Category: Marketing

  • How To Make Digital Products to Boost Your Freelance Income

    How To Make Digital Products to Boost Your Freelance Income

    Did you know you can sell a single piece of work over and over in perpetuity? Without a book deal or contract?

    We’ve talked about recurring revenue, but this strategy isn’t just for business-minded folk. It’s for you.

    When I was a baby freelancer, I got a bit of publicity around my non-traditional job hunt, and received a million emails from job seekers wanting to know how they, too, could get a job using social media. Inspired by online courses I’d taken, I created a three-part video series on this very topic. Five years later and I still make a couple hundred bucks per year from the videos while doing zero upkeep work.

    Spending a few weeks creating this course rounded out my income while positioning me as an expert in new-age job-hunting. But before you yell that you need a billion Twitter followers or a bunch of speaking engagements to get people to sign up for a digital course, hold your horses.

    I talked to a group of writers who created amazing digital products to find out how they did it.

    How digital products can help your writing career

    If done right, products — which most often are in the form of ebooks or online courses — can help you create regular income without the constant, and often exhausting, pitch mentality.

    Products give you a platform. They bring in new clients and help position you when pitching pieces.

    Say you’re a travel writer, but have only written for a few smaller publications. Creating an e-course for freelancers called, “How to Pitch Government PR Agencies to Finance Your Travels” means you’ve suddenly expanded your platform. (Not to mention the benefit of interviewing publicists for said course — that’s just clever networking.)

    Products are also easy entry points into larger services like coaching, workshops, public speaking and traditional book deals, and if you execute them well, they will feed clients right into your sales funnel.

    Amber Adrian, a blogger who’s shopping a book of short stories, created the Guide to Freelance Writing through Chris Guillebeau’s Unconventional Guides empire. It helps pay the bills while she pursues projects she’s passionate about.

    Danny Margulies turned his success as a freelance writer on Elance into a course that helps others do the same. “I believe in the power of the individual to do great work, make an impact on the world, and most importantly control their own destiny,” Margulies says. “My course is a reflection of that belief.”

    While this approach worked for these two writers, it can be difficult when you’re preparing to create your first digital product to decide what to offer. So we asked a few product creators how they came up with their idea.

    What digital product should you create?

    What questions do people send you emails or tweets about? What were you confused about at one point in your career? The topics that come up over and over can help you decide what kind of digital product to create.

    Gina Horkey worried, “Who am I to create a product so soon?” when she decided to launch a product just six months into her freelance career. But she was actually in a prime position to create a guide targeted towards writers who were about to embark on the same journey.

    Margulies had managed to do what many would scoff at: earn more than $100,000 on Elance in one year. It was those two points (the scoffing and the earnings) that lead him to believe freelancing sites were misunderstood. “All of the ‘expertise’ I’d find came from someone with no track record,” he said. “I felt that it was my responsibility to help others with the approaches I know to be successful.”

    Carrie Smith, a writer who created a course on solopreneur finances, was prompted by a collaboration with several other entrepreneurs, who offered to help edit and design her first course. Smith had been an accountant for 10 years, so creating a finance course was the perfect fit.

    “I knew I could shed some light on what it takes to run a business, do the bookkeeping, organize the taxes, and outsource work on a budget — all without being boring or taking a lot of time,” she said.

    Writing retreat-lover Alicia de los Reyes created both an ebook and course on how writers can DIY their own mini-retreats. “I do better with external motivation,” she said, “and I wanted to create that same motivation for other writers. Plus, who says writing retreats have to be expensive, serious and stuffy? Why can’t they be fun? Why can’t there be camp crafts?”

    These writers have created compelling products using their unique blend of gifts and experiences. And you can too! Spend some time with a notebook and a Sharpie (my favorite brainstorming method) and write down every question anyone has ever asked you, every struggle you’ve had and overcome, and see what you come up with.

    How to find time to create your product

    Now that you have the idea, it’s time to create. This part is both hard and fun, requiring time and commitment.

    How have other people done it? I’m glad you asked.

    Horkey wrote one to two lessons of “30 Days or Less to Freelance Writing Success” every morning. “It’s like eating an elephant, one bite at a time!” she said. “Client work was always the first priority, but a goal and a deadline kept me on track.”

    Adrian was in a slow freelancing period, so she opted to focus solely on writing the best guide possible. “I took six weeks and devoted it to writing and editing and rewriting and polishing. The benefit was that I could really dig in and focus. The downside was, of course, halted income for that period.”

    Reyes, predictably, created a mini-writing retreat. She set aside an entire day to expand and reformat previous content and make the lessons user-friendly and flexible. “Once I got into a rhythm, it became easier to format,” she recalled. “In the end, it took me a few days to write, edit, and upload the content and worksheets, and then a few more weeks to share it with friends and test it.”

    It’s really up to you and how you work best. Yapping dogs and screaming children might make it hard to take a whole day, or you might work best at 3 a.m. for exactly 53 minutes. I want to say “find a balance,” but that’s easier said than done.

    Margulies admitted the difficulty of finding balance while creating a product. “I slept less than I was used to for a few months while creating the course, especially since all of my income came from clients,” he said.

    Once the course was finished and started to bring in revenue, he was able to take on client work again — but needed to fewer clients since he had another form of revenue. ”But even when there was no balance, I was fueled and focused by my mission to help create a world with more well-paid freelancers.”

    Selling your product

    I could write an entire ebook on this topic alone!

    But the short answer is that to sell your content, you need a platform. If I had a dollar for every time someone sang the praises of a “platform,” I wouldn’t need to freelance at all. No one’s going to buy your product if they don’t know it’s out there — or why you’re qualified to advise anyone else’s career.

    But what you might not know is it’s not the end of the world if you don’t have a platform yet. Many larger websites (like this one!) will advertise your product for you if you set up an affiliate program and create a great product they’re proud to promote.

    You might also follow Adrian’s lead and create your product under someone else’s umbrella. If you’re up for making a video series, sites like Udemy and Skillshare allow anyone to create classes, and their community gives you a built-in audience.

    Or, like Smith, you could partner with colleagues to create a super-platform. “The great part about collaborating with other solopreneurs is that the entire weight of the project isn’t on your shoulders,” she said.

    Post-product life

    Skip ahead a bit: your product is done. It’s live. It’s obviously selling like hotcakes. How much work does it take to keep up with this thing you’ve created?

