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  • How to Trick Yourself Into Making Major Writing Progress

    How to Trick Yourself Into Making Major Writing Progress

    Staying motivated on a regular basis is one of the most difficult challenges when you’re a writer. Not only are there a million distractions, including everything shiny on the Internet, your motivation can also take a nosedive when you look at the clock or calendar and realize you haven’t churned out x pieces or hit your word count goals.

    You just might be missing out on a source of motivation that’s building up day by day.

    Through over a decade of research, psychologists Teresa Amabile and Steven Kramer discovered a startling key to unlocking motivation called the progress principle — that the most powerful motivator is making progress on meaningful work. And most people are missing out because they think that the strongest motivation comes from rewards or money.

    The power of the progress principle is that motivation also comes from celebrating small wins. We tend to think about our goals as big wins, such as getting a piece accepted or hitting “send” on a submission or seeing your words in print or pixel. Big wins certainly are important but when you don’t recognize your small wins, you’re not actually as productive as you could be. (Like this idea? Click to tweet it).

    Reframe productivity as progress

    John McPhee, a writer known for his prolific output, told The Paris Review that his productivity is from making a little bit of progress every day:

    “[I]f you put a drop in a bucket every day, after three hundred and sixty-five days, the bucket’s going to have some water in it.”

    The task of creating a few drops in the bucket is less intimidating than the big goal of writing a bestseller, and it ends up paving the way. There’s a cascade of positivity that results from seeing your drop-by-drop progress. You’ll feel more reliably engaged and happy, which then sets up a good frame of mind for creativity and exploration rather than stress and anxiety encroaching on your brainwaves.

    When you think about your day in terms of “progress” rather than plainer terms like “word counts”, “work”, or “writing”, you’ll gain motivation from seeing what you accomplished and a visible direction toward where you hope to be tomorrow.

    Say hello to dear diary

    Professor Amabile and Dr. Kramer point to journaling as one of the best tools to harness the progress principle and fuel yourself with the power of small wins. It can be doubly hard to bring yourself to write even more at the end of the day, but reflection and journaling will ultimately help you acknowledge and recognize all your steps forward, big and small.

    Here are three benefits you’ll gain from the practice and some tips to think about along the way:

    1. You’ll learn how to work smarter

    Sometimes days as a writer feel like a grinding Groundhog Day-type cycle. Taking time to recognize, reflect on, and review your progress will teach you how to work better than just trying to mechanically plug away every day.

    For example, you can observe what your natural work rhythms are. When do the words seem to flow out most effortlessly? Once you have a handle on when and how you do your best work, you can better structure your days to protect time for writing, thinking, and creating and allot other times for outward-facing work like emails and calls.

    2. You’ll keep the momentum going.

    Alexander Chee keeps a daily writing journal dedicated solely to work on his novel. He writes down ideas, thoughts, and comments about the day:

    “I make the entry even if it’s just a few lines, every day of work on it as I close the day’s work, and I also put scraps in there, deleted sections and lines I want to save….When I return to work the next day, I reread that entry first and I return to where I was and what I was thinking about the more quickly.”

    For Chee, his writing journal serves as an ongoing blueprint and work record that helps him to keep motivated and continue making progress.

    3. You’ll gather feedback.

    As a writer, you’re often working alone (unless you have an accountability group or co-author), which means fewer opportunities for feedback. When you have a regular practice of reflection or journaling, you gain feedback about your work from your own history, which can then be used to plan and gain perspective.

    To get the feedback and progress train rolling, ask yourself questions like:

    • What’s something — anything — that stood out about the time I spent working?

    • What progress did I make today, even if it’s a small step forward?

    • What helped or hurt my ability to work today — and why?

    • What can I do to make progress tomorrow?

    What are some ways that you gain motivation from your progress?

  • 5 Well-Paying Corporate Writing Gigs for Freelancers

    5 Well-Paying Corporate Writing Gigs for Freelancers

    As a freelancer there are a lot of ups and downs. You move from project to project and are always on the lookout for your next client.

    Corporate writing gigs offer freelancers a way to minimize these ups and downs with a more predictable and reliable income.

    In a world driven by content marketing, your skills as a writer are very much in demand by all kinds of organizations. One effective strategy for corporate work is to identify specific industries where you can develop subject matter expertise: are you a writing expert on semi-conductors or HR issues?

    Whatever your niche, you can build a reputation not only as a great writer but as someone who truly understands the trends, issues and challenges of that market.

    Finding and landing corporate writing gigs

    LinkedIn can help you connect with prospective corporate clients. Make it as easy as possible for corporate clients to find and connect with you. Be sure to optimize your profile to showcase your writing expertise by including samples and current or past writing assignments. Additionally, you may want to join relevant industry or professional groups.

