres require different approaches when developing the conflict.

    2. It’s not always clear what people mean when they say “conflict”

    If two writers are coming at conflict from two directions, there will likely be misunderstandings about what they’re actually talking about.

    Getting feedback such as, “Your novel lacks conflict” isn’t helpful if the person giving that feedback is referring to a different type of conflict.

    For example: If Writer A thinks conflict is about the internal struggle of a character, she might think Writer B’s adventure novel that’s heavy on plot has no conflict — even though it does.

    In contrast, Writer B could read Writer A’s novel and think nothing ever happens because the conflict focuses on the internal and not the external.

    One conflict is external and requires external actions; the other is internal and requires more reflection and thought. Neither is plotted or written the same way, and trying to plot the internal conflict the same as the external conflict will lead to some troublesome scenes.

    You might look at such a comment, point directly to the core conflict of your novel and disregard the advice (and then pull your hair out when you keep getting rejected).

    Context is everything, and if you don’t understand which type of conflict someone is referring to, it can lead to a lot of frustration and confusion. You might think your novel has all the conflict it needs, so any “needs more conflict” feedback you get just flat out doesn’t make sense to you.

    story conflict

    3. Using the wrong conflict makes it harder to write a novel

    Use the wrong conflict and things don’t quite mesh in a novel.

    This is most often seen when trying to plot using the internal conflict of the character arc.

    For example, an internal conflict might work wonderfully to support the character arc, but internal conflicts don’t create plot — they just make it emotionally harder to overcome those external challenges. What the character physically does to resolve that internal conflict is the plot.

    Say you have a novel about a woman with a criminal past who gets out of prison and wants to go the straight and narrow and get her life back together. Many writers would say this book is about “A woman who gets her life back together after she’s released from prison.” And they’re right — but many of those same writers would have trouble creating a plot to support this story.

    The reason? There’s no conflict in that description of the book. It’s more the description of the character arc.

    “Getting her life back together” doesn’t show a plot, because nothing in this statement provides an external goal to pursue. There’s also no conflict — nothing is preventing her from getting her life back together. Without those details, the goal isn’t specific enough to know what external challenges she might face as she tries to get her life back together.

    Trying to plot with a character arc can create a lot of frustration for writers. The focus is on the internal struggle to change, not the external action, so the specific tasks (the goals) aren’t as defined as they need to be. It’s like trying to bake a cake without putting it into the oven. The external heat is what turns the ingredients into dessert.

    At its most basic, conflict (internal or external) is the challenge to overcome whatever is preventing the protagonist from doing what needs to be done — physically, emotionally or mentally — to resolve a problem and move forward.

    Once you understand how conflict works in your fiction, you’ll know what each scene needs and how to best develop the different layers and aspects of your story’s conflict.

  • Creative-Writing Tips: How to Find a Balance Between Showing and Telling

    Creative-Writing Tips: How to Find a Balance Between Showing and Telling

    Although ‘telling’ has a terrible reputation in the writing world, it’s really not as bad as most aspiring writers think.  

    We tell as writers all the time, and most of it goes right past readers and doesn’t bother anyone.

    The problems appear when the telling shoves readers aside and makes them feel as though they’re watching from a distance and not experiencing the story along with the characters.

    Sometimes it’s OK to tell.

    Telling is a perfectly valid technique for certain tasks, so you shouldn’t be afraid to use this tool when you need to.

    If showing is going to detract from events unfolding in the scene, or draw too much attention to what’s not important, it might be better to tell. It’s also better to tell if showing is going to bog down the story or bore the reader, such as relaying every punch or kick thrown in a lengthy fight.

    Here are some times when telling frequently works better than showing.

    Telling to catch characters up

    A great example of an acceptable tell is the “catching up another character” scene.

    Something has happened to one character, and they reach a point where they have to inform other characters about a scene the reader has already seen dramatized.

    Say your protagonist, Bob, has just been out scouting and found a huge nest of zombies acting very un-zombielike. Readers have read the scene, and now Bob is back with his group and needs to let them know what he saw.

    Which would be better: telling a short summary, or showing Bob relaying the scene readers just read? Dramatizing it is going to bore your reader, so a quick telling summary works better to keep the story moving.

    For example:

    “I’ve never seen anything like it,” Bob said, tossing back half his Scotch. He told them about the nest down by the river, the freakish way the zombies had moved, and the almost-organized way they’d worked together. His hands were shaking by the end.

    “Wow,” Jane whispered.

    He nodded. “Yeah. Wow.”

    This doesn’t stop the story to relay information readers already know.