    Horkey’s product hasn’t been a set-it-and-forget-it type of deal. “I’ve revised the course a couple of times and recently launched a new sales page. I continue to invest time and energy in hopes of making it better for future students.” She has also launched a Facebook group for students, which means she spends time every day facilitating discussion and answering questions. “It takes as much or as little time and as much or as little money as I choose to invest,” she said.

    Adrian relaxed and watched the money roll in. Sort of. “Because Chris has such an impressive audience, my portion of the book’s proceeds provide recurring income each month,” Adrian said. “Not enough to jet off to Bali and watch handsome men do yoga, but enough to pay a few bills.”

    Reyes spends her time sharing her work with people who might like it and asking them to share it with friends and readers. “I plan to spend money on affiliate marketing,” she said. “Marketing is always more work than I bargain for, but it’s the only way to get my work in front of readers.”

    And for Margulies? The results have been so impressive he’s actually thinking about making the course his full-time job. “I answer lots of emails, work on promoting the course, customer service, technical stuff, you name it,” he said. “I’m wearing all the hats right now.”

    But, he adds, “I’ve done more copywriting than ever these past couple of months, it’s just that my only client has been me!”

    The moral of the story: You can make your product as big or as small as you want and spend as much time on it as you choose.

    You want to create a $3 PDF with 100 different writing exercises? Sounds awesome. Or maybe a $1,000 year-long private mentoring group? “If you have information that might help others, share it,” said Adrian. “Even if your brain kicks up a fuss and lists everyone else in the world who would be better at this than you.”

    Whatever it is, here’s our permission: get started.

    Have you thought about creating a digital product of your own? What would it cover?

    This post contains affiliate links. That means if you purchase through our links, you’re supporting The Write Life — and we thank you for that!

  • How to Sell More Books and Grow Your Fan Base at Author Events

    How to Sell More Books and Grow Your Fan Base at Author Events

    When we talk about building your author platform, the inescapable challenge every author must face is marketing. Particularly, email marketing.

    You need an email list, not just to sell your book to subscribers, but to build relationships with readers and other writers so they’ll support your work and become fans in the process.

    In-person author events provide a unique opportunity to get more email subscribers — but only if you take some time to prepare for the event. Here’s a checklist that will help you walk away from your next author event feeling like it was a success.

    Don’t buy more than 20 books to sell

    Let’s say you’re going to some book fair that’s insanely popular with an attendance list numbering in the thousands. You’d think it would be a smart move to stock up on physical copies of your book, right?

    Wrong. If you’re an unknown author like me, the fact is you won’t sell many copies at an event. I had 20 books on hand for my event and only sold a handful.

    Sometimes readers need to time to research who you are, and they aren’t committed to buying just yet. “But what if I sell out?” you might ask. That’s great! Now you can tell visitors your book is sold out and possibly create demand due to scarcity — not a bad position to be in.

    So don’t order 100 copies of your novel just to be cautious, or you’ll be stuck lugging those books around for a while.

    [twl_reusable_block post_id=41455]

    Use bookmarks as giveaways

    On the list of things every author should have on hand: bookmarks. Bookmarks are like business cards for authors.

    You can put your cover art on a bookmark, along with your website and any other details for potential readers. Get really creative with your bookmarks by adding a character sketch or a synopsis of the book on the back. Utilize QR codes and make it even easier for someone to access your website or your book’s sale page.

    Having lots of bookmarks to give away at your event is more important than having copies of your book. A visual reminder of you and your novel sticking out of someone’s book is an easy way to get more sales and reach more readers.

    Bring a poster of your book cover

    This one is optional, but it helped me get more visitors than I expected at my last in-person event.

    Dozens of people who stopped by my table remarked on how the poster of my book cover drew them in. If you’ve got a compelling cover, get a poster made and tack that bad boy on the front of your table or on an easel that’s easily visible.

    Images grab people’s attention, so take advantage of that to increase foot traffic to your booth.

    Smile and engage

    This seems like a no-brainer, but you’d be surprised how many people don’t look up from their laptops or mobile phones at these events.

    You should always have your game face on when someone is remotely close to your table or booth. Simply saying “Hi!” can mean the difference between that person coming over to check out your book or skipping you altogether. Leave the texting and social media for later.

    And finally: how to get those new email contacts

    When you put all the tips above into practice, you’ll get an influx of people visiting your table, which creates a great opportunity for you them to subscribe to your email list.

    But you’re not just going to tell them to do that… because they won’t.

    Instead, you’re going to lay out an incentive. Create a compelling raffle where they can receive a free signed copy of your book, a gift card to their favorite bookstore, or a bundle of ebooks they can download. Create a sign-up sheet with spots for names and emails to contact the winner(s).

    Don’t be spammy or shady. Explain in detail on the sign-up sheet that each entrant will be added to your email list and they can unsubscribe at any time. I added 100 subscribers to my email list at the event I attended.

    Sure, there will probably be a few people who just want the goodies and then will unsubscribe when they don’t win the raffle, but to date, I’ve only had around five unsubscribes, which is pretty good.

    Once you’ve wrapped up your time at the event, remember to pick a winner either through a drawing or a random number generator, then email everyone on the list with the results and send the prize promptly.

    To minimize the percentage of unsubscribes, I also created a consolation prize for non-winners that included a free short story and a book marketing PDF guide. It’s always nice to receive a prize in a contest, especially when you don’t win!

    Got any tips for getting the most out of an author event? Please share in the comments!

  • The Smarter Way to Set Freelance Writing Rates: Avoid Hourly Work

    The Smarter Way to Set Freelance Writing Rates: Avoid Hourly Work

    The following is an excerpt from Breaking the Time Barrier: How to Unlock Your True Earning Potential, a free ebook offered by our friends at Freshbooks.

    In the ebook, Freshbooks co-founder, CEO and co-author Mike McDerment makes the case for independent workers earning what you deserve for your hard work.

    It’s a great resource for freelancers, and it’s also an easy read — no one’s throwing numbers or numbers or worksheets at you. Instead of textbook-style lessons, Breaking the Time Barrier shares a conversation between Steve and Karen, who talk through Steve’s hangups about how to price his web-design services.

    Whether you’re writing white papers, blog posts, or tweets, you know how long it takes to craft the written word. Are you getting paid enough?

    Read on to find out how changing your freelance writing rates from hourly to project-based rates can help you maximize your earning potential — and then get your own copy of Breaking the Time Barrier!