    In pricing your time for corporate jobs, you have many options including by the word, a hourly rate or a set price per job. Be sure to carefully estimate your time including building in review cycles and edits as multiple individuals are likely to review your piece. Get an understanding of the approvals required for a project, how many individuals are involved and if you will be needed to handle the approvals. These factors can significantly impact your scope of work.

    Remember, these are corporate clients who have a budget for marketing and need your services. Do not undervalue your skills and experience as a freelancer.

    Here are five specific types of content that corporate clients often need freelance writers to support:

    1. White papers and research pieces

    These are staples of lead generation in the corporate world and your ability to produce well-researched and compelling content can quickly set you apart. White papers are typically a more intense writing assignment so ensure you spec out the entire project before you proceed, including creating an outline of content and finding out what resources will be provided for you.

    2. Corporate blogs

    The sheer amount of content that needs to be generated as part of the editorial process for a corporate blog means contract or freelance writers are often brought in. For this type of assignment you may play the role of blog editor or coordinator setting the blog’s editorial direction and editing and managing content, or you may be hired to simply write one-off posts as required.

    Writing for corporate blogs is a particularly desirable type of work as new posts are always required, which means ongoing writing support will be required.

    3. Case studies

    Most companies rely on customer proof for sales and marketing. Working with clients to set up a solid customer testimonial process including interviewing, gathering background and then writing and editing case studies can be particularly profitable. Case studies are in high demand and the sales team usually wants them done yesterday.

    Before any company provides you with access to their customers, they want to be 100% comfortable with you and your skill set. Consequently, when seeking this type of contract, you want to play up your background working directly with customers in similar programs and/or conducting interviews.

    4. Press releases

    Press releases offer a structured way to deliver news or updates about the company and continue to be a staple in the majority of organizations. When you work with your client to assess news, structure the information correctly and package it for the media, you deliver immense value.

    Organizations will be on the lookout for a track record of writing press releases that comply with standard conventions and provide clear messages. A PR background is particularly helpful for positioning yourself as a press release specialist.

    5. Annual reports

    If you’ve ever read an annual report, you’ll understand the significant amount of work that goes into producing one. Many writers specialize in writing annual reports where they write the summaries for different sections as well as messages from executives. Because of the importance and prominence of annual reports, companies are generally willing to pay a premium for expertise. (Click to tweet this idea).

    These are just a few of the corporate writing gigs that are up for grabs as a freelancer. Other possibilities include newsletters, employee communications, copywriting, speeches, presentations and more.

    If you can get your foot in the door, you’ll quickly find most organizations have writing needs you can assist with, helping create a more stable income for you as a freelancer.

    What corporate writing gigs have you taken on as a freelancer?

  • How to Write Blog Post Headlines Readers Want to Click On

    How to Write Blog Post Headlines Readers Want to Click On

    With the number of blogs out there, bloggers must do all they can to make theirs the best it can be. The best way to do this is by making sure your blog is not stale or cliché.

    So many bloggers write about the same topics; being creative makes the difference between readers choosing your blog, or not. Even if you post about similar topics and issues, having a fresh and imaginative headline for your posts can attract readers to your blog rather than a competing one.

    Here are some thoughts to consider when you’re putting the finishing touches on your next brilliant post:

    Be expressive

    Draw your readers in by infusing your post titles with passion. Make it clear that you are invested in the material of your posts and are writing for a purpose rather than just for the sake of maintaining a blog. This means being animated, perhaps even controversial, so that your personal opinions and feelings are evident. Take a stand!

    Readers tend to be more interested in reading something inspired by actual opinions, just as most people prefer to listen to music where the singer’s passion is evident in his or her lyrics and voice.

    “Everyone loves raw, human, honest moments,” say Sara Critchfield and Adam Mordecai, Upworthy’s Managing Editor and Viral Curator, in their explanation of the science of viral content.

    Keep it sweet and simple

    If a blog post’s title extends for multiple lines or includes too many words, many readers won’t take the time to read it. A good title is short and to the point, providing a clear focus that illustrates the article’s topic while not giving too much away.

    Another good way to structure your post titles is to provide a brief question that will only be answered by reading the contents of the post.

    Consider SEO, but don’t make it your only goal

    It is definitely worthwhile to insert keywords into your title, as these will increase the chances of the post coming up in search engines, but don’t overdo it.

    Remember, readers can tell when a post is just trying to use a ton of SEO keywords. Such blogs are not usually taken seriously and they consequently receive few readers. Writers must remember that, while they want their posts to come up in searches, they are writing for humans, not for Google.

    Write for humans, not for Google.

    Good grammar is crucial

    If a title is grammatically incorrect, chances are the rest of the post is too. At least, that’s what readers are going to think. If you don’t take the time to edit your titles, readers won’t take the time to read your posts. (Click to tweet this idea).