    Telling for dramatic impact

    Sometimes it’s also better to tell when you want to add narrative distance for dramatic effect, such as pulling away from the point-of-view character to convey that “dum dum dum!” sense of impending doom. This happens most often with the words wondered, hoped and prayed.

    For example:

    • She watched him ride away and hoped he’d never come back.
    • He wondered if Lila had seen Chuck that night.
    • They prayed it was the last time.

    Pulling back from the point-of-view character in such cases actually increases the tension instead of lessening it. It’s common to find such tells used as hooks at the end of scenes or chapters.

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    Telling to convey necessary information

    Let’s be honest—it’s impossible to show everything in a novel, and no one wants to read all those details anyway. But sometimes readers need to know certain information and there’s no easy way to convey it. Info dumps and backstory are the only way to slip that information into the book.

    When you must dump, add the information as seamlessly as possible so it doesn’t jump out of the story and draw attention to itself. You want readers to enjoy the lecture and feel as though they learned something important, instead of being handed a brochure about the book.

    There’s already a lot of telling in a novel, even if it’s not officially called that. You describe the setting, what someone does, what they say. It’s called storytelling for a reason.

    The trick is to weave your tells in with your shows so readers never get the sense that the author is butting in to explain something to them.

    Don’t be afraid to tell when you have to. Just make sure that when you do, you’re telling in a way that serves the story and keeps the reader interested.

    Are there times when you prefer to tell versus show?

  • 8 Smart Ways to Supplement Your Fiction-Writing Income

    8 Smart Ways to Supplement Your Fiction-Writing Income

    It probably wouldn’t surprise you to hear that most authors don’t make a living off their writing.

    According to a 2014 survey, 54 percent of traditionally published authors and almost 80 percent of self-published authors make less than $1,000 per year, says The Guardian. Because of this, most authors stay at their day jobs to support their families.

    But if you love the writing and publishing world, your skills don’t have to get stuck in hobby mode. If you’re not making enough money to support yourself through fiction writing, there are other careers you can pursue using your writing and marketing expertise.

    Consider one of these other jobs in the writing and publishing industries.

    Careers Outside of Fiction Writing

    If your passion lies in the writing side of being an author, consider becoming a freelance writer. If you don’t want to run your own business, there are also opportunities to work with content agencies or on marketing teams.

    As a fiction author, you have the unique skills to work in the following areas because they require storytelling skills and creativity. Writers must be able to appeal to an audience in a way that doesn’t come across as dry, and you already have experience in that! Some non-fiction writing opportunities include:

    1. Copywriting

    Copywriters write a variety of promotional content, such as website copy, email newsletters, advertisements, and brochure copy. The writer’s goal is to get people to take action. As a copywriter, you’ll need to become familiar with marketing, user experience, and headline creation.

    Numerous free guides can help you learn the basics of copywriting, such as Quicksprout’s The Definitive Guide to Copywriting.

    2. Blogging

    When I suggest blogging as a career, I don’t mean starting your own blog and making money through ads (although that is a viable way to make money, and it can even help boost your book sales if you appeal to the same audience).

    Instead, I’m talking about writing blog posts for clients.

    Though I’m a fiction author, freelance blogging is my primary source of income. The types of blog posts I write look just like the one you’re reading! I personally make anywhere from $60 to $200 per post depending on the length and topic.

    Not all blogs pay, but once you find clients to work for, it’s a good source of ongoing income since blogs continuously need new content.

    3. Ghostwriting

    Ghostwriting can be any form of writing, from blog posts to screenplays to full-length fiction novels. However, the content all has one thing in common: you’re not credited as the author.

    Although someone else takes the credit, ghostwriting is a great way to turn your creativity into profit, and it can help you hone your writing skills.

    Careers in the Publishing Industry

    If you’d rather save your creative writing juices for your own projects, that’s OK.

    As an author, you have more than just writing skills, and these skills can come in handy by helping out other authors. You might work through traditional publishers big or small or privately with indie authors.

    These jobs will keep you immersed in the publishing industry:

    4. Private Assisting

    Becoming a private assistant (PA) to other authors means you’ll be marketing other writers’ books. With the connections you forge for other authors, you can also leverage in marketing your own books. PA duties typically include:

    • Setting up Facebook release parties
    • Organizing book-release blitzes and blog tours
    • Marketing book sales
    • Submitting books to advertising sites
    • Setting up Thunderclap campaigns
    • Writing authors’ email newsletters
    • Sending books to bloggers for review

    The list goes on. I personally see author PAs charge around $100-$250 per month per client.