     

    Breaking the Time Barrier
    On Friday, Steve stepped into Karen’s café, a cozy spot with leather chairs and shelves lined with old books. He looked around, taking in the aroma of fresh coffee, then made his way to a back table, where Karen was waiting for him.

    After Karen greeted him warmly he settled into his chair, thanking her for meeting with him. “I’m happy to help,” she said before a server came and took their order.

    Then Karen invited Steve to sketch out his solopreneur journey, which he did over the clatter of coffee cups that surrounded them. When Steve was done she gave him a one-word verdict: “Pricing.”

    “Pricing?” he asked.

    She nodded as their coffees arrived. “Well…pricing and positioning. From what you’ve told me, it sounds like the way you think about pricing is holding you back.”

    “In what way?”

    “If someone wanted to know what exactly you sell to your clients, what would you tell them?”

    “My services. Web design.”

    “How do you charge for your services?”

    “I charge them a fee based on my hourly rate.”

    “Then aren’t you really selling hours?” Karen asked.

    “But I use those hours to design websites.”

    “Do those websites have any positive impact on your clients?”

    “Sure,” Steve said.

    “Do you think it would make more sense to charge a fixed fee that represents the value of the impact your websites have on your clients?”

    “Well, I do mostly charge fixed fees—”

    “But those fees are based on a multiple of your hours, right?”

    “Right,” he said.

    “I’m talking about fixed fees based on value, not time.”

    “I guess I’m not sure what you mean by value.”

    “The value of what I do,” Karen said, “is based on the impact I can have on my client’s business. Impact is how they value my services. So I look at pricing from their point of view. They don’t hire me to design a website for the sake of designing a website. They hire me to design a website that’s going to help them grow their business.

    “I find when I look at it like that — from their perspective — it’s clear I’m not selling time. Instead, I’m selling a solution that is going to make an impact for my client and achieve some business objective.”

    “So, how do you set your prices then?” Steve asked.

    “Let me give you an example. A couple of months ago I sat down with a client to talk about their website. I asked them to tell me why they thought they needed a website. When we drilled down into their reasons, they said they believed a website could generate an additional $100,000 of profit annually for their business.

    “So I asked them to make an investment of $20,000 in the website. Based on your hourly pricing model, you’d probably charge in the area of $2,000 to $2,500.”

    “Did they agree to your price?”

    “Yes. Wouldn’t you invest $20,000 to generate $100,000?”

    Steve agreed and he was excited about what Karen was telling him, but lots of questions were flooding his brain.

    “I get your math,” he said, “but doesn’t it come down to time in the end anyway? I mean, you spend a certain amount of time on the project. You could theoretically work out your hourly rate and so could your client. You’re probably effectively charging $400 an hour, or something like that. What if your client thinks that’s too high?”

    “Your math may be right, but I’m not a collection of hours,” Karen said. “I’m the accumulation of all my skills and talents. I’m wisdom and creativity. I’ve stopped seeing myself as a punch card. My clients don’t see me that way either.

    “Yes, sometimes, I’ve had to change my client’s mindset,” she continued. “But it starts with me, first, just as it starts with you. You have to forget selling time. The best thing you could do for yourself is to get the concept of time out of your head.”

    “Don’t I need an hourly rate for some stuff? Everyone I know has one.”

    “You know me now, and I don’t have an hourly rate.”

    “So I should never charge by the hour?”

    “To be honest, when I started out I charged an hourly rate and I think hourly rates make sense for someone just starting out, someone with little experience and limited skill. But over time I established myself and my credibility, which led to great references. When that happens, you begin to outgrow the cost-plus pricing model of charging by the hour. So if you stay with that pricing model, you’ll find it very limiting.

    “For example,” Karen continued, “since there are only so many hours in a year, it puts a cap on how much revenue you can collect in a year, and it means that the only way to make more money is to work more hours. These are limits… and the truth is, they are false limitations that lead to bad behaviors, like burning yourself out by working around the clock in an effort to earn more.”

    “That’s me,” Steve said.

    “Me too, when I first went out on my own, until I learned that a value-based approach to pricing your services is a powerful way to break through the time barrier and avoid the bad behaviors.

    “But like a lot of people, I didn’t start from scratch, and neither did you. You started your business after many years of design experience. You already had the ability to create value for your clients. And now, after being in business for a while, you’ve got references you can build on. You’ve also had the chance to see the impact your projects have had. I’m sure it’s far greater than you expected.

    “Think of the value you created for your clients. That’s an impressive story that you can use to move away from charging based on time to charging based on value.”

    Are you on board with Karen’s advice? Have you tried value-based pricing rather than charging hourly rates?

  • How to Get More Clients: Ignore Your Competition and Own Your Niche

    How to Get More Clients: Ignore Your Competition and Own Your Niche

    A lot of new freelance writers worry about being overshadowed by their competitors. Quotes like these are all too familiar (let me know if these sound like you, too):

    • “So-and-so’s been writing for Entrepreneur.com for like, three years. How will anyone think I’m credible if I don’t write for them, too?”
    • “I’ll never be able to charge as much as so-and-so because no one’s ever heard of me.”
    • “I can’t afford to market my business the way so-and-so does, so I’ll probably never be able to find enough clients.”

    The thing is, if you expect your competitors to overshadow you, they will.

    And the only way to stop that from happening is to quit stressing out about them, and focus instead on what makes your work unique and outstanding. After all, pending time fretting about your competition isn’t going to help you get more clients.

    Once you know what makes your work unique and outstanding, promote the hell out of it.

    I learned this lesson though a painful, business-crushing experience. Lucky for you, I was my own guinea pig and you get to learn from my case study.

    How rebranding helped me crush my competition

    My company used to operate as Write Ahead Consulting. The name was a little boring, corporate and formal, and so was my branding.

    But my happiest clients knew working with me was anything but status quo: I’m a rule-breaker, I challenge my clients’ assumptions, and I push their boundaries to help them grow as people and entrepreneurs. I give them business plans they’ll actually use. I do most of my work in yoga pants, because I use Skype, not in-person coffee meetings. I’m a pot-stirrer who swears for dramatic effect.

    That’s an approach to consulting that no other business plan writer or startup coach was using. The problem: no one could tell from my web site that I was doing it.

    For a few years, I tried to put on the same uber-professional face of my competitors, worried clients would choose them over me if I didn’t appear as distinguished as they did. I went to stupid chamber of commerce events full of multi-level marketers and investment bankers who turned their noses up at me for being a solopreneur. I gave out business cards to everyone and only ended up on dozens of mailing lists of companies I would never work with.