    Additionally, punctuation is actually necessary. If the title is a question, include a question mark. If it’s an exclamation, use an exclamation mark. Dashes, commas and colons can all be good tools if used correctly.

    However, avoid signs like @, #, and $ as they can seem very unprofessional and they confuse web browsers.

    What do you consider when creating titles for your blog posts?

  • Wanted: Writers Willing to Live in Newly Renovated Homes — For Free

    Wanted: Writers Willing to Live in Newly Renovated Homes — For Free

    Move to Detroit and get a free house — just for being a writer.

    It sounds crazy, doesn’t it? But that’s what Write A House is offering to the lucky winners of its Author-in-Residence award.

    A new twist on the writer’s residency

    It’s a new kind of writer’s residency, one where the writer gets to keep the residence. But WAH does have a motive other than simply giving creatives a place to live: the organization wants to liven up Detroit’s literary arts community. Attracting writers, they hope, will help grow diverse and creative neighborhoods.

    Three low-income writers will be chosen based on their writing skills and desire to contribute to their new city. Each will be given the keys to a newly-renovated house in a neighborhood north of Hamtramck in Detroit — though they should be prepared to assist with the finishing touches, such as painting.

    Write A House house under renovations
    Photo by Andrew Kopietz, courtesy of Write A House

    “We chose this neighborhood to start because it’s a smaller community and we felt we could have an impact,” Kat Hartman, acting director of WAH, explained to The Huffington Post. “The neighborhood has a level of vacancy that is affecting the quality of life for current residents. They need more good neighbors.”

    Winners will lease their new homes from the organization during their two-year term; at the end of their official residence, they will be given the deed to their house.

    In exchange, writers are expected to participate in local literary and cultural events, write pieces for the WAH blog, contribute to a WAH literary journal, and be responsible, engaged members of the community.

    Will you be the next author-in-residence?

    You can apply for your chance at the award starting this spring, and you’ll need a letter of intent, a writing sample, and a resume. Writers from anywhere in the world are eligible to apply, though international applicants will want to keep U.S. work regulations in mind, as WAH notes that they are unable to assist with visa applications. Sign up on their site to be notified regarding application details and deadlines.

    Write A House Offers Free Houses to Writers in Detroit
    Photo by Andrew Kopietz, courtesy of Write A House

    The restoration of the first house, which is about 1,000 square feet, is expected to cost $25,000. WAH is crowdsourcing donations through Indiegogo to fund the project, and all donations go directly to Young Detroit Builders, which is a registered 501(c)3 charity.

    (Update: they exceeded their goal by raising over $30,000!)

    What do you think of WAH’s plan? Will you apply?

    All images in this post are by Andrew Kopietz and are used courtesy of Write A House. More photos of the house can be found in the Write A House Gallery. 

  • Start the New Year Right with These 6 Ambitious Goals for Writers

    Start the New Year Right with These 6 Ambitious Goals for Writers

    The New Year is upon us! And while lots of writers say they want to improve their craft or build their online platform in 2014, vague goals aren’t enough to really propel yourself forward.

    Instead, push yourself to set specific deliverables, ones you can actually check off as you complete them. It can be difficult to hold yourself accountable for the abstract goal of becoming a better writer, but if you focus on executing a specific plan, you’ll have a lot more to show for 2014.

    With that in mind, here are six meaningful goals you should consider setting for yourself this year:

    1. Write and launch an ebook

    Ebooks are a great way to build your brand, and they’re fun to create. But best of all, they can be incredibly lucrative, especially if you create something people actually want to buy.

    While Kindle can be a strong means of distribution, especially if you need help reaching potential readers, don’t overlook the option of selling ebooks on your own website. Non-fiction, particularly how-to guides, sells well at a high price point, and when you sell on your own site, you keep all the profits. The downside of selling on your site is that you’ll have to hustle hard to help buyers find you.

    To get started, check out Ali Luke’s ebook, The Blogger’s Guide to Irresistible Ebooks, and Dana Sitar’s post on What You Should Know Before Publishing Your First Ebook.

    2. Build your email list

    Whether you’re looking to sell books, make a living as a freelance writer or build a business as a writing coach, you’ll need people who are willing to shell out dollars for your products or services. The question is, where will those people come from?

    That’s why you want to start building an email list as soon as possible, and if you’ve already started, put solid effort into growing your list. Your subscribers will not only be your community, they’ll also be your community of buyers. Investing in an email list is like putting money into an interest-earning retirement account: the earlier you start, the more capital you’ll accumulate.

    Whether you’re starting from scratch or already have a foundation of subscribers, check out Nathalie Lussier’s Expand Your Reach training and her free 30-day list-building challenge.