    You may agree to spend a specific number of hours on that author’s work per month, but keep in mind that you can perform some tasks for all your clients at once.

    5. Editing

    If you’re good at spotting grammatical errors, issues with sentence structure, plot holes, and other story elements, you might consider becoming an editor.

    Just remember that your own books serve as a sample of your writing and editing capabilities, so make sure they’re thoroughly edited. Keep in touch with other authors since these connections will be your most likely clients.

    6. Cover and graphic design

    If you’re talented with visual art and know how to use Photoshop, another option is to offer book cover design and graphic design. I typically see designers charging anywhere from $60 to $150 for premade cover work and around $125 to $250 for custom covers.

    Some well-known and in-demand cover designers charge upwards of $400-$800 for custom work, and sometimes even more for custom photography.

    Aside from book design, you can also design author logos, website images, teaser graphics, Facebook header images, release-party graphics, and more.

    7. Book formatting

    Indie authors and traditional publishers alike need someone to format their books for print, Kindle, and ePub. If you have experience with this or are willing to learn, it’s a great service to offer.

    Some formatters charge by word count, and others charge by the hour. Industry rates typically fall between $45 and $85 per hour. You can charge on the upper end if you design graphics for the interior.

    8. Author web design

    Another service that’s needed in the industry is web design. If you have a coding background or experience with web design, why not offer this service specifically for authors?

    Although you can branch out, focusing specifically on one niche — author websites! — can help you position yourself as a go-to designer for writers. Plus, it helps you build connections that could benefit your own books.

    If you like the idea of staying in touch with the writing or publishing industries, consider one of these career paths to supplement your fiction writing income.

    Which one of these roles would best suit your skills?

  • The Powerful Case for Developing Your Fiction-Writing Platform

    The Powerful Case for Developing Your Fiction-Writing Platform

    There are tons of articles out there with tips to help authors build their platform.

    There are almost as many articles explaining why fiction authors don’t need a platform to get an agent or publisher.

    Most of this advice is completely accurate. So should fiction authors just cross “platforming” off their to-do lists?

    Heck no.

    As a marketing pro and a fiction author, articles declaring there’s no need to build a platform make me facepalm. Articles expounding on this point are built on the premise that your platform is intended to get you a publisher.

    But that’s not what a platform is for.

    Forget publishers. An author’s platform is for connecting with readers.

    It’s a crowded world out there

    Most books, traditionally or self-published, never sell any more than 2,000 copies in their lifetime. Not a month. Not a year. We’re talking entire shelf life.

    How’s that possible? It’s a crowded world out there for a book. About 750,000 new books are released every year, according to Tim Grahl’s research.

    So sure, an agent and maybe even a publisher might pick up your book without a platform, but what about when your book is squeezed onto the massive shelf along with all those others out there in the online abyss?

    Your fans are the key

    The average American adult reads 12 books every year. Compile all those different people and all those different book choices, and that’s a lot of opportunities for your book to get read.

    Every time a reader looks for their next book is an opportunity for you to be discovered.

    But different readers are looking for different types of stories. Not all of those readers will want to read your book.

    But others will adore it. There are readers out there right now, just waiting to love your book.

    So how do you find those readers? The answer to this fundamental author question is platforming.

    Benefits beyond readership

    As I began platforming online, I paid more attention to the online writing community because it was right there in my Twitter feed.

    I made invaluable friendships with other writers and bloggers, which have helped me learn and develop as author. It’s also given me awesome opportunities as I launch my first book.

    The result: Long before I had any books to promote, platforming was already well worth the effort.

    I also became part of a community of enthusiastic sci-fi and fantasy readers. Again, this happened naturally over time, simply because as a fantasy writer, I was sharing content that interested me and that I thought would be of interest to others in this community.  And it’s really a blast to have those people there to geek out with when something exciting happens, like a new season of Daredevil drops on Netflix.

    See how it works? Platforming is a win-win. But this isn’t even where the benefits of platforming end.

    Setting yourself up for long-tail success

    Your author ambitions don’t stop with one book deal, right?

    Most writers consider a book release a stepping stone, rather than an end goal. You want to keep growing your audience so your next book sells even better, and so on.

    This audience growth over time is called the long tail. A platform is key for this.

    First, it helps you maintain long-term relationships with the readers who love you most: The ones most likely to want to buy your next book because they loved your first book so darn much.

    This list inevitably grows over time as more people read your work and find you online, allowing each new book to be more successful. Each book launch, in turn, helps you gain more exposure, which helps more people find you. It’s a lovely cycle.