    I even made branded pens.

    And it got me somewhere — to a profitable business — but it didn’t shake my competition off. I was still concerned that prospects would hire them over me.

    Finally, I shook them off — by being like me, instead of like them. My brand needed to showcase who I was, rather than who I thought people wanted to see.

    After rebranding as Renegade Planner in 2014, my ideal clients could see suits and ties weren’t part of my repertoire. New prospects were magnetized to my rebellious new brand, and I immediately began to attract more of the kinds of customers I wanted to work with. Prospects were finding me online and seeking me out through referrals; I no longer had to search for leads at networking events. My sales cycle shorted from a month to just a few days.

    Competitors? What competitors?

    4 steps to stop worrying about losing customers to the competition

    Ready to stop judging yourself against your competitors?

    Step 1: Stop trying to be a better version of your competitors

    Mind your own business, find what makes you completely different, and celebrate it publicly.

    When I meet a freelance writer and ask them what they do, most of them say, “I write things for small businesses.” If I can’t tell you apart from another freelance writer, I automatically expect your work to be boring.

    But if you tell me something like, “I produce concise, impactful web copy for energy healers and yoga instructors,” then I know exactly what kind of work to expect from you. And  even if I don’t become your customer, I might refer another potential customer to you down the line.

    Don’t be afraid to be specific about your specialty and your ideal client. Specifics can lead to great referrals.

    Step 2: Find your own territory

    Stop showing up everywhere your competitors are. Go where they aren’t — as long as your customer goes there too. Maybe that means a rebrand, or maybe it just means you can stop going to generic business networking meetings and show up in online forums instead. You could find yourself becoming the only expert in your field among a virtual ocean of people who desperately need you.

    Instead of hanging out among your competitors, hang out among your customers. The writer in my example might find a lot of prospects at a yoga retreat, where there’s a very low chance of running into a competitor. A yoga retreat is no place for a strong business pitch, but you’re guaranteed to connect with a few people who will ask you what you do besides yoga. Tell them.

    Step 3: Relax and let the money flow (I can hear that bubbling brook already…)

    Step 4: Have a glass of wine, because that’s always step 4.

    How is your work completely different from what your competitors produce? How can you use your awesomeness as an advantage over your competition?

  • How to Market Yourself as a Freelance Writer: 4 Mistakes to Avoid

    How to Market Yourself as a Freelance Writer: 4 Mistakes to Avoid

    Wondering how to market yourself? When you start a business as a freelance writer, you’re bound to make some mistakes. No matter how many advice columns and guides to freelancing you read, some lessons on how to market yourself can only be learned in the trenches.

    I’ve made many blunders since launching my side gig as a freelancer: letting a pitch sit so long without followup that it’s gotten cold, not keeping my social media voice consistent, not making myself stick to a writing schedule, and more.

    Here are a few of the big mistakes new freelancers tend to make, errors that keep writers from landing the best freelance gigs — so you’ll have a better chance of avoiding them before they bite you.

    1. Scattered, inconsistent presentation

    How to market yourself well comes down to every foothold you have on social media being consistent.

    How confusing would it be if you liked a brand and decided to find out more about it online, only to discover all of its profiles were different?

    Its website was recently rebranded under a new name, one of its social media accounts was full of misspellings, and another account’s latest post was in 2011.

    A lot of freelancers treat their personal brands in this haphazard way, rather than making every platform work together to attract clients.

    The fact is that if you don’t make yourself easy to find, customers won’t take the trouble to hunt you down. And if your offerings aren’t clear, they won’t hire you. Making the message on all your profiles match eliminates confusion and helps you turn inquires into solid leads.

    If your online persona is so fragmented that every account looks like a different person, remedy this by choosing the same professional profile picture and pithy bio for every site.

    Narrow your social presence to just a few sites, like your personal website or blog, LinkedIn and Twitter.

    Lastly, choose a brand voice and stick with it.

    Kristi Hines (known on Twitter as @kikolani), has this down pat with her professional presentation and focus on content marketing. Sports writer Nick McCarvel (@NickMcCarvel) is another good example of consistency. He injects some personal observations and colloquialisms into his Twitter commentary while keeping it businesslike in his commentary articles.

    2. Random posts and self-promotions

    Posting and sharing without any sort of master plan on how to market yourself lessens your chance of attracting good work.

    If you miss direct messages, share little about your industry (other than pleas for someone to hire you), and frequently pop off with curses or squabbles, you’ll alienate potential followers and limit your credibility in marketing yourself.

    For a more tactical approach to social media, start by figuring out when your followers are most active online, and how wide your reach already is. This will help you determine how to market yourself in the best way possible.

    Free monitoring tools can also help with this part. You’ll want to schedule most of your updates for those windows when your followers tend to be online.

    If you don’t think you can come up with something to say every time, start a backlog of drafts that you can release when traffic is high. The frequency with which you post will depend mainly on how often you feel you can say something substantial and relevant.

    When it comes to how to market yourself, it’s better to have a few consistent, quality posts than a full timeline that just sounds like you’re making things up as you go.

    Once you have a basic posting schedule arranged for maximum engagement and an understanding of the tactics of each platform, you should decide exactly what your take on the market should be:

    • Will you position yourself as an expert, here to inform?
    • A learner, posting about your journey as you gain familiarity with the industry?
    • A skeptic, scrutinizing everything you see and sharing how it could have been better?

    Whatever angle you choose, keep it in mind when selecting your brand voice.

    The only thing worse than tacky self-promotion is no self-promotion. Don’t be so falsely humble that you never actually say how good you are at writing, and what you can offer to others.

    Check out Graphic Design Blender’s guide to promoting yourself without tearing others down, being outdone by bigger competitors, or overlooking valuable opportunities.

    Some of their suggestions include promoting yourself offline through strategic relationships and impressive print pieces, and being specific about what you bring to your market niche.

    3. Irregular networking

    Networking is tough. Whether you’re a designer, a writer or an editor, we all experience similar struggles in knowing how to market yourself. But these few tricks can make networking easier.