    Other great resources include Sean Ogle’s thoughts on How to Create a Killer List Building Offer, Kimberley Grabas’ post on The Writer’s Guide to Building an Email List, and Gregory Ciotti’s advice on List Building for Blogs.

    3. Publish guest posts on at least three popular blogs

    Writing blog posts for other sites is one of the best ways to build your own network, including your email list. Not only will guest posts send traffic to your site (assuming you include a link to your site in your bio), they also serve as solid back-links, which will boost your own blog’s SEO.

    But don’t just say you’ll guest blog more; instead, create a concrete goal to work toward. I like to set a schedule that keeps me on track to guest blog once a month or once every other month; this Problogger post explains that strategy in detail if you want to put it to use in 2014. (Click to tweet this idea).

    Push yourself to pitch popular blogs, sites that get a good amount of traffic so you’ll see returns on your hard work. Use Google’s Page Rank checker to judge whether blogs are worth pitching, and shoot for blogs that have a PR of at least 4.

    For more advice on guest blogging, see Razwana Wahid’s post on 6 Ways to Knock Your Next Guest Post Out of the Park and Kelly Gurnett’s advice on Submitting an Unforgettable Guest Post: Tips from an Editor. Danny Iny’s course, Write Like Freddy, is another great resource.

    4. Learn how to optimize your content for search (SEO)

    Writers often want to get more eyes on their work, and you’ll get far more readers for every piece you write if you optimize it for search engines.

    So if you don’t understand SEO or how to apply it to your blog or freelance work, make an effort to learn the basics. It’s not as scary as it sounds! Even optimizing just the headlines on your blog posts will go a long way toward helping your site gain traction.

    To get started, consider my free, one-hour webinar on SEO for bloggers or Nathalie Lussier’s Simple SEO video training.

    5. Replace your lowest-paying client

    All freelancers have a client or two — or even three — at the bottom of the totem pole. They don’t pay us enough for our work, but we keep producing for them because we don’t want to lose the revenue.

    Know what’s long overdue? Replacing that client. Because when you say goodbye to that low-baller, you’ll have time to take on a new client who’s willing to pay you what you’re worth.

    Of course, this is easier said than done, especially if you’re worried about possibly losing that client if you increase your rates. If you’re not sure how to go about it, follow Tom Ewer’s step-by-step plan for making this game-changer happen.

    6. Set aside blocks of time to write

    When you write for a living, it’s all too easy to get distracted. Whether you find yourself spending too much time on social media or leaving your home desk to tidy up the house, turning your attention away from your screen means a serious drop in productivity.

    So rather than multi-tasking, set aside blocks of time to focus solely on writing. Charlie Gilkey says you only need two hours at a time to do this well — so yes, it’s possible even if you work a day job or have kids to tend to.

    The start of a new year is the perfect opportunity to rearrange your schedule so it includes these uber-productive blocks of time. And that means more hours to accomplish all the projects on your 2014 list!

    Are any of these goals on your list for 2014? What are you hoping to accomplish?

  • How Successful Authors Use Social Media to Sell More Books

    How Successful Authors Use Social Media to Sell More Books

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    This column is excerpted from Guide to Literary Agents, from Writer’s Digest Books.

    Increasing your author visibility through different online channels allows you to meet readers, cultivate an audience, and increase your discoverability to sell more books. But finding your ideal social media channels is not the easiest thing to figure out and implement.

    That’s why I’ve reached out to some experts for advice. I asked six different platform-heavy writers — three nonfiction, three fiction — for their best general advice in terms of using social media. Here’s what they had to say:

    Do you have any general advice for writers looking to market themselves and their work via social media, promotion and platform?

    Mignon Fogarty: Creator of Grammar Girl@GrammarGirl

    “I think you really have to enjoy interacting on social networks or you won’t do it well or stay with it. You can’t force yourself to do it; you have to find the things you like and do those even if they aren’t the most popular. For one person it might be Twitter, for another LinkedIn, for another YouTube, for another podcasting, and another blogging.

    Also, I think some authors are too afraid to ask people to buy their book. I spend hours (and hours and hours) of my time answering people’s questions without compensation, so when I have a new book out, I don’t hesitate to post about it. I believe I’ve earned the right to market my products.

    On the other extreme, I see a lot of authors jump into Twitter and immediately start doing nothing but push their book. They haven’t earned the right to market their products, and all they do is turn people off.”

    Mary Kole: Former literary agent and author of Writing Irresistible Kidlit@kid_lit

    “I have gotten flack for saying this before, but I am sticking to my guns: do it well or don’t do it at all. There are billions of blogs and websites out there. On the Internet, if you build it, they will not automatically come. You have to give people a good reason to spend their precious time on your real estate.