    Secondly, the sales success this cycle leads to helps you maintain agent and publisher relationships.

    Sales are your responsibility as much as your publisher’s. If your book flops, you’re not likely to get a second chance.

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    Platforming can be pleasant

    With so much to gain from platforming, why would authors avoid it so adamantly? There’s a stigma to platforming it doesn’t deserve, though I understand where it comes from.

    Promoting your writing can make your feel icky, or even like you’ve sold out. But platforming isn’t about making sales pitches all day. It’s about making connections — sharing what you love with the people who love what you create.

    Another barrier is the idea that platforming takes a huge amount of time. But it doesn’t have to.

    If your time is limited, start with just one or two social media networks. Even if you post just a few times a week — an effort that should take just minutes — you’ll see more growth than if you do nothing. Free tools like Buffer and Hootsuite can help.

    And sometimes, writers get frustrated with the slow nature of the audience-cultivation process.

    I know, I’ve been there myself. It’s rough to see your followers inch up from 0, 10, 30 … but hey, we all start there. Stop putting so much pressure on yourself and have some fun with it.

    But please writers, I’m begging you, do something.  

    Consider it an investment in your writing career. Your future self will thank you.

    What advantages have you found to developing an author platform? Or, if you’ve procrastinated on this task, tell us why!

  • 7 Quick Journaling Exercises That Will Improve Your Fiction Writing

    7 Quick Journaling Exercises That Will Improve Your Fiction Writing

    Maybe you’ve heard that as a writer, you ought to keep a journal.

    But have you ever wondered why? After all, what does your boring life have to do with epic fiction?

    I know I took my journal for granted for ages. But a couple of decades and more than a million words later, I now credit my journal as one of the primary tools that has helped me become a better writer.

    I know of at least seven ways your journal can empower your fiction writing — and I’m not even talking about fictionalizing your life (though there’s nothing wrong with combining fiction and autobiography).

    Are you ready to super-charge your fiction writing skills? Try these out in your journal!

    1. Recognize a story worth telling

    If you’re already keeping a journal, try to observe the topics you write about regularly and the events you leave out.

    Why don’t you mention loading the dishwasher every night? Maybe because it’s boring. (Didn’t think of that, did you?)

    What you do journal about are the events that are emotionally charged. That’s the same criteria for a good novel!

    So go back over your journal and see what was meaningful enough to make it into those sacred pages. It may give you an idea of what’s important enough to write about in your fiction work, as well.

    2. Use basic story structure

    You probably know your novel needs a bit of structure: Characters, a rising conflict, a climax, and a resolution.

    Did you know the events of your life follow that same structure? Next time you sit down to journal, think about the true story you’re telling and try to identify those four basic parts of story structure.

    Practicing in your journal will help you get it right when writing fiction!

    3. Get in touch with your emotions

    A good book is all about the emotional journey. But it can be so hard to connect with the emotions of fictional people, even if you feel you know them like the back of your hand.

    Practice getting in touch with your own emotions first, in your journal. Next time you sit down to write, concentrate on how you felt about the events and why you think you felt that way.

    Then apply what you learn to your fictional characters.

    4. Hone your observation skills

    Bringing a fictional world to life begins with observing the real world.

    Do you have your author periscope focused at all times, everywhere you go?

    To find out, try journaling about the places you go and the things you see, hear, smell, touch, and taste. You’ll solidify the real world in your mind and have a wealth of inspiration for your story worlds.

    5. Describe your world

    “Show, don’t tell.” More cruel words never were uttered. It’s so much harder to show instead of tell!

    Here’s the secret: Sit down with your journal. Observe the world around you. Then write about it with emotion. Don’t use language that merely expresses what you saw; use language that expresses how you felt about what you saw.

    Boom. One world realistically brought to life.

    6. Capture characters

    Characters: The heart and soul of your story, and of your life. Everyone knows you should observe people in order to write people.

    What better way to practice than to journal about the people you know? Pay attention to how they act, how they speak, and how they look, and once again fill your journal with language that expresses how you feel about the character you’re describing.

    7. Find your purpose

    You’ve been told a really great piece of literature has a theme. The million-dollar question is, how do you find a theme?

    Why not try your journal again? Go back over your entries and find out what topics you write about again and again. These life themes really mean something to you. I’ll bet these same themes could easily be applied to your fiction.

    Both your journal and your fiction come from your life experiences, after all.

    There you have it: Seven ways keeping a journal can improve your writing without necessarily copying your life into your fiction.

    Do you keep a journal? What other ways have you found it helpful to your writing?