    • First of all, be bold. Go for the clients you want; don’t just send up little online flares and hope your dream collaborator sees one. A short email introducing yourself and explaining that you’d love to help with any work they have in your field is entirely appropriate. Here’s how to write a tasteful pitch.
    • Don’t assume your family and friends can’t help you just because they aren’t familiar with freelancing. Take time to explain what exactly you do, and they may just know someone who needs your help. “Freelancing” may come across as a lofty concept; they might understand it better as “working with whoever needs you for a one-time job.”
    • Don’t overlook your local market. Dozens of businesses nearby may need you to write copy for them, but they can’t hire you if they don’t know who you are. Chamber of Commerce and similar memberships can offer valuable local connections.
    • Stay humble. Don’t strike out on your own so confident in your previous experience and market knowledge that you don’t think you’ll need help from an old coworker or industry expert. Seek out advice from former connections to show that you still value your relationships with them.

    When networking, the number of inquiries you get will be directly related to the effort you put into making people see you.

    4. Unfamiliarity with competitors’ strategies

    In any business, you’ll have competitors. This isn’t much of a concern when you’re a nine-to-fiver, particularly at a national company where your salary is mostly safe.

    As a freelancer, though, you are the company, and your salary is directly tied to how well you outdistance your competitors. If you’re unaware of current trends, the myriad of other writers who do exactly the same thing as you will snap up available jobs because of their greater savvy.

    One of the most effective strategies is to study the competition. See how they weave their voice into their posts, both on their own platforms and in the work they’re hired to do. Take note of any mistakes they make, and identify how you could do better.

    Going even farther than that, you could try befriending other freelancers in your space. Send them a message offering to meet up (if they’re in your area) or chat online to share ideas, talk about potential collaboration and share tips on how to market yourself.

    Guest posting for each other’s blogs could help both of you, so that’s an option, too.

    Other freelancers are sometimes the only ones who understand your struggles, so you may end up with some true friends after working together, or at least some insight into how other freelancers in your space do business. If you’re craving community as a freelancer, check out the Freelance Writers Den.

    What other mistakes should freelancers avoid? Let us know what you’ve learned the hard way during your time flying solo. You may even make some friends in the comments!

    Need to learn how to do social media better as a writer and author? Check out this free training that we’re offering with Self-Publishing School.

  • What’s Your Book Marketing Plan? 6 Crucial Steps to Include

    What’s Your Book Marketing Plan? 6 Crucial Steps to Include

    Every publisher and literary agent will tell you that responsibility for the success of your book rests heavily upon you, its author. Although traditional media campaigns still play an important role in the marketing plans for new books, they are no longer enough. To maximize — or perhaps even replace — a traditional publicity campaign, you need to reach out to your audience directly by building and nurturing a strong online author platform.

    Before founding a publishing company, I was a longtime arts and lifestyle newspaper editor. Over my 15 years in media, I saw our book coverage capacity plummet as reporting staff was relentlessly cut back and the newspapers themselves shrunk in size. I was dismayed to have to turn down highly appealing pitches from authors and their publicists every day, despite my interest in their books, simply because we no longer had the resources to cover them.

    Every media outlet in the world is facing a similar crisis today. That’s why as a publisher, I now counsel all of our authors to build a relationship directly with their readers. I’ve seen first-hand that a strong grounding in online book marketing makes a decisive difference to any book’s ability to succeed in the market.

    This is true for traditionally published authors as well as those who are self-publishing. Traditional publishers are far more likely to take a chance on an author when they know that he comes with an engaged following. If you’re planning to self-publish, a strong online platform is even more critical because you are entirely dependent upon your own ability to promote and distribute your work.

    [twl_reusable_block post_id=41455]

    Here’s how to market your book to make it a winner.

    1. Start early

    It’s never too soon to begin raising awareness of your book, and of you as an author. If you’re starting from scratch with very little presence online, you should ideally begin your platform-building efforts even while you are writing.

    It takes a while to gain traction and build a following. And by sharing updates or asking for feedback on your book while you write, you stimulate curiosity and a sense of personal investment in your audience.

    2. Build your website around yourself

    You need to have a website, and it needs to be built around you, not around your business or your book. It’s surprising how many authors still overlook this critical piece of advice, relying on Facebook or their publisher’s website to act as their main online home.

    But think about it. Your website will forever be under your control, and will never become obsolete. Instead, its power and relevance will only grow stronger as your career develops.

    Your site doesn’t need to be fancy — in fact, it’s better not to pack it full of unnecessary features and distracting design elements. Aside from a page dedicated to your book and an “About me” page, the most critical element of your site will be a blog. By maintaining a regular blog you can build a following even while you write, and when your book is ready for publication, your readers will feel they already know you.

    3. Focus on growing an email list

    Email is the most effective marketing tool available today, and if you’re serious about selling your book, you must use it.

    Offer a flagship piece of content on your website such as a mini ebook as an incentive to join your list, then send out a monthly or even weekly newsletter to stay top-of-mind with your followers. To keep their interest high, your newsletter ought to contain more than just “news” about you. By offering something useful, insightful or entertaining, you’ll gradually build an engaged audience who looks forward to hearing from you.

    Choose the nature of your newsletter content based on the type of reader you’re courting, and the nature of the relationship you want to cultivate with those readers. This could be as simple as a stripped-down, letter-style email filled with links to top news from your industry, perhaps embellished with your own analysis. Or if your target readership is highly visual, you might choose to create a monthly mini-magazine filled with your own inspiring graphics, articles from your blog, embedded videos, quizzes and more.

    4. Be generous

    Marketing has changed in the digital age. Intrusive and coercive advertising has given way to permission marketing, in which book-buyers (and consumers of all types) follow their own pathways to find the things they care about. To bring them to your door, you’re going to have to drop some breadcrumbs — plenty of them.

    Show the world what you know by blogging and guest posting. Draw people to your site by offering tools and resources for free. Above all, if your publishing arrangement permits it, consider making a free ebook or PDF version of your book. It’s possible that you might cannibalize a few sales this way, but you’re more likely to win others simply by spreading the word.

    5. Use social media strategically

    Social media quality is much better than quantity: you don’t have to be on every social network, and when you’re just starting out, you really shouldn’t try. It’s much better to do a few things really well than to take a scattershot approach that has no focus and no goals.

    Determine where your target readership is most likely to be concentrated, and start by building a strong presence on that network.

    6. Seed early reviews

    I can’t overstate the importance of those first few weeks after release. To improve your book’s discoverability on Amazon, it’s critical to have a handful of solid reviews — aim for 10, at a minimum. It’s ok for some of these to come from family and friends, but it’s even better for those to come from top Amazon reviewers and verified buyers.