    Don’t blog or tweet or Facebook because you think you have to. Your reluctance will ooze from the screen. Don’t engage if you can’t keep it consistent, both in terms of timing and in terms of quality.

    Figure out what you’re best at, then do that well and forget the other stuff. You should have some online presence, but you don’t have to jump into everything all at once, especially if you’re going to do it badly or irregularly.” (Like this idea? Click to tweet it).

    Dr. Lissa Rankin: Author of Mind Over Medicine@Lissarankin

    “Stay true to your integrity. I can’t tell you how many times I have said no, even though it sounded like such a good platform-building opportunity.

    Listen to your gut (which I call your “inner pilot light” — that wise part of you that really knows what’s best for you, your body, your relationships, and your business). Don’t let fear rule the show.

    In the beginning, I said yes to everything because I was afraid I’d miss an opportunity, and I wound up quickly burned out, depleted. But you can’t lead or heal from a place of depletion. You must heal yourself first in order to change the world. That’s the one lesson I’d share with aspiring authors/visionaries/healers.

    Don’t let platform building spiral you downwards. Fill yourself first. Learn to say no. Create healthy boundaries. Raise your vibration. Attract others who share this vibration. Avoid the temptation to get sucked into doing everything for everybody. You are enough doing exactly what you’re doing. Resist the urge to continually do more.

    Billy Coffey: Author of Snow Day, @billycoffey

    “Whether fair or not, getting your good story into the hands of the public now depends in large part upon your reach, and your reach depends in large part upon your savvy with blogs and social media. That can be a scary thing.

    Writers are notoriously withdrawn and even shy. The idea of having to ‘put yourself out there’ can be tantamount to having to tap dance in front of a firing squad. But it can be done. I promise that, and I offer myself as proof.”

    Amy Julia Becker: Author of A Good and Perfect Gift@amyjuliabecker

    “My biggest warning is that you can’t do it all. I’ve tried to approach platform building like organic farming. I’m cultivating what grows (my audience, hopefully), but I’m trying to do so without gimmicks and with integrity and respect for the writing itself. I hope that this is a sustainable method that will also bear fruit, so to speak, with a faithful and steadily, if slowly, growing audience.

    I think a lot about limitations and possibilities. If I limit my time platform building, I open up time for family or exercise or working on a larger project. If I focus on the possibilities of platform building, I limit my time for those other things. I try to keep it all in balance rather than thinking that I can, or should, do it all.

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    If you could go back in time and do it all over again, what would you tell your younger self in terms of platform?

    Mignon Fogarty: Creator of Grammar Girl@GrammarGirl

    “I knocked myself out for a year doing my email newsletter every day and for one quarter doing my podcast twice a week — and in retrospect, I don’t think it was worth the effort. Weekly is enough. The benefit from publishing daily and podcasting twice a week was minimal.”

    Mary Kole: Former literary agent and author of Writing Irresistible Kidlit@kid_lit

    “This may sound like bad advice but: Blog less! I was killing myself trying to blog three times a week at Kidlit, then I added two extra blogs and tried doing those twice a week, too.

    The result? I’d travel or freak out and let the blogs go to seed for a while, and that was altogether worse than blogging less frequently because dead blogs and silence are the ultimate online networking sins.

    It’s very possible to have a platform with the ‘less is more’ philosophy, as long as you focus on the absolute quality of your efforts.

    Gina Holmes: Author of Crossing Oceans and Dry as Rain

    “I would tell myself that helping others succeed would translate into the biggest personal success. I would tell myself to go ahead and build my wings on the way down, and not to stress over every little number, setback, or failure.”

    Dr. Lissa Rankin: Author of Mind Over Medicine@Lissarankin

    “Oh, if only someone had told me to put a free opt-in in the upper right corner of OwningPink.com three years ago! After two years of great traffic, we had only 1,200 people on our newsletter list. (The sign-up was buried way down on the page and there was no free gift to entice people to fill it out.)

    The minute someone told me to offer a free gift, we got 5,000 new sign-ups in a month! Free teleseminars and telesummits (I’m about to do my first) are another great way to grow your newsletter list quickly.”

    Billy Coffey: Author of Snow Day, @billycoffey

    “I would have definitely started building my platform earlier. My younger self was stubborn and ignorant. I was one of those people who thought I could buck the system. And yet everything I’ve been able to achieve to this point is the direct result of finally understanding the importance of platform.

    Amy Julia Becker: Author of A Good and Perfect Gift@amyjuliabecker

    “My greatest success has been my blog. I’ve wasted time speaking without pay, especially when there is travel involved. I’ve also wasted time (and money) creating a website. Don’t get me wrong, I needed a website, but I should have been far more realistic about how much time it would take and what that time is worth.

    In addition, I would have begun blogging and writing short essays from the start. Not only would I have gained readers (and perhaps a book contract) much earlier, but I also would have benefitted as a writer from blogging.

    Blogging has improved the quality of my writing, and it also gives me a place to try out ideas. Most days, I write something, and two or three people comment on it and a few dozen share it through social media. But every so often, I write something and it provokes dozens of comments and hundreds of shares. I pay attention to that type of reaction because it means I should possibly write more about the same topic.”

    Special thanks to those writers who chimed in with answers.

    Don’t forget to comment to be in the running for Chuck’s book giveaway! You could win a free copy of his latest book, Create Your Writer Platform. (UPDATE: Marjorie won!)

    Other TWL Guest Posts by Chuck Sambuchino:

    1. The Worst Ways to Begin Your Novel: Advice from Literary Agents

    2. When Can You Call Yourself a Writer?

    3. Querying Literary Agents: Your Top 9 Questions Answered

    This post contains affiliate links. That means if you purchase through our links, you’re supporting The Write Life — and we thank you for that!

  • Use Hemingway’s Advice to Rewrite Like a Pro

    Use Hemingway’s Advice to Rewrite Like a Pro

    It’s common knowledge that almost every published book or article emerges from many drafts. However, it remains mysterious how any writer rewrites what probably seemed just right only a short time before. And then does it again. And again.

    How did Ernest Hemingway, for instance, turn that “shitty first draft” into the short story “Big Two-Hearted River or the novel The Old Man and The Sea?

    Hemingway’s archives hold an answer: a concrete record of the specific changes he made in each project from one draft to the next. You’d learn something from studying them, of course, but you might also miss a simpler and more useful lesson:

    Hemingway, like all experienced writers, showed a willingness to sacrifice each fresh layer of words in order to stay true to his overarching story.

    How can you separate a story from its words?

    In order to answer this question, it helps to first consider translations and retellings of myths, epics, and fairy tales — same story, different words.

    And then there’s an even more informative correlation between watching a movie on the screen and the film that unspools in your mind when you’re reading an absorbing novel or narrative nonfiction work.

    It’s that second movie, what author John Gardner calls a “vivid and continuous dream” that writers actively seek to create. The words of any piece, like a screenplay, are a vehicle for doing so.

    You’ll make a conceptual leap forward when you recognize that each draft you produce represents only your latest attempt to capture the ideas that fired your imagination in those words that will have a comparable effect on your readers.

    Don’t be preoccupied with choosing the perfect words in your first draft

    The quality of any sentence matters to the extent that it delivers your message. It may take you several drafts to first discover that message, and only then can you cut away those sentences and paragraphs that fail to convey it.

    It’s this kind of vision that development requires. And development is the missing link between drafting and refining (or polishing).

    Much that sounds good may not actually contribute to advancing a story’s plot, deepening character, amplifying theme, or enhancing the rigor and direction of your argument.

    After you’ve confirmed that your copy holds the key ideas you want to express and presents them in the most effective way, then you’ll be truly ready to tighten that copy, devoting timely energy to shaping sentences, correcting errors, and clarifying awkwardness in grammar and vocabulary.

    But how do you develop this kind of vision? How do you know when it’s finally time to refine? And up to that point, how do you figure out what to develop?

    Let’s conclude with a few simple tips to help you open your eyes and write on:

    Give yourself some distance

    Don’t confuse taking time away from a project with slacking off or quitting. A little distance may give you a new vantage point from which to look again. The word revise comes from the Latin revisere, “to look at again.”

    Tell your story aloud

    Share your story over coffee (or on the phone) with a friend or acquaintance. If you can, record yourself doing so, using free conference calling or pairing Skype with Audio Hijack or another program. Then listen back.

    When telling stories aloud we tend to make more automatic decisions. What’s your opening sentence? What information do you share first? What gets cut? How does your listener respond?

    If the story you’re telling differs substantially from the one you’ve drafted, then you’ll want to ask yourself why.

    Outline

    Even if you don’t outline on the front end, you can do so on the back end with good results. Try to distill each paragraph of your draft to one sentence that clearly captures its purpose.

    If you can do so, then you’ll know it’s earned the space in your final draft — and yes, you’ll get there.

    What other strategies help you move from one draft to the next?

  • What to Consider Before Agreeing to Co-Author a Book

    What to Consider Before Agreeing to Co-Author a Book

    Telling other writers that you co-author tends to elicit expressions of both admiration and horror. It’s a reaction that makes me smile, because it’s something I love: the teamwork, conversations, and shared achievements make the co-authoring work I do such an exciting journey.

    People often wonder, “How do you do it?”, which is likely a polite way of asking, “Don’t you argue like hell about the plot/dialogue/character development?”