    How do you get them? Start by asking, of course. Offering a free copy of your book to the right people in exchange for a review can give an enormous boost to your sales. Go to Amazon’s list of top reviewers and look for reviewers who have reviewed books similar to yours. You can also simply look up reviewers whose reviews you have enjoyed!

    Each reviewer has a profile with an email address. Reach out to them with a non-pushy personal note, and a copy of your ebook or PDF version. Be gracious, be grateful and respect their opinion if they don’t love your book. Sour grapes will sour your reputation, but being a good sport demonstrates the professionalism you want to be known for as a career author.

    What marketing strategies have helped you spread the word about your book?

  • Twitter Marketing Strategy: How Much Book Promotion is Too Much?

    Twitter Marketing Strategy: How Much Book Promotion is Too Much?

    We’ve all felt it. The tightness in the chest. The feeling otherwise known as panic that sets in upon a book’s release. Will anyone buy it? Will people enjoy the stories we’ve poured our hearts into?

    We want to shout from the rooftops to celebrate releasing our work into the world, and we’ve heard that Twitter is a crucial part of a marketing strategy, and so we tweet, @mention and retweet. Yet how much should we say before all of our promotional efforts start to fall on deaf ears?

    Is there such a thing as too much Twitter promotion?

    Don’t start by selling

    Before you try to convince readers to buy your book, your goal as the author should be to build trust and a relationship with them. You can build trust with readers much like you build trust with anyone else. Start by finding a common bond, sharing information about yourself and letting others know what you like.

    Find topics to talk about apart from yourself and your books. Current events, fashion and food are often good choices. Talk about your favorite television shows, books or musicians.

    Show your personality. If you’re funny, don’t be afraid to show that side of yourself online. People respond to people they relate to, and being relatable is how you will attract your audience.

    Pay attention to your tweets, the @replies, the number of favorites or retweets. Note the ones that attracted a good response from your audience, and write more of that type of post.

    Learn the difference between hard selling and soft selling

    The truth is, if you know the difference between these two types of promotion, you can share information about your book daily without making your audience and readership feel “sold to.”

    A hard sell is a direct, “buy my book” type of message. It can be an aggressive strategy and is usually reserved for products that are hard to sell.

    Instead, you’ll want to master the art of the soft sell, a technique that relies on “suggestion or gentle persuasion rather than aggressive pressure.”

    Soft-sell marketing is subtle, persuasive and low pressure. The goal of soft-sell marketing is to build a relationship without aggressively pitching your book to readers.

    Once you’ve created a relationship with your audience, selling will feel less forced, more natural and conversational. Soft-sell marketing is effective because the author creates a lasting bond with her readership.

    If your audience connects with you, and they like you, they will buy from you. It’s that simple.

    Is there a magic formula for promotion?

    Some writers are always on the hunt for a magic formula. How many tweets should I post each day? What time of day should I focus on social media?

    Yes, there are ways to help grow your social media following, and there’s a lot of great advice for what to do (and not to do) on social media. However, if you build a rapport with your audience, you can tweet as much or as little as you like, and still be effective.

    [bctt tweet=”If you build a rapport with your audience, you can tweet as much as you like,” says @jenniferafusco”]

    Take a look at Laurell K. Hamilton (@LKHamilton), an author who tweets frequently. She’s both conversational and engaging with her audience. By looking at her posts, you can tell she’s having fun on Twitter.

    Romance author Molly Harper (@mollyharperauth) is also very effective on Twitter. She doesn’t tweet often, maybe once or twice a day, but her humorous personality shines through in her tweets, delighting her audience.

    How to soft sell on Twitter

    To illustrate the difference between hard selling and soft selling in tweets, let’s compare two sets of tweets from New York Times bestselling romance author Tawny Weber.

    The first three use a hard-sell approach:

    1. How’s Mission: Fake Engagement going to go? Find out in A SEAL’s Kiss [link] #SexySEALs
    2. Hot, sexy and brooding… Check out Brody Lane in A SEAL’s Salvation! #SexySEALs [link]
    3. #FREE A SEAL’s Surrender by @TawnyWeber: [link] #free #HarlequinBlaze #kindle #nook #ibooks

    Here are the same tweets, rewritten to incorporate a soft-sell message:

    1. OMG, A fake engagement. A SEAL’s Kiss [link] #SexySEALs Would you ever fake an engagement?
    2. Like hot, sexy and brooding heroes? I’d love to know what you think of Brody Lane. [link] A SEAL’s Salvation
    3. A free book? Yes, please. #FREE A SEAL’s Surrender [link] #HarlequinBlaze #kindle #nook #ibooks

    See the differences? The second set of messages use a friendly tone. The tweets are conversational in nature and the purchase of the book is implied without the use of hard selling.

    To write great soft-sell messages, read the tweet aloud. If you feel the message says, “buy my book”, rewrite it.

    Create soft-selling tweets with the goal of starting a dialog. Use hashtags to invite others to join the conversation. Your soft-sell messages don’t always have to include buy links or book related tags.

    Apply the same concepts to other social media channels

    Prefer pinning to tweeting? That’s OK.

    While I’ve focused on Twitter, you can easily apply the idea of building a rapport with your readership and using a soft-selling on Facebook, Pinterest, Google+ or wherever you prefer to promote your work.

    If you’re vigilant about keeping your social media conversations light, entertaining and engaging, and you in the effort in to build a bond with your readership, you won’t have to worry about how much promo is too much. Instead of being a burden or nerve-wracking endeavor, promotion will seem natural and effortless.

    How do you share your work on Twitter without being overly promotional?

  • Boost Your Author Platform: How to Host Your Own Radio Show

    Boost Your Author Platform: How to Host Your Own Radio Show

    GIVEAWAY: Dorit is offering a 45-minute slot on her radio show, “Giving Voice to Your Story” for one lucky reader to talk about his or her memoir! See below to enter and you could win a chance to be interviewed in February or April 2015.

    When we talk about author platform, many writers think about print media such as books and blog posts. Based on my own experience building my own author platform, an audio component such as an Internet radio show makes a great addition.

    A radio show adds a different dimension to your writing and generates interest in you and your book. When people read your website and guest posts, they are “reading your voice” and imagining what you sound like. On a radio show, your fans can hear and “feel” you much more directly than they can through an article.

    In addition, a radio show helps you build public speaking and media credits. If you’re looking to get on syndicated news, local radio and news channels and even national television, a radio show will help you share your personality with producers.