    Fair enough question; co-authoring can be challenging, but it’s a refreshing and interesting way to write. Here are a few strategies to help you create a successful and enjoyable co-authoring experience.

    Pick someone whose writing you know and like

    Natalie Dae and I became friends through writing and progressed to beta reading for each other, which calls for mutual respect and honesty.

    Actually writing together came about by accident: Natalie was having trouble after the first chapter of That Filthy Book and asked me to take a look. I loved the story and suggested that I try writing the next chapter to see what would happen. She adored where I took the characters and how they came alive, and got right to work on the next section. She emailed it back for me to write more and that was it, we were off!

    Be warts and all friends

    Make a pact at the beginning of the whole experience not to fall out over writing, whether it’s where to take the plot, what the characters say, or even how it’s going to end.

    Be relaxed, be easy-going, be nice and let the story take you on a journey. You’ll be utterly amazed at how the characters can unfold themselves and go in wonderful directions.

    The story is the priority, not ego

    If something isn’t right, it should go, no matter who wrote it.

    If you aren’t prepared to hear constructive criticism on your writing, then co-authoring isn’t for you. Natalie and I go with the idea that “there are plenty more words where those came from,” so we write and write and write, and then each later go in and chop things to bits. Sulking because Natalie took out a couple of “my” paragraphs that were too repetitive would make the book suffer: after a while, she’d likely start leaving them in to save the hassle of my bad mood.

    The reader has no idea which sections were written by you or your co-author, and if they can tell, then it’s not a successful co-authorship. Be prepared to hit delete on each other as much as you are on yourself.

    Be flexible about timing

    Establish guidelines rather than deadlines of when you’ll get your chapter or word count done, and be understanding if daily life causes delays.

    Sometimes, though, it’s fun to hammer out a story quickly and be completely in the flow. Natalie and I once wound up sending chapters back and forth at the rate of one a day! This isn’t always going to happen; it’s good to go in with a relaxed mindset of “let’s make this enjoyable” rather than a firm plan.

    Let the characters speak to you

    Relationship-led plots work really well in co-authoring, as there often aren’t complex, critical plot twists; they’re more focused on emotions. Once you both get to know the characters, they really become the third, fourth, and fifth people involved in the writing process.

    Natalie and I have just written a trilogy together and the hero has stolen both of our hearts; if you heard us talking about Victor Partridge you’d think he was a real man we were both obsessed with! Writing solo, it is of course possible to fall in love with your characters, but it’s a wonderful to be able to share that feeling.

    Be brave

    When you’re writing with someone else, you can be braver when it comes to pushing your boundaries. (Like this idea? Click to tweet it!)

    Try writing scenes, plots and dialogue that test you as a writer and as a person. Don’t be afraid to go down a darker or more comedic route than you normally would, or try sci-fi if you usually write historical fiction.

    Ride the rollercoaster

    The writing, publishing, and promoting process is one big crazy rollercoaster. Working through each step with someone else means you get to share the highs and support one another during the lows. Hold hands and hang on!

    Have you tried co-authoring? Would you consider telling a story with another writer? Share your thoughts in the comments!

  • 3 Steps for Creating Meaningful Goals That Will Help You Make Progress as a Writer

    3 Steps for Creating Meaningful Goals That Will Help You Make Progress as a Writer

     

    Have you found yourself feeling rudderless with your writing?

    Maybe you’re writing and even publishing regularly but don’t seem to be moving toward any specific destination. Or maybe you can’t even find the motivation to sit down at your desk for more than an hour.

    There’s a good chance you feel this way for a specific reason: because you don’t have a clear goal for your writing career.

    When you have an overarching goal you know:

    + Where to pitch

    + What to write about

    + What types of articles you want to write

    + Where you want to publish

    + Whether you want to write short or long form

    So what’s the best way to create goals that will help you produce work you’re proud of?

    Here are three steps that will help you create clear goals and accomplish the things that really matter.

    Step 1: Identify your big picture

    This goes beyond setting goals for individual projects and instead spans all parts of your writing life, from pitching to craft to the business side.

    It also means identifying your WHYs. Are you writing to present yourself as an expert in a particular area? Do you want to support yourself through your fiction writing? Or maybe you plan on strategically guest posting to bring an audience to your website who will buy your books or other products?

    Brainstorm all the things you’d love to see yourself accomplishing as a writer. Once you’ve got your ideas down on paper, streamline those thoughts by writing in one sentence that encompasses your overall objective for writing.

    For example, here’s my overarching objective:

    I want to build a writing and education business that empowers and inspires people to express themselves creatively while allowing me to work where I want.

    Step 2: Outline the steps you must take to accomplish your objective

    Each big picture requires a different set of tasks. And each short-term goal will flow naturally from your big picture goal.