    Sound like something you might want to do? Here’s how to develop your own radio show.

    My experience as a radio show host

    My global radio show, “Giving Voice to Your Story,” went live in July 2013 as part of the Creating Calm Network Broadcast Group. I had already established myself as a blogger, but I wanted to create a more solid online platform and prepare for the release of my memoir, even though the publishing date was over a year and a half away.

    I connected online with non-fiction authors and memoirists I liked and to my surprise, many wholeheartedly wanted to be interviewed! It wasn’t long before I’d built a following. Within five months, I was able to bring on board noted authors such as Julia Cameron, author of The Artist’s Way, and Linda Gray Sexton, memoirist and daughter of the Pulitzer-prize-winning poet Anne Sexton.

    Since I launched my radio show, people have started recognizing me as an expert because I associate myself with expert authors.

    Planning your radio show

    As when writing an article, blog post or novel, the first thing you do is plan the subject matter of your radio show. Keep in mind that the topic should be something about which you are knowledgeable and feel passionate about, and one that potential book-buyers will be interested in.

    Your show might include chapter-by-chapter readings of your book, how-to tips or interviews.  In my experience, listeners are a lot less interested in stories than they are in the lessons they can learn from them. Talk about the life lessons you learned or share advice from your experience, and then allude to your book, which of course goes into more detail.

    On my blog as well as on my show, I talk about various craft issues related to memoir such as the voice of experience versus the voice of innocence, how to break the silence and write about challenging emotions or painful parts of life, or how to write about uncomfortable issues so that one’s memoir doesn’t read like a journal, but an actual story.

    I refer to specific scenes to talk about these issues. For example, I finally broke my silence to write about a bullying experience while serving in the Israel Defense Forces, and my next step is to broadcast a “break the silence” radio episode. I shared these insights on a recent LinkedIn discussion along with a previous link to the show and readers were not only grateful, but shared their thoughts behind the challenges. The comments quickly turned into a great discussion and helped create a supportive community.

    Aim for a show between 15 and 60 minutes long. You’ll want people to be able to listen to it in one sitting (or one trip), but you don’t want it to be so short that your listeners will resent the fact they bothered to tune in or download it. Consider adding music to open and close the program. Google “public domain music” or “royalty-free music” for download options.

    How often you choose to put out a new episode is up to you, but I feel the frequency of a radio show follows the same rules as blog posts: Release a new episode as often as you think you can commit to regularly and faithfully. The shorter the show, the more frequent you can be without overloading your audience.

    Interested in interviewing guests?

    You’d be surprised how happy agents are to book one of their authors as a guest on a radio show. You can also put a call out for guests on your social media channels. With self-promotion so necessary to book sales, authors are hungry to spread the word about their work.

    Whenever I finish a great memoir, I immediately connect with the author online and inquire if he or she is interested in being on my show. Almost 99% of the time, the answer is yes. This is how I’ve secured most of my guest appearances. The key is to start with your local community of authors and build your way up. After a while, you’ll build a following and you can quote your number of listeners when you’re approaching bigger-name authors.

    Essential equipment

    To broadcast your radio show, you’ll need a few things:

    • A computer or laptop with high-speed Internet connection. The beauty of hosting your own radio show is that you can do it from the comforts of your own home.
    • A headset with both headphones and microphone. The benefit to the headset is that you can adjust the distance of the mic from your mouth and it stays there.

    That’s it! Easy, right?

    Broadcasting a show

    Blog Talk Radio is the most popular venue for Internet radio and offers an easy start up. There are three tiers of monthly payments, with more benefits as you move up to the account types. There’s also a free account, but it only allows five listeners, so it’s not as useful.

    The main difference between the three packages ($39, $99 and $249) is the number of shows you can broadcast as well as more promotions. With the $249 package, you can live-stream from any website rather than just on Blog Talk Radio’s site.

    I’ve made the switch to Instant Teleseminar, which is user-friendly for both the listener and host. My recordings are immediately available after the show, so I can post them on my site for listeners to download.

    Get ready for your first show

    Here’s a handy checklist of how to prepare before and during the show:

    • Make sure you’re recording in a quiet place. Microphones pick up strange sounds that can easily distract listeners.
    • Write an outline or script for your show before recording. This cuts down on the “ums” and “ahs.”
    • If you’re doing a live recording (a show you’ve promoted with listeners tuning in live, rather than one recorded for later download) make sure you’re comfortable with your equipment and software. Practice beforehand so your first live show goes smoothly. Offer listeners a chance during the show to ask questions.

    Marketing and promoting your radio show

    Now that you’ve finished your first episode, you need a home base to fully capitalize on the marketing potential of your episodes. A blog or writer website is a good option and makes you easier to find. Make sure that your site has the link to your latest show prominently displayed along with your contact information.

    Since I’m part of a network, the show producers help promote all of the network’s shows. My show appears on its own home page and on the network’s social media channels.

    Promote your show on your own by creating tweets and Facebook posts highlighting different points in the radio show. For example, you could mention a lesson you learned in an unlikely situation, then link to your upcoming episode (or recording) for people to learn more.

    Make your latest episodes easy to find, and distribute recordings on established networks such as iTunes or Audible, which let you upload your recordings for wider distribution. Be sure to include your name and URL at the beginning and end of each recording, and consider crafting a short, catchy promo to share on your networks.

    Not ready to host your own show?

    Instead of going it alone, take on a cohost or two. You could either record together for a talk-show-like adventure, or host your own episodes as part of a group show. You’d see many of the same benefits, but without having to record a new episode quite as often.

    If hosting a radio show sounds too daunting, consider being a guest on a show. Choose one that speaks to you. One great way to get started is to check the daily listings over at Help a Reporter Out (HARO). I see requests for radio show guests almost daily. Subscribe to the daily digest to receive updates on all kinds of media requests. You can also set up a Google Alert for “radio show” and “guests wanted/needed” which you can receive up to several times a day straight to your inbox.

    Another option is to search for radio shows in your genres. You’ll find lots of them out there, so again, you’ll need to be choosy. Approach the host or producer and ask if he or she has slots for guests for future interviews. It never hurts to ask! As a guest, you’ll still have to prepare for the show, but you’ll be spreading the word about your book, building your brand and creating a following with less pressure than hosting your own show.

    Hosting your own radio show can be an effective way to round out your online presence while giving you one more way to engage and connect with your audience. Have fun and happy recording!

    Have you tried hosting a radio show? Would you consider adding one to your author platform?

    GIVEAWAY: Leave a comment below with the words “pick me!” to enter to win a 45-minute slot on “Giving Voice to Your Story.” To win, you must have written or be working on a memoir. Leave your comment by January 5, 2015, to enter.

    If you haven’t written a memoir but still want to comment, we’d love to hear your thoughts — just don’t include the words “pick me!” (UPDATE: Lori won!)

  • Win a Professional Headshot Session! The Write Life Giveaway

    Win a Professional Headshot Session! The Write Life Giveaway

    As a writer in the digital age — when your photo follows you around the web and your personal brand affects how much you earn — it’s so important to have a headshot that projects a professional image.

    That’s why we’re giving one lucky reader a professional headshot session. Enter the contest here!

    When we sat down to brainstorm how to give back to our community, we identified professional photos as an area where a lot of writers fall short, either because they don’t have the money to pay a photographer or they don’t realize just how vital a professional headshot is to building a career as a writer.

    If you win The Write Life giveaway, you’ll get beautiful headshots to use on your blog, book jackets, social media and more — all on us.

    The Write Life Headshot Giveaway

    Because our readers live across the U.S. and around the world, the winner will have the freedom to choose a professional photographer in his or her area. We’ll cover up to $250 for your session.

    Click here to enter.

    And if you’re really keen to win, be sure to share your unique URL with a few friends — you’ll receive that URL after you enter. By telling your writer friends about the contest, you’ll earn additional entries and increase your chance of winning.

    We can’t wait to give one of our readers gorgeous new headshots to use around the web!

  • 4 Mistakes Even the Best Writers Make on Twitter

    4 Mistakes Even the Best Writers Make on Twitter

    Want to use Twitter to make connections for your writing career? Check out our founder Alexis Grant’s course: Become a Twitter Power User.

    It’s not easy, convincing writers on the value of Twitter. But once the social network begins to make sense to you and you start seeing wins on a regular basis — a publisher links to your blog post, a literary agent responds to your tweet, or maybe you even land a freelance gig through a Twitter connection — you’ll never go back.

    Once you get over that initial hump, it’s time to take it a step further, so you see even more return on your investment. And that’s when you want to make sure to follow the advice below. Will these mistakes doom you forever? No. But they will keep you from turning your own Twitter world into a place where you meet clients, form friendships and cultivate your writing career.

    Here are four mistakes I see writers make on Twitter and why you should be sure to avoid them:

    1. Neglecting to include @mentions

    Adding @mentions is one of the smartest things you can do to grow your Twitter presence, the best way to get a big bang for your buck on this social media channel. For every single tweet you send, look for ways to incorporate an @mention, maybe even two.

    Mention a blogger? Look up that person’s handle and include it in your tweet. Sharing a link from a publication? Add that @mention to your update. Notice someone is simply mentioned in the article you’re sharing? Find a way to work their handle into your tweet, too.

    The @mention is your way of getting the attention of other people, of saying, “Hello! I exist, and I’m tweeting about YOU!” If you fail to include the @mention, that person or publication or organization you’re tweeting about will probably never see what you have to say… and in that case, is your time spent on social media even worth it?

    2. Overlooking the power of Twitter lists

    After the @mention, lists are one of the best ways to get the most out of Twitter — and yet so many people don’t use them. Lists help you filter through all the noise on this platform and hear only the things you want to hear — so you can create connections that matter. (Here’s a great how-to-use-lists guide from Mashable.)

    One of my favorite ways to use Twitter lists is by creating what I call a Notice-Me List. This is a private list that includes lots of people I’m hoping to form a relationship with on Twitter: bloggers, publishers, writers, social media strategists, etc. Anytime I come across someone who I want to know me, I add them to this list, which means the list is always changing.

    But it’s what you do with that list that counts. Once you’ve created it, take a few minutes each day or week to scroll through that list and look for ways to interact with people on it. That could mean @replying to their tweets or RTing their tweets with a short comment, or even clicking through one of the links they share to their blog and leaving a comment on the latest post.

    [bctt tweet=”Creating Twitter lists is great, but what you DO with those lists is what really counts.”]

    By interacting with these people, you’re opening the door to a relationship. If you respond in a smart way, they’ll hopefully write back. And even if they don’t respond, they might notice you and your work — which means they’re far more likely to respond to an email you send down the line.

    3. Procrastinating the move to Hootsuite

    If you’re not using a Twitter application like Hootsuite, Tweetdeck or Buffer, you should be.

    I don’t recommend them for complete Twitter newbies, because it takes a while to understand how to use the platform, and these applications are an added complication. But as soon as you get the hang of how to make connections on Twitter — that includes using @mentions and lists to get the most of the platform — make the switch to an app. It will make your life easier in the long run!

    Of these three tools, I prefer Hootsuite. But all three have loyal users, so you really can’t go wrong choosing one. If you do go with Hootsuite, watch this tutorial from Marian Schembari as a primer.

    4. Thinking that scheduling tweets is a big no-no

    You don’t have to be in front of your computer all day to benefit from Twitter. In fact, the best Twitter users actually schedule their tweets — that is, they create a bunch of tweets whenever they have time and schedule them to go live throughout the day or week. This is how you provide massive value — and become a tweep people want to follow — without spending all day online.

    Now, there are two caveats here. The first: Just because you schedule tweets doesn’t mean you should never hop onto the platform and interact. Some of the best connections I’ve formed have grown out of spontaneous conversation, interacting with other people on the platform. That’s essential — so don’t leave interacting out of the equation.

    Second, scheduling tweets is different than automating them.

    Automation is when you publish a blog post and a Twitter app is set up to automatically tweet that post. Scheduling is when you create a tweet by hand, but schedule it to go live at a later date. (Click to tweet this idea.)

    The main reason automation isn’t a good idea is because it’s not optimized. The tweet that goes out automatically is probably simply a headline and a link — and guess what? That violates our cardinal rule: include an @mention.

    If you want to add @mentions, you have to craft tweets by hand. That also allows you to make other tweaks that will encourage followers to click on the link, like asking questions or adding a #hashtag or putting some tease into your update (aka “This story about two writers earning millions blew us away!”).

    So there you have it — four tips that will help you get more out of Twitter. If you want to put the @mention rule into practice, give us a shout at @TheWriteLife. We’re always happy to make new writing friends!

    Alexis Grant is founder and editor of The Write Life. Check out her course: Become a Twitter Power User.