    In my case, if I want people to see me as someone who can help them write books, memoirs and short stories, I must show I know what I’m doing. So I regularly write, pitch and publish articles about how people can move forward at all stages of the writing process.

    I also want to make sure my clients know that my writing expertise is hard won through personal experience. Thus, I continue to write my own books and fiction that I share with my clients and audience.

    As for where and what I pitch, I focus on writing for an audience interested in the information I offer.

    Step 3: Set benchmarks to create accountability and assess forward movement

    Create specific dates by which you want to reach each short-term goal. It may initially feel strange and groundless to set deadlines when you’re unsure of how long things should take. Do it anyway. You can always go back and edit. In fact, you should regularly edit and tweak your goals as you gain expertise and knowledge. (Click to tweet this idea).

    Also set specific monetary goals that you want to reach by certain deadlines. If you’re looking to make money via guest posting, decide how many articles you want to publish and how much you want to make over the next six months.

    Remember, you can make money when paid directly for your writing, but don’t discount guest blogging as a form of marketing to sell products and services on your own website.

    If you want another example, take a look at how I break down my objective into specific goals, tasks and benchmarks.

    Making room for change

    When it comes to setting and sticking to goals, remember: change is a normal part of this process. After all, you’re not going to be able to predict every possibility and option when you first sit down to create your goals.

    You should regularly review your objectives and goals to make sure you haven’t outgrown them. If something no longer fits your plan, change it. It’s as simple as that.

    The most important element is creating the structure and accountability that supports you and your writing and allows you to grow as a writer and entrepreneur.

    Goals create structure

    What are your goals for your writing? How have they helped you find direction and stay on track?

  • 6 Effective Ways to Engage With Your Readers (So They Buy More Books)

    6 Effective Ways to Engage With Your Readers (So They Buy More Books)

    The image of the novelist as a slightly eccentric individual who likes writing alone in a dark room and avoids interacting with anyone else — even their literary agent — is an image of the past. Modern day fiction writers cannot afford to be like Harper Lee and stop communicating with their audience!

    Have you ever wondered how many authors get their books on the New York Times bestseller list? They do so by generating a buzz around their books and personas. People not only want to read their books but also know more about the author. For novelists, curiosity is the best way to keep readers coming back.

    So how can authors communicate and engage with their readers? Here are a few tips:

    1. Use social media

    Social media platforms like Twitter and Facebook are excellent tools that many writers use to interact with their audience.

    Some social networking platforms are geared specifically towards writers and book lovers, such as Goodreads. For example, Jeffrey Archer uses this platform very well to give his fans a peek into his life, inspirations, hobbies and upcoming novels. Fans can comment, read exclusive content and even participate in Q&A sessions.

    Social media can also be a great way for writers to get feedback on books that are in the pipeline. Authors can release rough excerpts from their books and receive immediate, honest feedback from readers.

    2. Conduct online Q&A sessions

    Social media platforms are excellent for talking to readers in real time. Writers can create events for their readers, such as Twitter chats or Google+ Hangouts, so that everyone shows up to the session at the same time and can ask questions spontaneously.

    3. Be active on fan fiction forums

    Many readers love reading and writing fan fiction. They come up with alternate endings, plotlines, and characters, and some fan fictions can even become as popular as the original book.

    These forums also play host to readers’ questions and comments. J.K. Rowling always makes it a point to engage with her readers on such forums. In fact, she actively answers questions online from readers and even reads the fan fiction herself. This is a great way for writers to get new ideas, understand what readers are looking for and interact with their audience.

    4. Blog

    Writers cannot spend every waking hour working on their next novel or story. Blogging is an excellent way to write about other topics, battle writer’s block, and communicate with readers.

    Neil Gaiman and Chuck Wendig are two of the many authors who blog as a way to interact directly with readers. They share writing tips and advice, describe current work, and update their audiences on new releases.

    5. Share additional content

    In addition to blog posts, writers can provide free and valuable content to readers in the form of videos, podcasts, audio clips, ebooks, images, and excerpts from upcoming books. The sky is the limit when it comes to brainstorming creative content that’s related to your work!

    6. Host book signing and reading sessions

    This is probably one of the most popular ways that writers engage with their readers, proving that not all connection is done online. There are tons of libraries, book shops, cafés, and other places to host readings in any city. Writers can meet their fans and readers face-to-face and engage with them in person. A great example of this is Chris Guillebeau’s DIY Book Tour to promote his two books.

    These are just a few ways that writers can keep in touch with their fan base and interact with readers. New and exciting platforms are coming up almost every day; what will the next great reader engagement tool be?

    What’s your favourite way to connect with your audience? As a reader, how do you most enjoy interacting with authors?